Echoing Hope

Where is Jesus when we need him most? An influential pastor shares how despair can lead us to discover true hope and a deeper relationship with God, helping us emerge stronger and more joyful from times of crisis. “May this careful look at pain in the context of Jesus’s life open up avenues of discovery and healing.”—Mindy Caliguire, cofounder and president of Soul Care We all experience difficulties and hardships. But how can we learn to live richly in the midst of them? And even grow spiritually because of them? The answer is found in the hopeful humanity of Jesus. As the Son of God, Jesus wasn’t exempt from suffering, disappointment, or injustice. He lived in the real world as a real person. He wept for those he loved. He felt hunger and thirst. He endured temptation, betrayal, and ridicule. He died after being unjustly tortured. And somehow through it all, he embodied hope—by defeating death and opening a new world of life for us. In Echoing Hope, influential pastor and blogger Kurt Willems reveals how understanding the humanity of Jesus can radically transform our identity and empower us to step into our pain-filled world in a new way. Combining rich theological insight with personal stories and practices for response, he shows how we can overcome despair and encounter the beautiful potential of our lives.

When Michael turns from war, he finds his childhood love, Hope Reardon, but they must overcome past hurts so that their hearts can love again.

Where is Jesus when we need him most? An influential pastor shares how despair can lead us to discover true hope and a deeper relationship with God, helping us emerge stronger and more joyful from times of crisis. “May this careful look at pain in the context of Jesus’s life open up avenues of discovery and healing.”—Mindy Caliguire, cofounder and president of Soul Care We all experience difficulties and hardships. But how can we learn to live richly in the midst of them? And even grow spiritually because of them? The answer is found in the hopeful humanity of Jesus. As the Son of God, Jesus wasn’t exempt from suffering, disappointment, or injustice. He lived in the real world as a real person. He wept for those he loved. He felt hunger and thirst. He endured temptation, betrayal, and ridicule. He died after being unjustly tortured. And somehow through it all, he embodied hope—by defeating death and opening a new world of life for us. In Echoing Hope, influential pastor and blogger Kurt Willems reveals how understanding the humanity of Jesus can radically transform our identity and empower us to step into our pain-filled world in a new way. Combining rich theological insight with personal stories and practices for response, he shows how we can overcome despair and encounter the beautiful potential of our lives.

“Loss. Fear. Doubt. What does anything mean when your ground of being is stripped away?” Tony met God when he was four years old through the love of his mother. When he was twelve, he realized he had a crush on one of his male friends and grew convinced God would have nothing to do with him. At sixteen, Tony reencountered God who affirmed that nothing stood between them but love. When he was twenty-three, married to the girl of his dreams, and on staff at a church, Tony’s secret came out, and he came close to losing it all. What followed was arduous years of deconstruction, losing everything he thought he knew about God, only to rediscover God in the mystery. This God was not a new God—it was the same one as before, just seen with regenerated faith. This God was more beautiful and restorative than Tony could have ever imagined. Tony’s story is not uncommon in the modern evangelical landscape. Thousands of people throughout the West are experiencing a crisis of faith that is commonly referred to as “deconstruction.” With raw honesty, Tony uses his own story as a starting point for a dialogue on the deconstruction process. Tony unpacks what the deconstruction process is, why it happens, and how the church can help people experiencing a crisis of faith without worsening it along the way. In this memoir, Tony candidly pleads for the church to make a turn: not to a trendier, “progressive” version of Christianity, nor to a stricter form of fundamentalism, but to the revolutionary, Jesus-centered movement that changed the face of the earth. A movement once better known for its society of healing love than its dogma.

Echo is cursed. Lachlan is mad. Each can save the other, but time, distance, magic, and war keep them apart. As a Nymph, Echo’s home is Dodona Forest, and she can’t leave. As a Changeling, Lachlan can’t remain himself for long. They find happiness together for a brief time, until mages bring war to Dodona Forest. To find one another again, they will have to overcome mages, war, time, distance, and even death. Echo and Lachlan are side characters in several other novels, but their story can be read as standalone. They also appear in Shadow – Viktoria’s prequel, Viktoria’s Shadow: Jael, and Bijou’s Cure: Zeke. This novel serves as a companion work to the Vampires & Strygoi Witches/Strygoi Witches & Vampires series.

"This book treats the poetics of biblical allusion in the lyric poetry of William Butler Yeats, and the ways in which the King James Bible became for Yeats a model for poetry as a communal voice shaping a culture." "The introduction analyzes the critical history of what Eleanor Cook has termed the "poetics of allusion," emphasizing the work of the Italian rhetorician Gian Biago Conte and the American critic and poet John Hollander. The major topics considered here are allusions as the intersections of texts, as figures of speech, and as structural signifiers; the centrality of the reader in the study of allusion; the quality of allusions, their placement and varying degrees of clarity; and the centrality of the study of allusion to cultural criticism." "The first chapter is concerned with the development of the Bible as a model for secular poetry from the late eighteenth century to Yeats, surveying Bishop Lowth, Blake, Coleridge, Wordsworth, Shelley, and Matthew Arnold, as well as Yeats's references in his prose works to the Bible as a model for art and the artist, and his desire to restore the Bible as sacred text, yet write his own Bible." "Chapters 2 through 5 take up in detail the poetics of biblical allusion and echo in the poems. Chapter 2 treats the poetry of the nineties: here Yeats usually engages the Bible as an antagonist, subverting it for the sake of a Celtic consciousness, denying its exclusive claim to spiritual truth. But many biblical echoes show Yeats's dependence upon the Bible as a guide to poetic language. Chapter 3 concerns the poetry from In the Seven Worlds to The Wild Swans at Coole. Yeats looks on Scripture with an ironic eye, often replacing it with what he calls "haughtier texts," the parables, prayers, visions, and private revelations that mirror biblical models and make biblical texts into warrants for his own theory of rebirth. Chapter 4 is a close reading of biblical intertextuality in seven poems: "The Second Coming," "Sailing to Byzantium," "Meditations in Time of Civil War," "Nineteen Hundred and Nineteen," "Prayer for My Son," "Dialogue of Self and Soul," and "Vacillation." In these major poems Yeats displays his antitheticality, as Hazard Adams calls it, putting into dramatic tension biblical texts and his own heterodox ideas about birth, death, and resurrection. Chapter 5 examines the poetry after "Vacillation," where Yeats gives biblical texts (often text used before) a new sensual gloss, but also admits the limits of a "high talk" derived from scriptural language." "Chapter 6 places Yeats in the broad context of biblical intertextuality, working backward from modernism to Romanticism. First, the study contrasts Yeats with two of his contemporaries, D. H. Lawrence and T. S. Eliot, for whom the Bible always asserts its religious authority, in the Victorian tradition of Arnold, Clough, Browning, and Tennyson. The study concludes by comparing Yeats to Wordsworth and Shelley. Although Yeats is deeply indebted to them, his attitude is distinct from theirs: even when rejecting the Bible, Wordsworth. and Shelley accept a dogmatic view of it, while Yeats escapes dogmatism."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved