El Temple De La Sagrada Fam Lia

Catalogus van een tentoonstelling van werk van Catalaanse kunstenaars.

Discover the Temple of the Sagrada Familia, the masterpiece of Gaudi in Barcelona, with this coffee table book that contains a lot of colourful pictures. Published by Triangles Postals, this book is good start for a future journey.

L’origen d’aquesta Miscel·lània és sens dubte motiu d’alegria. La iniciativa sorgeix d’un grup d’amics, a finals de l’any 2010. El llibre vol ser un sentit homenatge a Salvador Tarragó, arquitecte, historiador i professor d’història de l’Enginyeria Civil a l’Escola d’Enginyers de Camins de la UPC, amb motiu de la seva jubilació. Ens referim a la trajectòria de tots aquests anys, com a investigador i professor, però, també, home d’acció, amb la iniciativa i el coratge que ha demostrat en diversos àmbits culturals i socials de Catalunya, Galícia, Andalusia, Madrid i de manera indirecta d’Amèrica Llatina. El llibre es divideix en tres apartats: Biogràfics, on es recullen els diversos reconeixements d’amics, estudiants i persones properes a Salvador al llarg de la seva trajectòria; Aportacions, articles de treballs de recerca o reflexió més personals, i finalment, Antologia de textos de Salvador Tarragó ordenats cronològicament.

The first comprehensive Reader to accompany the remarkable city of Barcelona

Antoni Gaudí, an architect with a very strong personality and with an incomparable imagination for forms, was also a first class constructor, capable of introducing innovations into traditional styles and finding other solutions that met the needs of his time and, indeed, those of the future. This book takes a tour of the Temple of the Sagrada Família--his most emblematic and popular work, to which he devoted more than 42 years of his life--, in order to discover the innumerable details that characterise it, just as Gaudí left it at the time of his death, as well as its continuation, undertaken using current techniques, something that demonstrates the feasibility of his fantastic project.

In a media-saturated world, humour stands out as a form of social communication that is especially effective in re-appropriating and questioning architectural and urban culture. Whether illuminating the ambivalences of metropolitan life or exposing the shock of modernisation, cartoons, caricature, and parody have long been potent agents of architectural criticism, protest and opposition. In a novel contribution to the field of architectural history, this book outlines a survey of visual and textual humour as applied to architecture, its artefacts and leading professionals. Employing a wide variety of visual and literary sources (prints, the illustrated press, advertisements, theatrical representations, cinema and TV), thirteen essays explore an array of historical subjects concerning the critical reception of projects, buildings and cities through the means of caricature and parody. Subjects range from 1750 to the present, and from Europe and the USA to contemporary China. From William Hogarth and George Cruikshank to Osbert Lancaster, Adolf Loos' satire, and Saul Steinberg's celebrated cartoons of New York City, graphic and descriptive humour is shown to be an enormously fruitful, yet largely unexplored terrain of investigation for the architectural and urban historian.