Ecocultural Ethics

The book offers twelve cases of ethics relating to ecology and culture. The twelve cases presented in the twelve essays, are written by eminent scholars from India, USA, Canada and Egypt. Employing various ecocritical frameworks, the writers have tried to understand/analyse literary, cinematic and other cultural texts and contexts. The volume argues that the principles of ethics are as dynamic as culture and nature. Any ecological perspectives/issues/conditions cannot be separated from their cultural contexts and thus need a culture-specific scrutiny to understand the ethics of ecoculture.

The Routledge Handbook of Ecocultural Identity brings the ecological turn to sociocultural understandings of self. The editors introduce a broad, insightful assembly of original theory and research on planetary positionalities in flux in the Anthropocene – or what in this Handbook cultural ecologist David Abram presciently renames the Humilocene, a new “epoch of humility.” Forty international authors craft a kaleidoscopic lens, focusing on the following key interdisciplinary inquiries: Part I illuminates identity as always ecocultural, expanding dominant understandings of who we are and how our ways of identifying engender earthly outcomes. Part II examines ways ecocultural identities are fostered and how difference and spaces of interaction can be sources of environmental conviviality. Part III illustrates consequential ways the media sphere informs, challenges, and amplifies particular ecocultural identities. Part IV delves into the constitutive power of ecocultural identities and illuminates ways ecological forces shape the political sphere. Part V demonstrates multiple and unspooling ways in which ecocultural identities can evolve and transform to recall ways forward to reciprocal surviving and thriving. The Routledge Handbook of Ecocultural Identity provides an essential resource for scholars, teachers, students, protectors, and practitioners interested in ecological and sociocultural regeneration. The Routledge Handbook of Ecocultural Identity has been awarded the 2020 Book Award from the National Communication Association's (USA) Environmental Communication Division.

Anthropocene Ecologies of Food provides a detailed exploration of cross-cultural aspects of food production, culinary practices, and their ecological underpinning in culture. The authors draw connections between humans and the entire process of global food production, focusing on the broad implications these processes have within the geographical and cultural context of India. Each chapter analyzes and critiques existing agricultural/food practices, and representations of aspects of food through various media (such as film, literature, and new media) as they relate to global issues generally and Indian contexts specifically, correcting the omission of analyses focused on the Global South in virtually all of the work that has been done on "Anthropocene ecologies of food." This unique volume employs an ecocritical framework that connects food with the land, in physical and virtual communities, and the book as a whole interrogates the meanings and implications of the Anthropocene itself.

This book tackles the difficult task of defending relativism in the age of science. It succeeds where others have failed by combining the rigor of analytic philosophy with the first-hand insights of anthropological experience. Typically, an anthropologist’s work on relativism offers rich examples of cultural diversity, but lacks philosophical rigor, while a philosopher’s work on relativism offers rigorous argumentation, but lacks rich anthropological examples. Facing Relativism, written by a North American philosopher who lived in the Ecuadorian rainforest, does both. Relativism at a global scale is a view that our claims about the world, both theoretical and practical, are evaluable only relative to a context shaped by factors such as culture, history, language, and environment – or, “a way of life.” It can be at once intuitive and disturbing. While we might expect a way of life to exert some influence on our claims, relativism seems to move to the overly strong conclusion that all of our claims about what is true or good must merely be expressions of cultural bias. It easily opens itself to a host of charges, including paradox and self-contradiction. Facing Relativism argues that such problems arise largely from a failure to situate the view within the context that has, throughout its long history, been its inspiration: the experience – whether through literature, the imagination, or direct anthropological contact – of deeply engaging with a very different way of life. By starting with a careful analysis of the experience of deep engagement, this book shows that relativism is neither as incoherent nor as alarming as we tend to think. In fact, it might just offer the tools we need to face these times of global crisis and change. Alyssa Luboff has produced an exceptional defense of a cultural relativism that recognizes how the epistemic and the ethical intertwine in a way of life. Drawing from her deep engagement over many years with the Chachi and traditional Afro-Ecuadorian people, she provides vivid and compelling examples of how one can come to understand another way of life as well-reasoned, coherent, and integrated, as challenging to one’s own commitments at the same time that one challenges it. Luboff combines her deep engagement with command of the relevant philosophical and anthropological literature. She presents the major arguments against relativism in a sympathetic and generous way, and carefully responds with a sophisticated relativism that acknowledges how the world resists and responds to different conceptual shapings of it. This book is beautifully written and will engage both the academic specialist and the intelligent general reader. – David Wong, Duke University By the time her brilliant faceoff is over, philosophical relativism will never again be seen as a straw man. – Richard A. Shweder, University of Chicago This book will interest readers who seek an astute account of how the pursuit of “truth” – whether relative or absolute – enters into practices of power. Luboff ’s treatment is impressive. – Michael Krausz, Bryn Mawr College and Linacre College, Oxford University

