Ecotheology And Nonhuman Ethics In Society

This book promotes Christian ecology and animal ethics from the perspectives of the Bible, science, and the Judeo-Christian tradition. In an age of climate change, how do we protect species and individual animals? Does it matter how we treat bugs? How does understanding the Trinity and Christ's self-emptying nature help us to be more responsible earth caretakers? What do Christian ethics have to do with hunting? How do the Foxfire books of Southern Appalachia help us to love a place? Does ecology need a place at the pulpit and in hymns? How do Catholic approaches, past and present, help us appreciate and respond to the created world? Finally, how does Jesus respond to humans, nonhumans, and environmental concerns in the Gospel of Mark?

In Embracing the Nonhuman in the Gospel of Mark, Dong Hyeon Jeong approaches the Gospel of Mark through the lens of nonhuman studies with an eye toward ecological consciousness. Drawing on the fields of nonhuman studies and postcolonial ecocriticism, Jeong disrupts nthropocentric readings of Mark by engaging animality, vegetality, and animacy theories in light of (colonized) ethnicity. His intersectional reading of Mark highlights the importance of engaging nonhuman biblical interpretation while being sensitive to the issue of racism arising from animalizing the other. By doing so, this book reimagines the Markan Jesus as the colonized messiah who embraces the nonhuman. Jeong encourages readers to consider the interconnectedness of humans, animals, and the environment, while also addressing issues of power, oppression, and marginalization.

Looks at how ecotheology has created a new vision of the natural world and the place of humans within it.

There are two driving questions informing this book. The first is where does our moral life come from? It presupposes that considering morality broadly is inadequate. Instead, different aspects need to be teased apart. It is not sufficient to assume that different virtues are bolted onto a vicious animality, red in tooth and claw. Nature and culture have interlaced histories. By weaving in evolutionary theories and debates on the evolution of compassion, justice and wisdom, it showa a richer account of who we are as moral agents. The second driving question concerns our relationships with animals. Deane-Drummond argues for a complex community-based multispecies approach. Hence, rather than extending rights, a more radical approach is a holistic multispecies framework for moral action. This need not weaken individual responsibility. She intends not to develop a manual of practice, but rather to build towards an alternative philosophically informed approach to theological ethics, including animal ethics. The theological thread weaving through this account is wisdom. Wisdom has many different levels, and in the broadest sense is connected with the flow of life understood in its interconnectedness and sociality. It is profoundly theological and practical. In naming the project the evolution of wisdom Deane-Drummond makes a statement about where wisdom may have come from and its future orientation. But justice, compassion and conscience are not far behind, especially in so far as they are relevant to both individual decision-making and institutions.

A new approach to environmental ethics from within the Christian tradition.

The book offers twelve cases of ethics relating to ecology and culture. The twelve cases presented in the twelve essays, are written by eminent scholars from India, USA, Canada and Egypt. Employing various ecocritical frameworks, the writers have tried to understand/analyse literary, cinematic and other cultural texts and contexts. The volume argues that the principles of ethics are as dynamic as culture and nature. Any ecological perspectives/issues/conditions cannot be separated from their cultural contexts and thus need a culture-specific scrutiny to understand the ethics of ecoculture.

This book uncovers the tremendous importance of water for European medieval literature, focusing on a large number of writers and poets. Water proves to be highly meaningful in religious, literary, and factual narratives insofar as it emerges as a central catalyst to bring about epiphany and epistemological and spiritual illumination.

Sustainability and the City: Urban Poetics and Politics contributes to third-generation discourse on sustainable development by considering, through a humanistic lens, theories and practices of sustainability in a wide range of urban cultures. It demonstrates cities’ inextricability from discussions on sustainability because not only is the world urbanizing at an unprecedented rate but also cities are primary locations of the circulation of excess capital, socioeconomic divisions and hierarchies, political resistance, friction between human and non-human worlds, and the confluence of art, policy, and identity formation in placemaking. With essays by scholars working in a variety of fields—from architecture to literature to music to sociology—this collection maintains that any hope for achieving urban sustainability will require taking seriously the ways in which cities are imagined. Efforts to make cities sustainable must fully incorporate the humanities because critical endeavors and creative expressions that fall within the purview of the humanities are vital to closing the conceptual gulf, as well as the practical gap, between human and non-human conservation. Even if the environmental humanities embrace cities, critics must ask whether coalescing the terms ‘sustainability’ and ‘city’ may actually obstruct human action to combat climate change—which, from some angles, seems impending, self-imposed apocalypse. To examine the urban turn, Sustainability and the City attends to culture. Essays in the first part of the collection approach urban sustainability from various disciplinary vantage points to emphasize history, ideology, pedagogy, and critical theory. The second part of the collection analyzes urban commons on four different continents. Finally, the collection moves from a diverse set of interpretations of on-the-ground urban phenomena to a compilation of readings of sustainability in different media and genres—sound art, drama, fiction, and film—set in, or evocative of, cities. The collection carves out a place for artists and critics to help realize social justice in cities, which generate remarkable power, but power that is too often and too easily used destructively, unfairly, and wastefully despite cities’ unique capacities to inspire and sustain humanity.