Echoing The Word

This book is an exploration of the biblical and theological themes in the Common Worship Eucharistic texts. The theological formation of many Christians takes place during their weekly celebration of the Eucharist. The language of the Eucharist has a deep impact on the way that people think about God and about themselves. The problem today is that fewer and fewer Christians have any idea about the content and significance of many of the allusions that can be found in the liturgical texts.

An introduction and interactive process for parish-based catechist formation.

God is already at work in your life, whether or not you recognize it. Participants in this twelve-week small group Bible study will experience the whole Bible as the story of God. Plus, they will become aware of God's story continued in everyday life as they practice listening to the stories of others and to life. In Echoing the story, Brady Bryce provides a simple way for people to tell the scattered stories of their lives and re-imagine them in a bigger story. His innovative, narrative approach invites curious skeptics, casual followers of God, and committed disciples of Jesus into community through listening to shared stories.

Uncovering Wordsworth's influence on TennysonThis book explores Tennyson's poetic relationship with Wordsworth through a close analysis of Tennyson's borrowing of the earlier poet's words and phrases, an approach that positions Wordsworth in Tennyson's poetry in a more centralised way than previously recognised. Focusing on some of the most representative poems of Tennyson's career, including 'The Lady of Shalott', 'Ulysses' and In Memoriam, the study examines the echoes from Wordsworth that these poems contain and the transformative part they play in his poetry, moving beyond existing accounts of Wordsworthian influence in the selected texts to uncover new and revealing connections and interactions that shed a penetrating light on Tennyson's poetic relationship with his Romantic predecessor.Key FeaturesFirst book-length study of Tennyson's poetic relationship with WordsworthBy focusing on echoes or parallel passages, book reevaluates Tennyson's poetic relationship with Wordsworth Reveals Wordsworth as the lynchpin of Tennyson's poetryRecalibrates critical estimates of Tennyson as poet, Poet Laureate and Post-Romantic poet

In this essay on "what the imagination has made of the phenomenon of echo," John Hollander examines aspects of the figure of echo in light of their significance for poetry. Looking at echo in its literal, acoustic sense, echo in myth, and echo as literary allusion, Hollander concludes with a study of the rhetorical status of the figure of echo and an examination of the ancient and newly interesting trope of metalepsis, or transumption, which it appears to embody. Centered on ways in which Milton's poetry echoes, and is echoed by, other texts, The Figure of Echo also explores Spenser and other Renaissance writers; romantic poets such as Keats, Shelley, and Wordsworth; and modern poets including Hardy, Eliot, Stevens, Frost, Williams, and Hart Crane. This book has implications for literary theory and holds great practical interest for students and teachers of American and English literature of all periods. This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Angels, St. Francis and the wolf, St. Theresa, St. Nicholas--bring all of these and more to life in your classroom with these lively, enjoyable stories told in simple word and gesture. "Echo Stories" is a great way to totally involve children in storytelling: mind, body, imagination, memory. An ideal resource for religion classes and large children's groups such as retreats.

A reading of Ackroyd that maps the influence of his historical and fiction writings on one another

First published in 1986, this title examines a set of English Renaissance texts by Shakespeare, Spenser, Herbert, Marvell and Milton, within the theoretic framework of postmodern thought. Following an opening chapter that argues for the value of this conjunction as a way of understanding literary history, subsequent chapters draw upon Jacques Derrida’s deconstruction of photocentrism and Jacques Lacan’s analysis of the agency of the letter to offer fully theorized readings. Throughout, there is a sustained concern with the transformations of such Ovidian figures as Narcissus and Echo, Perseus and Medusa, Orpheus and Eurydice, and with the echo effects of Virgilian pastoral, as paradigms for the interplay of voice and writing.