Ekhaya

This collection of essays documents, conceptualises and theorises the ways in which Zimbabwean, in particular, and African practitioners, in general, creatively work and perform in contemporary Africa. It serves to consolidate the ways in which Zimbabwean and African performance is made and understood by Zimbabwean practitioners and theorists. The book examines this emergent, dynamic performance movement which transforms performances into acts of reflection, engagement, and/or discussion between the performer and spectator through various creative performative avenues, such as interjections, call and response, singing, clapping and use of communally identifiable everyday objects in design, which affirm and fuse the actors and spectators together. Finally, this book exposes the dominant exclusivity and Anglocentrism in critical pedagogies of performance in Zimbabwe through problematizing the “taken-for-grantedness” of the accepted ways in which performance and theory have been conceptualised.

The first the English and Zulu Dictionary dictionary was published in 1958 by Wits Unviersity Press and compiled by C.M. Doke and B.W. Vilakazi, intended as a companion to the Zulu-English Dictionary compiled by Doke and Vilakazi (first published 1948 by Wits University Press). The first combined edition with English-isiZulu / isiZulu-English was published in 1990 and remains the definitive authority. A vised isiZulu orthography is introduced in this Fourth Edition in line with the approved PanSALB (2008) orthography revisions undertaken under the auspices and control of the Wits Language Centre, Johannesburg.

“This book was born out of an idea that I had during the period in which I spent time with several young people who had approached me to assist them in different ways, including personal development, career advancement and growth, as well as growing their businesses and entrepreneurial acumen and skills. I took the challenge but felt that more could be achieved, hence this book. The chapters in this book are written by each one of these young people. They chose the topics, guided by me, and the plan was to simply convey a message from each one of them about leadership. They did not do this for fame or to sell this book to make money, but to share their ideas. The topics covered in this book will appeal to different readers, and some readers might find more lessons in one chapter or in more chapters than one. I urge each one of you who read this book to pick one or a few lessons and share it with those you wish to make a difference to. Mentorship of young people is critical, but this does not mean that the mentors will provide handouts in the form of money. People who wish to grow, are not interested in money, they are interested in a piece of your generous heart.” - Mike Teke

This highly accessible portrayal of a post-apartheid neighborhood in transition analyzes the relationship between identity, migration, and place. Since it was founded in 1894, amidst Johannesburg’s transformation from a mining town into the largest city in southern Africa, Hillbrow has been a community of migrants. As the “city of gold” accumulated wealth on the backs of migrant laborers from southern Africa, Jewish Eastern Europeans who had fled pogroms joined other Europeans and white South Africans in this emerging suburb. After World War II, Hillbrow became a landscape of high-rises that lured western and southern Europeans seeking prosperity in South Africa’s booming economy. By the 1980s, Hillbrow housed some of the most vibrant and visible queer spaces on the continent while also attracting thousands of Indian and Black South Africans who defied apartheid laws to live near the city center. Filling the void for a book about migration within the Global South, The Roads to Hillbrow explores how one South African neighborhood transformed from a white suburb under apartheid into a “grey zone” during the 1970s and 1980s to become a “port of entry” for people from at least twenty-five African countries. The Roads to Hillbrow explores the diverse experiences of domestic and transnational migrants who have made their way to this South African community following war, economic dislocation, and the social trauma of apartheid. Authors Ron Nerio and Jean Halley weave sociology, history, memoir, and queer studies with stories drawn from more than 100 interviews. Topics cover the search for employment, options for housing, support for unaccompanied minors, possibilities for queer expression, the creation of safe parks for children, and the challenges of living without documents. Current residents of Hillbrow also discuss how they cope with inequality, xenophobia, high levels of crime, and the harsh economic impacts of COVID-19. Many of the book’s interviewees arrived in Hillbrow seeking not only to gain better futures for themselves but also to support family members in rural parts of South Africa or in their countries of origin. Some immerse themselves in justice work, while others develop LGBTQ+ support networks, join religious and community groups, or engage in artistic expression. By emphasizing the disparate voices of migrants and people who work with migrants, this book shows how the people of Hillbrow form connections and adapt to adversity.

A master storyteller of the Xhosa people of South Africa, Nongenile Masithathu Zenani gives us an unprecedented view of an oral society from within. Twenty-four of her complex and beautiful tales about birth, puberty, marriage, and work, as told to the renowned collector of African oral tradition, Harold Scheub, are gathered here. Accompanying the stories are Zenani’s detailed commentaries and analyses and Scheub’s striking photographs of her in performance. The combination of these historical and cultural observations with a richly symbolic collection of tales from a single traditional storyteller make The World and the Word a remarkable document. “The storyteller’s materials are simple,” Zenani told Scheub, “the world, and the word.” She presents to us the entire world of the Xhosa people, how they first came to be, the origins of their customs, how they order their world and deal with transgressors, how they manage all of life’s transitions from birth to death. She depicts both the world as it exists and as it is shaped in the words of the storyteller. Inheriting tales from the Xhosa tradition, Zenani has transformed them into imaginative new stories marked by her own artistry. Scheub’s introduction to The World and the Word discusses Xhosa oral tradition and Zenani’s particular characteristics as an artist within that tradition; Zenani’s personal history and her work as both a storyteller and a healer; and Scheub’s friendship with her and his role in recording her legacy.

Urban regeneration is currently taking place in inner-city Johannesburg. This book presents an alternative, multi-layered account for reading the process of urban change and renewal. The provision of social and affordable housing and the spread of private security are explored through the lenses of neoliberal urbanism, gentrification, the privatisation of public space and revanchist policing. This book interrogates these concepts and challenges their assumptions based on new qualitative and ethnographic evidence emerging out of Johannesburg. Dated concepts in Critical Urban Studies are re-evaluated and the book calls for an alternative, adaptable approach, focusing on how we develop a vocabulary and creative understanding of urban regeneration. This book is an outstanding contribution to theoretical and comparative approaches to understanding cities and processes of urban change. It offers practical insights and experiences which will be of considerable use to practitioners, policy-makers and urban planning students.

How do government officials, elected politicians, powerful economic actors and ordinary people think and talk about the urban geography of South Africa? How do they describe and represent change that is happening in cities, towns and villages? Do they consider these changes to be good or bad? How do they think such places should change? What do they do to try to bring about the changes they desire? Competing answers to these questions have been at the centre of South Africa’s urban development. Through the 19th and 20th centuries, white minority governments straddled quite contradictory imaginaries about who could build lives for themselves in urban areas and on what terms. Ordinary people held their own urban imaginaries that were quite different to those of white minority governments, and were core to the fight for democracy. In the democratic era, a range of official and popular imaginaries offer diverse visions on how South Africans should be transformed. In an earlier collection produced under the GCRO Spatial Imaginaries project, we explored the sometimes contradictory nature of post-apartheid urban visions with, for example, with some promoting the creation of new urban settlements on greenfield sites, and others attempting to densify and diversify long urbanised spaces. Research Report 13, South African urban imaginaries: Cases from Johannesburg, is a second edited collection under the Spatial Imaginaries project, and it uses a series of cases from Johannesburg that illustrate the interactions between urban imaginaries and the material city. These cases include: the depiction of central business districts in film as spaces of aspiration; the way in which the imaginaries of developers in Hillbrow were shaped by the lives of those living there; the imaginaries of Alexandra Renewal Project practitioners; the way in which residents of Brixton understand diversity; and the construction of two new bridges across the M1 to better connect Sandton and Alexandra.