Ecstasy And The Demon

Mary Wigman, Germany’s premier dancer between the two world wars, envisioned the performer in the thrall of ecstatic and demonic forces. Widely hailed as an innovator of dance modernism, she never acknowledged her complex relationship with National Socialism. In Ecstasy and the Demon, Susan Manning advances a sociological explanation for the collaboration between German modern dancers and National Socialism. She models methods for dance studies that contextualize choreography in relation to changing sociopolitical conditions, bringing dance scholarship into conversation with intellectual trends across the humanities. The introduction to this second edition brings Manning’s groundbreaking work to bear on dance studies today and reconsiders Wigman’s career from the perspective of queer theory and globalization, further illuminating the interplay of dance and politics in the twentieth century. Susan Manning is professor of English, theater, and performance studies at Northwestern University.

Lore is a Seminus half-breed demon who has been forced to act as his master's assassin. Now to earn his freedom and save his sister's life, he must complete one last kill. Powerful and ruthless, he'll stop at nothing to carry out this deadly mission. Idess is an earthbound angel with a wild side sworn to protect the human Lore is targeting. She's determined to thwart her wickedly handsome adversary by any means necessary - even if that means risking her vow of eternal chastity. But what begins as a simple seduction soon turns into a passion that leaves both angel and demon craving complete surrender. Torn between duty and desire, Lore and Idess must join forces as they battle their attraction for each other. Because an enemy from the past is rising again - one hell-bent on vengeance and unthinkable destruction.

Dancing Women: Female Bodies Onstage is a spectacular and timely contribution to dance history, recasting canonical dance since the early nineteenth century in terms of a feminist perspective. Setting the creation of specific dances in socio-political and cultural contexts, Sally Banes shows that choreographers have created representations of women that are shaped by - and that in part shape - society's continuing debates about sexuality and female identity. Broad in its scope and compelling in its argument Dancing Women: * provides a series of re-readings of the canon, from Romantic and Russian Imperial ballet to contemporary ballet and modern dance * investigates the gaps between plot and performance that create sexual and gendered meanings * examines how women's agency is created in dance through aspects of choreographic structure and style * analyzes a range of women's images - including brides, mistresses, mothers, sisters, witches, wraiths, enchanted princesses, peasants, revolutionaries, cowgirls, scientists, and athletes - as well as the creation of various women's communities on the dance stage * suggests approaches to issues of gender in postmodern dance Using an interpretive strategy different from that of other feminist dance historians, who have stressed either victimization or celebration of women, Banes finds a much more complex range of cultural representations of gender identities.

The author of the Exorcism of Anneliese Michel “is to be commended for a stimulating and wide-reaching treatment of a compelling and much-debated subject” (Journal of Folklore Research). As part of a series that strives to introduce new or previously unrecognized folkloric phenomena—as well as new approaches and theories that result from discovery and investigation—How About Demons? provides an overview of a topic that has for many years captured the imagination of people from all walks of life. Rich in detail derived from the author’s fieldwork and anthropological literature, this work contemplates possession and exorcism in a holistic manner—discussing their effects on both the body and soul. How About Demons? paints a picture of possession as a usually positive experience occurring in a wide variety of cultures and religions around the globe. It also details the ritual of exorcism which is applied when things go wrong. “Quite an interesting book.”—Religious Studies Review “It is by far superior to anything else on demons we have seen in the past few years.”—The American Rationalist

In this dark and intriguing paranormal romance from New York Times bestselling author Larissa Ione, a forbidden romance turns deadly when a slayer is tasked with killing the demon who saved her life. In a place where ecstasy can cost you your life . . . She's a demon-slayer who hungers for sensual pleasure-but fears it will always be denied her. Until Tayla Mancuso lands in a hospital run by demons in disguise, and the head doctor, Eidolon, makes her body burn with unslakable desire. But to prove her ultimate loyalty to her peers, she must betray the surgeon who saved her life. Two lovers will dare to risk all. Eidolon cannot resist this fiery, dangerous woman who fills him with both rage and passion. Not only is she his avowed enemy, but she could very well be the hunter who has been preying upon his people. Torn between his need for the truth and his quest to find his perfect mate before a horrific transformation claims him forever, Eidolon will dare the unthinkable-and let Tayla possess him, body and soul...

Ecstasy, or extasis, is the Greek term for trance, and is linked with a pleasurable, God-given state of out-of-body experience recorded throughout the New Testament and the church age. Starting with the apostles ecstatic experiences on Pentecost, the Book of Acts further records trances in the lives of Peter and Paul. From the early church to the Christian mystics of the Middle Ages and the famous revivalists of centuries present, God s movements on the earth have always been marked by these supernatural experiences. In this book, John Crowder takes us on a journey from Old Testament ecstatic prophets such as Samuel and Elijah, to the future ecstatics who will usher in a massive wave of harvest Glory to the streets in these last days. God has always wanted a people who live in the Heavens, even as they walk on the Earth. And the world is hungry for the demonstration of a gospel of supernatural power that flows from a life of divine pleasure. More than a state of mind, you will see how the nature of God s ecstasy is found in the joy, bliss and inner raptures of His presence. In this book, you will be encouraged to drink from the river of His pleasure! (Ps. 36:8)

Dance theatre has become a site of transformation in the Irish performance landscape. This book conducts a socio-political and cultural reading of dance theatre practice in Ireland from Yeats' dance plays at the start of the 20th century to Celtic-Tiger-era works of Fabulous Beast Dance Theatre and CoisCéim Dance Theatre at the start of the 21st.