Egypt In Flux

No chapter in Egypt’s contemporary history has been more turbulent and unpredictable than the past three years. In a very short period of time, the Arab world’s most populous country has seen a transition from rule by an iron-fisted dictatorship to a populist uprising to military omnipotence to Islamist electoral victory to constitutional turmoil to societal polarization. Egypt’s iconic revolution has been neither victorious nor defeated. Egypt in Flux is a collection of essays on the political, social, economic, and cultural dimensions of change in the country’s ongoing revolutionary current. While written over a span of several years, the essays are timeless in the historical context they provide and their ability to chart the country's trajectory in the period ahead. From the conditions that precipitated the uprising and the eruption of national dissent to the derailing of the revolution, the author reflects on the pressing topics of the day while being mindful of the counterrevolutionary movements and the continuation of the unending uprising. From discussions about the illusion of fair and free elections, social inequities, and labor disparities to examinations of religion, sports, literature, and sexuality, the essays in this valuable and intellectually stimulating volume chart both the broad lines and the nuances of an unfinished revolution.

This introductory text explores the gendered history of the modern Middle East, from the eighteenth century to the present, studying the various ways in which gender has defined the region and shaped relations in the modern era. The book captures three aspects of change simultaneously: the events that mark the “modern” Middle East, women’s encounters with the transition to modernity and gendered responses to modernity. It contains both new fieldwork and a synthesis of secondary scholarship that highlight the role of gender in the modernization of Egypt, Turkey, Iran, the Levant and the Persian Gulf states. Chapters are organized chronologically to chart the rapid developments of the modern era, but each chapter also stands on its own, with coverage of masculinity and femininity, sexuality, marriage and the family, labor and women’s contributions to Arab Spring uprisings. Through this comprehensive account, the book pushes back on stereotypes that the Middle East is an ahistorical region and that women have not been vital actors in the process of change. Richly illustrated and accessible for a variety of readers, History, Women and Gender in the Modern Middle East is an ideal resource for undergraduate and postgraduate students in gender studies and Middle Eastern history.

The award-winning journalist and longtime Cairo resident delivers a “meticulous, passionate study” of the ongoing battle for contemporary Egypt (The Guardian). On January, 25, 2011, a revolution began in Egypt that succeeded in ousting the country’s longtime dictator Hosni Mubarak. In The Egyptians, journalist Jack Shenker uncovers the roots of the uprising and explores the country’s current state, divided between two irreconcilable political orders. Challenging conventional analyses that depict a battle between Islamists and secular forces, The Egyptians illuminates other, equally important fault lines: far-flung communities waging war against transnational corporations, men and women fighting to subvert long-established gender norms, and workers dramatically seizing control of their own factories. Putting the Egyptian revolution in its proper context as an ongoing popular struggle against state authority and economic exclusion, The Egyptians explains why the events since 2011 have proved so threatening to elites both inside Egypt and abroad. As Egypt’s rulers seek to eliminate all forms of dissent, seeded within the rebellious politics of Egypt’s young generation are big ideas about democracy, sovereignty, social justice, and resistance that could yet change the world. “I started reading this and couldn’t stop. It’s a remarkable piece of work, and very revealing. A stirring rendition of a people’s revolution as the popular forces that Shenker vividly depicts carry forward their many and varied struggles, with radical potential that extends far beyond Egypt.” —Noam Chomsky

The book describes current research into all aspects of craftwork in ancient Egypt.

The Equality of Flesh traces a new genealogy of equality before its formalization under liberalism. While modern ideas of equality are defined through an inner human nature, Brent Dawson argues that the sixteenth and seventeenth centuries conceptualized equality as an ambivalent and profoundly bodily condition. Everyone was made from the same lowly matter and, as a result, shared the same set of vulnerabilities, needs, and passions. Responding to the political upheavals of colonialism and the intellectual turmoil of new natural philosophies, leading figures of the English Renaissance, including Edmund Spenser and William Shakespeare, anxiously imagined that bodily commonality might undermine differences of religion, race, and class. As the period progressed, later authors developed the revolutionary possibilities of bodily equality even as new ideas of fixed racial inequality emerged. Some—like the utopian radical Gerrard Winstanley and the republican poet John Milton—challenged political absolutism through the idea of humans as base, embodied creatures. Others—like the heterodox philosopher Margaret Cavendish, the French theologian Isaac La Peyrère, and the libertine Cyrano de Bergerac—offered limited yet important interrogations of racial paradigms. This moment, Dawson shows, would pass, as bodily equality was marginalized in the liberal theories of John Locke and Thomas Hobbes. In its place, during the Enlightenment pseudoscientific racism would come to anchor inequality in the body. Contending with the lasting implications of material equality for modernity, The Equality of Flesh shows how increasingly vehement notions of racial difference eclipsed a nascent sense of human commonality rooted in the basic stuff of life.

Jalal Toufic is a thinker and a mortal to death. He was born in 1962 in Beirut or Baghdad and died before dying in 1989 in Evanston, Illinois. This second edition of a collection of his essays whirls around the appearance of the unworldly in art, culture, history, and the present.