Edison S Concrete Piano

Not even geniuses get it right the first time . . . An “entertaining” look at the failures of great inventors (Booklist). To achieve great things, you have to be willing to take risks—and as Edison’s Concrete Piano reveals, some of the most famous names in history experienced plenty of flops and face-plants in the course of their careers. Thomas Edison, for example, not only revolutionized the world with the light bulb, but also designed a concrete piano, a nonoperational helicopter made from box kites and piano wire, and a machine to speak to the dead. Alexander Graham Bell, inventor of the telephone, actually devoted most of his time to his sheep farm in Nova Scotia—devising a multi-nippled sheep somewhere along the way. You’ll also read about Leonardo da Vinci’s walk-on-water shoes, George Washington Carver’s miracle peanut cure, and much more. The ludicrous ideas, faulty designs, and offbeat hobbies in this volume will inspire laughs—and serve as a reminder that even the very best minds make mistakes. “Captivating . . . This book is full of lessons for inventors and non-inventors alike.” —Henry Petroski, author of Success through Failure

Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and At Home is likely to become the most illuminating book on the way we lived then and live now--the why and the where and the how of it--ever written. Now, in this handsome new edition, his sparkling prose will be enhanced by some 200 carefully curated full-colour images from both the past and the present. Selected from a staggering array of sources to bring Bill's journey to vivid life, these pictures will make reading At Home an immersive experience. When you've finished this book, you will see your house--and your daily life--in a new and revelatory light.

From one of the most beloved authors of our time—more than six million copies of his books have been sold in this country alone—a fascinating excursion into the history behind the place we call home. “Houses aren’t refuges from history. They are where history ends up.” Bill Bryson and his family live in a Victorian parsonage in a part of England where nothing of any great significance has happened since the Romans decamped. Yet one day, he began to consider how very little he knew about the ordinary things of life as he found it in that comfortable home. To remedy this, he formed the idea of journeying about his house from room to room to “write a history of the world without leaving home.” The bathroom provides the occasion for a history of hygiene; the bedroom, sex, death, and sleep; the kitchen, nutrition and the spice trade; and so on, as Bryson shows how each has fig­ured in the evolution of private life. Whatever happens in the world, he demonstrates, ends up in our house, in the paint and the pipes and the pillows and every item of furniture. Bill Bryson has one of the liveliest, most inquisitive minds on the planet, and he is a master at turning the seemingly isolated or mundane fact into an occasion for the most diverting exposi­tion imaginable. His wit and sheer prose fluency make At Home one of the most entertaining books ever written about private life.

First published in 1997. This is Volume 8 in a series of a planned eleven on Contemporary Music Studies. Edison Denisov belongs to the generation of composers who came to the fore in the post-Stalinist era and were destined to change the course of Russian music. It would be hard to find a more impressive case of running against the stream in the history of Russian music. This post-war generation of composers grew up in the deadening atmosphere of totalitarianism behind the Iron Curtain, under the sway of the personality cult and the enforced precepts of so-called Socialist Realism. Their maturity in the late 1940s coincided with persecutions of the best writers, poets and theatrical figures, Party resolutions on music, and the struggle against formalism and cosmopolitanism. This generation took up the challenge and embarked on its way, proceeding from unconscious but mounting intellectual ferment to an open breach with official ideological doctrines, towards more and more daring and independent artistic concepts. The creative personality of Edison Denisov, one of the leading Russian avant-gardists, was shaped under these conditions. Starting in a Shostakovian style, Denisov took a sharp tum toward the New Music of Boulez and Nono. Denisov's creative individuality, rooted in the past of Russian music and developed under the beneficial impact of 20th century composers like Stravinsky, Bartok and Webern, revealed itself to its best advantage in his avant­garde compositions beginning with the cantata The Sun of the Incas. In this monograph, detailed analyses are given of Denisov's compositional techniques and his musical and literary works in an attempt to reveal the inner world of one of the foremost repre­sentatives of the Russian avant-garde.

Thomas A. Edison and the Modernization of America is a captivating narrative which chronicles America's most formidable inventor and contributor to modern technology. Martin Melosi creates a dynamic historical narrative by relating Edison's personal history to larger cultural, political and economic trends. Melosi adeptly reveals the workings of Edison's mind as well as his inventions' lasting affect on the nation. Historians have often designated robber barons and large trusts as the face of the rapid economic and technological advances of the Gilded Age. However, this book exposes students to a more refreshing look at America's economic history, placing the inventor above the banker. The titles in the Library of American Biography Series make ideal supplements for American History Survey courses or other courses in American history where figures in history are explored. Paperback, brief, and inexpensive, each interpretive biography in this series focuses on a figure whose actions and ideas significantly influenced the course of American history and national life. In addition, each biography relates the life of its subject to the broader themes and developments of the times.

Edited by Barry Bergdoll, Peter Christensen. Texts by Barry Bergdoll, Peter Christensen, Ken Tadashi Oshima, Rasmus Waen.

DVD features highlights from the conference held at Columbia University.

Thomas Edison’s greatest invention? His own fame. At the height of his fame Thomas Alva Edison was hailed as “the Napoleon of invention” and blazed in the public imagination as a virtual demigod. Starting with the first public demonstrations of the phonograph in 1878 and extending through the development of incandescent light and the first motion picture cameras, Edison’s name became emblematic of all the wonder and promise of the emerging age of technological marvels. But as Randall Stross makes clear in this critical biography of the man who is arguably the most globally famous of all Americans, Thomas Edison’s greatest invention may have been his own celebrity. Edison was certainly a technical genius, but Stross excavates the man from layers of myth-making and separates his true achievements from his almost equally colossal failures. How much credit should Edison receive for the various inventions that have popularly been attributed to him—and how many of them resulted from both the inspiration and the perspiration of his rivals and even his own assistants? This bold reassessment of Edison’s life and career answers this and many other important questions while telling the story of how he came upon his most famous inventions as a young man and spent the remainder of his long life trying to conjure similar success. We also meet his partners and competitors, presidents and entertainers, his close friend Henry Ford, the wives who competed with his work for his attention, and the children who tried to thrive in his shadow—all providing a fuller view of Edison’s life and times than has ever been offered before. The Wizard of Menlo Park reveals not only how Edison worked, but how he managed his own fame, becoming the first great celebrity of the modern age.