El Ayer De Hoy

Mi ayer, al que me referiré en este libro, es 1947, año en el que me gradué. En ese entonces, ser médico significaba haber adquirido los conocimientos teóricos en la facultad y los prácticos en los hospitales. El conocimiento médico avanzaba de a pie y con paso de paseo. Los médicos podían ser clínicos y cirujanos, y abarcar varias especialidades. Ser médico hoy es muy diferente. A la responsabilidad ética de antaño hacia la propia conciencia, se ha sumado la responsabilidad legal respecto de pacientes muchas veces hostiles y estimulados por abogados poco escrupulosos. Mañana (un mañana que ya es hoy) se le añadirá todavía la responsabilidad económica, exigida por quienes gerencian los sistemas de salud. Así, cualquier clínico, además de enfrentar problemas activos de un paciente concreto, deberá enfrentar –ya lo hace hoy–problemas probabilísticos. Ayer, hoy y mañana no son sólo cambios cronológicos, sino también variaciones de pautas culturales. Sabemos que no podemos detener el tiempo; aun así, podemos defender de la erosión las pautas culturales que creemos dignas. Hasta hace algunas décadas, el médico vivía la pauta cultural de la entrega generosa y la sabiduría, que hoy debe cambiar por la de la efectividad y la eficiencia. El esfuerzo debe apuntar, entonces, a conciliar ambas culturas; el desafío es cómo hacerlo. Alberto Agrest Sus escritos, que deberían ser de lectura obligada para quienes se dedican a la medicina y más aún para las nuevas generaciones que planean hacerlo, lo han convertido ya en un clásico de la reflexión sobre el destino de la medicina contemporánea. Guillermo Jaim Etcheverry

This two-volume compendium brings together leading scholars from around the world who provide authoritative studies of the old and new epistemic motifs and theoretical strands that have characterized the interdisciplinary field of comparative and international education in the last 50 years. It analyses the shifting agendas of scholarly research, the different intellectual and ideological perspectives and the changing methodological approaches used to examine and interpret education and pedagogy across different political formations, societies and cultures.

This first volume covers talks given in Italy, Norway and India. Krishnamurti begins with the statement "Friends, I should like you to make a living discovery, not a discovery induced by the description of others ... I am not going to try to describe what to me is truth, for that would be an impossible attempt. One cannot describe or give to another the fullness of an experience. Each one must live it for himself."

Las rimas de Gustavo Adolfo Bécquer, así como su obra en prosa, ponen de relieve la polaridad, la contradicción, el continuo vaivén de la esperanza y la desilusión. La estructura de sus poemas responde, en la medida de su lógica interna (sí/pero no), a la misma ley de contradicción que existe en los estratos profundos del espíritu. El problema de la vida y el amor se plantea y se une con su visión del mundo. La vida, o la experiencia, puede ser bella o fea, buena o mala. Toda experiencia abre una última dualidad insuperable, que desgarra la unidad de la existencia. En su coyuntura interna, lo uno anula lo otro; un mismo objeto o sentimiento puede ser motivo de entusiasta afirmación y al mismo tiempo de apasionada negación. Su poesía es delirio alegre o reconcentrado dolor; el ritmo psicológico oscila entre impulsos contrarios. La acumulación de las antítesis profundiza los estados internos. El alma se debate entre opuestos: la razón y la pasión; la alegría y el dolor; la esperanza y la desesperanza.

Cultural modernity has habitually been defined as a focus on the means of representation themselves, as opposed to art that imitates external reality or expresses its maker's inner life. The crucial moment is usually considered the emergence of Edouard Manet in mid-nineteenth-century France, and the features of French developments have been seen as defining terms in the theory of modernity. However, recent art and cultural history have often spoken of plural modernities, distinct from the pattern set in France. For the first time, this study in cultural history explores how Spanish culture took a radical turn toward the medium of representation itself in the 1850s and early 1860s. It argues that this happened in a way that is critically at odds with many fundamental theoretical suppositions about modernity.

Now in paperback, the definitive, life-spanning, bilingual edition of the poems by the Nobel Prize laureate The Poems of Octavio Paz is the first retrospective collection of Paz’s poetry to span his entire writing career from his first published poem, at age seventeen, to his magnificent last poem. This landmark bilingual edition contains many poems that have never been translated into English before, plus new translations based on Paz’s final revisions. Assiduously edited by Eliot Weinberger—who has been translating Paz for over forty years—The Poems of Octavio Paz also includes translations by the poet-luminaries Elizabeth Bishop, Paul Blackburn, Denise Levertov, Muriel Rukeyser, and Charles Tomlinson. Readers will also find Weinberger’s capsule biography of Paz, as well as notes on many poems in Paz’s own words, taken from various interviews he gave throughout his long and singular life.

The Big Chill meets The Group in Deborah Copaken Kogan's wry, lively, and irresistible new novel about a once-close circle of friends at their twentieth college reunion. Clover, Addison, Mia, and Jane were roommates at Harvard until their graduation in 1989. Clover, homeschooled on a commune by mixed-race parents, felt woefully out of place. Addison yearned to shed the burden of her Mayflower heritage. Mia mined the depths of her suburban ennui to enact brilliant performances on the Harvard stage. Jane, an adopted Vietnamese war orphan, made sense of her fractured world through words. Twenty years later, their lives are in free fall. Clover, once a securities broker with Lehman, is out of a job and struggling to reproduce before her fertility window slams shut. Addison's marriage to a writer's-blocked novelist is as stale as her so-called career as a painter. Hollywood shut its gold-plated gates to Mia, who now stays home with her four children, renovating and acquiring faster than her director husband can pay the bills. Jane, the Paris bureau chief for a newspaper whose foreign bureaus are now shuttered, is caught in a vortex of loss. Like all Harvard grads, they've kept abreast of one another via the red book, a class report published every five years, containing brief autobiographical essays by fellow alumni. But there's the story we tell the world, and then there's the real story, as these former classmates will learn during their twentieth reunion weekend, when they arrive with their families, their histories, their dashed dreams, and their secret yearnings to a relationship-changing, score-settling, unforgettable weekend.