Ellen Terry Player In Her Time
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Ellen Terry Player in Her Time
Author | : Nina Auerbach |
Publsiher | : University of Pennsylvania Press |
Total Pages | : 540 |
Release | : 1997-01-29 |
Genre | : Biography & Autobiography |
ISBN | : 081221613X |
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Nina Auerbach brilliantly reveals the Ellen Terry whose roles, on stage and off, embodied everything that a rapidly changing world exhorted women to be.
Ellen Terry Spheres of Influence
Author | : Katharine Cockin |
Publsiher | : Routledge |
Total Pages | : 256 |
Release | : 2015-10-06 |
Genre | : Biography & Autobiography |
ISBN | : 9781317323082 |
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In this essay collection, established experts and new researchers, reassess the performances and cultural significance of Ellen Terry, her daughter Edith Craig (1869–1947) and her son Edward Gordon Craig (1872–1966), as well as Bram Stoker, Lewis Carroll and some less familiar figures.
The Collected Letters of Ellen Terry Volume 1
Author | : Katharine Cockin |
Publsiher | : Routledge |
Total Pages | : 346 |
Release | : 2016-06-03 |
Genre | : Literary Collections |
ISBN | : 9781315477756 |
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Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.
Lives of Shakespearian Actors Part V Volume 3
Author | : Tetsuo Kishi,Anjna Chouhan,Katharine Cockin |
Publsiher | : Taylor & Francis |
Total Pages | : 547 |
Release | : 2024-05-17 |
Genre | : Literary Criticism |
ISBN | : 9781040129012 |
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Extracts from diaries, memoirs, private letters, obituaries and other rare ephemera are drawn together to build a contemporary account of the acting achievements and personal lives of three inspiring figures from the late nineteenth-century theatre; Herbert Beerbohm Tree, Henry Irving and Ellen Terry.
The Collected Letters of Ellen Terry Volume 2
Author | : Katharine Cockin |
Publsiher | : Taylor & Francis |
Total Pages | : 213 |
Release | : 2024-08-01 |
Genre | : Literary Criticism |
ISBN | : 9781040244739 |
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Ellen Terry's correspondence was both exuberant and extensive. Her remaining letters provide a fascinating insight into the dynamics of the Victorian theatre, and the difficulties of life for a woman maintaining a successful public persona whilst raising two illegitimate children.
Ellen Terry
Author | : Roger Manvell |
Publsiher | : Unknown |
Total Pages | : 440 |
Release | : 1968 |
Genre | : Actors |
ISBN | : UCAL:B4393414 |
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Biography of a remarkable woman and one of the greatest actresses of her time.
The Palgrave Encyclopedia of Victorian Women s Writing
Author | : Lesa Scholl,Emily Morris |
Publsiher | : Springer Nature |
Total Pages | : 1753 |
Release | : 2022-12-15 |
Genre | : Literary Criticism |
ISBN | : 9783030783181 |
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Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.
Women Modernism and Performance
Author | : Penny Farfan |
Publsiher | : Cambridge University Press |
Total Pages | : 194 |
Release | : 2004-10-14 |
Genre | : Literary Criticism |
ISBN | : 0521837804 |
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Women, Modernism, and Performance is an interdisciplinary 2004 study that looks at a variety of texts and modes of performance in order to clarify the position of women within - and in relation to - modern theatre history. Considering drama, fiction and dance, as well as a range of performance events such as suffrage demonstrations, lectures, and legal trials, Penny Farfan expands on theatre historical narratives that note the centrality of female characters in male-authored modern plays but that do not address the efforts of women artists to develop alternatives both to mainstream theatre practice and to the patriarchal avant garde. Focusing on Henrik Ibsen, Elizabeth Robins, Ellen Terry, Virginia Woolf, Djuna Barnes, Edith Craig, Radclyffe Hall and Isadora Duncan, Farfan identifies different objectives, strategies, possibilities and limitations of feminist-modernist performance practice and suggests how the artists in question transformed the representation of gender in art and life.