Eleutheria

“Allegra Hyde’s seductive first novel tackles the big stuff of climate change and the more intimate matter of heartbreak with grace. Indeed, Eleutheria bravely braids these together, the story of a lost soul moving through the world we’re rapidly losing.” —Rumaan Alam, author of Leave the World Behind Willa Marks has spent her whole life choosing hope. She chooses hope over her parents’ paranoid conspiracy theories, over her dead-end job, over the rising ocean levels. And when she meets Sylvia Gill, renowned Harvard professor, she feels she’s found the justification of that hope. Sylvia is the woman-in-black: the only person smart and sharp enough to compel the world to action. But when Sylvia betrays her, Willa fears she has lost hope forever. And then she finds a book in Sylvia's library: a guide to fighting climate change called Living the Solution. Inspired by its message and with nothing to lose, Willa flies to the island of Eleutheria in the Bahamas to join the author and his group of ecowarriors at Camp Hope. Upon arrival, things are not what she expected. The group’s leader, author Roy Adams, is missing, and the compound’s public launch is delayed. With time running out, Willa will stop at nothing to realize Camp Hope's mission—but at what cost? A VINTAGE ORIGINAL

What is it like to be poor in ancient Rome? How valuable is the life of a slave? Meet prostitutes who have to sleep with dogs to keep alive at night. Meet a wealthy rat-catcher in his favourite bar. And follow the adventures of Eleutheria, a temple prostitute, brutalised and scared by a vicious client. What does an aging, one-eyed woman do to keep alive? How does it feel to have no choices, no rights, no possessions? In the Roman Republic, hope is still available. Furius 'the Greek', arrives to find that he is expected and welcome.

By the winner of the 1969 Nobel Prize for Literature Before the classic Waiting for Godot, Samuel Beckett wrote Eleuthéria. Legend has it that the great French director Roger Blin was given his choice of the two plays. Waiting for Godot won out.Eleuthéria, which has seventeen characters and elaborate and numerous scene changes, was virtually forgotten for the next forty years. As Beckett scholars have noted, elements in Eleuthéria prefigure many of the themes and characters of Beckett’s most important plays. Beyond the historical interest of this “lost” work, there is also the mesmerizing quality of the master playwright’s language. Samuel Beckett (1906-1989) was a playwright, poet and novelist whose work has had a formative influence on 20th century culture. Born in Foxrock, Ireland, he moved to Paris after an abortive attempt at being an academic. Years of penury and obscurity followed, during which time he consorted with artists such as James Joyce, Alberto Giacometti, and Marcel Duchamp. During World War II, he was an active member of the French Resistance, and after the war he was honored with the Croix de Guerre and the Médaille de la Résistance. In 1954, Beckett’s play “Waiting for Godot” was introduced to an unsuspecting America by Barney Rosset at Grove Press; Beckett became a signature author of the fledgling company. Although he was highly regarded by a small circle of literary aficionados, it was not until Beckett won the Nobel Prize for Literature in 1969 (he famously gave away the prize money that accompanied it) that his work began to reach a wider audience. His writing is characterized by meticulousness and a ceaseless fascination with the puzzle of fitting words to actions, and with the simultaneous impossibility and necessity of doing so that marks the human condition.

Allegra Hyde's debut story collection, Of This New World, offers a menagerie of utopias: real, imagined, and lost. Starting with the Garden of Eden and ending in a Mars colony, the stories wrestle with conflicts of idealism and practicality, communal ambition and individual kink. Stories jump between genres--from historical fiction to science fiction, realism to fabulism--but all ask those fundamental human questions: What do we do when we lose our utopia? What will we do to get it back?

Essays that explore how Protestants responded to the opportunities and perils of revolution in the transatlantic age Revolution as Reformation: Protestant Faith in the Age of Revolutions, 1688–1832 highlights the role that Protestantism played in shaping both individual and collective responses to revolution. These essays explore the various ways that the Protestant tradition, rooted in a perpetual process of recalibration and reformulation, provided the lens through which Protestants experienced and understood social and political change in the Age of Revolutions. In particular, they call attention to how Protestants used those changes to continue or accelerate the Protestant imperative of refining their faith toward an improved vision of reformed religion. The editors and contributors define faith broadly: they incorporate individuals as well as specific sects and denominations, and as much of “life experience” as possible, not just life within a given church. In this way, the volume reveals how believers combined the practical demands of secular society with their personal faith and how, in turn, their attempts to reform religion shaped secular society. The wide-ranging essays highlight the exchange of Protestant thinkers, traditions, and ideas across the Atlantic during this period. These perspectives reveal similarities between revolutionary movements across and around the Atlantic. The essays also emphasize the foundational role that religion played in people’s attempts to make sense of their world, and the importance they placed on harmonizing their ideas about religion and politics. These efforts produced novel theories of government, encouraged both revolution and counterrevolution, and refined both personal and collective understandings of faith and its relationship to society.