Elements Of Style For Screenwriters

In the grand tradition of Strunk and White's Elements of Style, Paul Argentini presents an essential reference masterpiece in screenwriting. He provides clear and concise principles of screenplay formatting structure, as well as stylistic advice. Argentini explains how to design and format manuscripts to impress any film school professor, story editor, agent, producer or studio executive. No book in shorter space, with fewer words, will help screenwriters more than this persistent volume. Elements of Style for Screenwriters contains: · A to Z listing of format terms and examples · Incorporates changes in acceptable screenplay format submissions · Includes a special section on stage play formatting · Complete listing of literary agencies that represent screenwriters

In the tradition of Strunk and White's The Elements of Style, this essential reference offers welcome help for the thousands of screenwriters who have discovered that putting together a successful screenplay is much harder than it seems.

Written for both new and experienced writers, this comprehensive marketing guide offers advice and tips needed by writers to succeed in the film and television industries. Focusing on the business of writing, it gives writers the unabashed truth about the film industry, and advice on how to get scripts to the gatekeepers of the studios and read by agents. Comprehensive listings of contests, fellowships, grants, and development opportunities from an industry expert provide specific information on securing a healthy writing career. This extensive resource also includes guidelines regarding copyrights, sources for emergency funds, a listing of online resources, information on writers' colonies and retreats, and more.

Providing examples from well-known movies, Field explains the structural and stylistic elements as well as writing techniques basic to the creation of a successful film script.

How to Get the Part...Without Falling Apart! is the answer to every actor's audition prayers. Acting coach Margie Haber has created a revolutionary phrase technique to get actors through readings without stumbling over the script. The book helps actors break through the psychological roadblocks to auditioning with a specific, 10-step method for breaking down the scene. Actors learn to prepare thoroughly, whether they have twenty minutes or two weeks. With a client list that includes Halle Berry, Brad Pitt, Kelly Preston, Heather Locklear, Vince Vaughn, Téa Leoni, Josie Bissett, Vondie Curtis-Hall, Laura Innes, and Tom Arnold, among others, Haber encourages and leads the reader through the audition process with helpful and oftentimes humorous examples. Includes script excerpts, audition stories from today's hottest stars, and tips from top industry professionals.

"In Story screenwriting guru Robert McKee presents his powerful and much sought-after knowledge in a comprehensive guide to the essentials of screenwriting and storytelling." -- Methuen.

Intended to be kept at a screenwriter's fingertips, The Hollywood Standard provides what even the best script software can't: clear, concise instructions and hundreds of examples to take the guesswork out of a multitude of formatting questions that perplex even seasoned screenwriters.Contents include:* When a new scene heading is appropriate and when it isn't* How to format shot headings, dialogue, direction and transitions* How to control pace with formatting* How to make a script page visually inviting to the reader* What to capitalize and why* How to get into and out of a POV shot* How to handle text messages and Zoom meetings* How Hollywood's most innovative screenwriters are pushing the boundaries of format* How format for animation differs from live action formatsSimply put, Riley knows more about script format than anyone in Hollywood and shares it all in this indispensable guide.

A successful screenplay starts with an understanding of the fundamentals of dramatic story structure. In this practical introduction, Edward J. Fink condenses centuries of writing about dramatic theory into ten concise and readable chapters, providing the tools for building an engaging narrative and turning it into an agent-ready script. Fink devotes chapters to expanding on the six basic elements of drama from Aristotle’s Poetics (plot, character, theme, dialogue, sound, and spectacle), the theory and structure of comedy, as well as the concepts of unity, metaphor, style, universality, and catharsis. Key terms and discussion questions encourage readers to think through the components of compelling stories and put them into practice, and script formatting guidelines ensure your finished product looks polished and professional. Dramatic Story Structure is an essential resource not only for aspiring screenwriters, but also for experienced practitioners in need of a refresher on the building blocks of storytelling.