Can humans flourish without destroying the earth? In this book, experts on many of the world's major and minor religious traditions address the question of human and earth flourishing. Each chapter considers specific religious ideas and specific environmental harms. Chapters are paired and the authors work in dialogue with one another. Taken together, the chapters reveal that the question of flourishing is deceptively simple. Most would agree that humans should flourish without destroying the earth. But not all humans have equal opportunities to flourish. Additionally, on a basic physical level any human flourishing must, of necessity, cause some harm. These considerations of the price and distribution of flourishing raise unique questions about the status of humans and nature. This book represents a step toward reconciliation: that people and their ecosystems may live in peace, that people from different religious worldviews may engage in productive dialogue; in short, that all may flourish.

This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.

Sustainability and the City: Urban Poetics and Politics contributes to third-generation discourse on sustainable development by considering, through a humanistic lens, theories and practices of sustainability in a wide range of urban cultures. It demonstrates cities’ inextricability from discussions on sustainability because not only is the world urbanizing at an unprecedented rate but also cities are primary locations of the circulation of excess capital, socioeconomic divisions and hierarchies, political resistance, friction between human and non-human worlds, and the confluence of art, policy, and identity formation in placemaking. With essays by scholars working in a variety of fields—from architecture to literature to music to sociology—this collection maintains that any hope for achieving urban sustainability will require taking seriously the ways in which cities are imagined. Efforts to make cities sustainable must fully incorporate the humanities because critical endeavors and creative expressions that fall within the purview of the humanities are vital to closing the conceptual gulf, as well as the practical gap, between human and non-human conservation. Even if the environmental humanities embrace cities, critics must ask whether coalescing the terms ‘sustainability’ and ‘city’ may actually obstruct human action to combat climate change—which, from some angles, seems impending, self-imposed apocalypse. To examine the urban turn, Sustainability and the City attends to culture. Essays in the first part of the collection approach urban sustainability from various disciplinary vantage points to emphasize history, ideology, pedagogy, and critical theory. The second part of the collection analyzes urban commons on four different continents. Finally, the collection moves from a diverse set of interpretations of on-the-ground urban phenomena to a compilation of readings of sustainability in different media and genres—sound art, drama, fiction, and film—set in, or evocative of, cities. The collection carves out a place for artists and critics to help realize social justice in cities, which generate remarkable power, but power that is too often and too easily used destructively, unfairly, and wastefully despite cities’ unique capacities to inspire and sustain humanity.

Horses serve as central characters in great literary works that span ages and cultures. But why? In The Horse in Literature and Film: Uncovering a Transcultural Paradigm, Francisco LaRubia-Prado, Ph.D. explores the deep symbolic meaning, cultural significance, and projective power that these magnificent animals carry in literature, film, and the human psyche. Examining iconic texts and films from the Middle Ages to the present—and from Western and Eastern cultural traditions—this book reveals how horses, as timeless symbols of nature, bring harmony to unbalanced situations. Regardless of how disrupted human lives become, whether through the suffering caused by the atrocities of war, or the wrestling of individuals and society with issues of authenticity, horses offer an antidote firmly rooted in nature. The Horse in Literature and Film is a book for our time. After an introduction to the field of animal studies, it analyzes celebrated works by authors and film directors such as Leo Tolstoy, Heinrich von Kleist, D.H. Lawrence, Akira Kurosawa, John Huston, Girish Karnad, Michael Morpurgo, and Benedikt Erlingsson. Exploring issues such as power, the boundaries between justice and the law, the meaning of love and home, the significance of cultural belonging, and the consequences of misguided nationalism, this book demonstrates the far-reaching consequences of human disconnection from nature, and the role of the horse in individual and societal healing.