Elam

From the middle of the 3rd millennium BC until the coming of Cyrus the Great, southwestern Iran was referred to in Mesopotamian sources as the land of Elam. A heterogeneous collection of regions, Elam was home to a variety of groups, alternately the object of Mesopotamian aggression, and aggressors themselves; an ethnic group seemingly swallowed up by the vast Achaemenid Persian empire, yet a force strong enough to attack Babylonia in the last centuries BC. The Elamite language is attested as late as the Medieval era, and the name Elam as late as 1300 in the records of the Nestorian church. This book examines the formation and transformation of Elam's many identities through both archaeological and written evidence, and brings to life one of the most important regions of Western Asia, re-evaluates its significance, and places it in the context of the most recent archaeological and historical scholarship.

Susa and Elam II contains 16 contributions presented at an international conference on Susa and Elam (SW Iran) in 2015 in Louvain-la-Neuve (Belgium). They cover various themes on Susian and Elamite history, language, religion, and culture.

The late 7th and 6th centuries B.C. were a period of tremendous upheaval and change in ancient western Asia, marked by the destruction of the Assyrian Empire, the rise and collapse of the Neo-Babylonian state, and the stunning ascent of what was to become the Achaemenid Persian Empire, the largest polity the world had yet seen. Of the major cultural entities involved in these far-reaching events, Elam has long remained the least understood. The essays contained in this book are part of a continuing reassessment of the nature and significance of Elam in the early 1st millennium B.C., with a focus on the relationship between “Elamite” culture of the Neo-Elamite period and the emerging “Persian” culture in southwestern Iran in the 7th and 6th centuries B.C. The conception of this volume goes back to the 2003 meeting of the American Schools of Oriental Research that took place in Philadelphia, Pennsylvania, where two sessions were dedicated to the rich cultural heritage of ancient Iran. It was also the first time that Iranian archaeology was represented at ASOR since the Iranian Revolution. This volume contains 14 contributions by leading scholars in the discipline, organized into 3 sections: archaeology, texts, and images (art history). The volume is richly illustrated with more than 200 drawings and photographs.

In December 2009, an international congress was held at Ghent University in order to investigate, exactly 20 years after the 36th RAI “Mésopotamie et Elam”, the present state of our knowledge of the Elamite and Susean society from archaeological, philological, historical and geographical points of view. The multidisciplinary character of this congress illustrates the present state of research in the socio-economic, historical and political developments of the Suso-Elamite region from prehistoric times until the great Persian Empire. Because of its strategically important location between the Mesopotamian alluvial plain and the Iranian highlands and its particular interest as point of contact between civilizations, Susa and Elam were of utmost importance for the history of the ancient Near East in general.

The Art of Elam ca. 4200-525 BC offers a view of, and a critical reflection on, the art history of one of the world’s first and least-known civilizations, illuminating a significant chapter of our human past. Not unlike a gallery of historical paintings, this comprehensive treatment of the rich heritage of ancient Iran showcases a visual trail of the evolution of human society, with all its leaps and turns, from its origins in the earliest villages of southwest Iran at around 4200 BC to the rise of the Achaemenid Persian empire in ca. 525 BC. Richly illustrated in full colour with 1450 photographs, 190 line drawings, and digital reconstructions of hundreds of artefacts—some of which have never before been published—The Art of Elam goes beyond formal and thematic boundaries to emphasize the religious, political, and social contexts in which art was created and functioned. Such a magisterial study of Elamite art has never been written making The Art of Elam ca. 4200-525 BC a ground-breaking publication essential to all students of ancient art and to our current understanding of the civilizations of the ancient Near East.