Elucidation Of Necromancy Lucidarium Artis Nigromantice Attributed To Peter Of Abano

Since it first appeared over 500 years ago, the Elucidation of Necromancy (Lucidarium artis Nigromantice) and the closely related Heptameron have become essential guides for individuals seeking to call on angels and other supernatural beings for help. Countless amulets and pendants have been made with its designs, and elements have repeatedly been adapted and incorporated into other manuals of ritual magic. In spite of this, neither a critical edition nor a translation has been previously published. In particular three manuscripts of Lucidarium have come to light recently, which provide a clearer and fuller ritual than the printed Heptameron. For example, they add critical instructions for making the seven angel sigils, which have become so widely known. Together they bring to life this important current of esoteric tradition, showing how it has been repeatedly adapted and used by different individuals for centuries.

Preserved in the Bavarian State Library in Munich is a manuscript that few scholars have noticed and that no one in modern times has treated with the seriousness it deserves. Forbidden Rites consists of an edition of this medieval Latin text with a full commentary, including detailed analysis of the text and its contents, discussion of the historical context, translation of representative sections of the text, and comparison with other necromantic texts of the late Middle Ages. The result is the most vivid and readable introduction to medieval magic now available. Like many medieval texts for the use of magicians, this handbook is a miscellany rather than a systematic treatise. It is exceptional, however, in the scope and variety of its contents—prayers and conjurations, rituals of sympathetic magic, procedures involving astral magic, a catalogue of spirits, lengthy ceremonies for consecrating a book of magic, and other materials. With more detail on particular experiments than the famous thirteenth-century Picatrix and more variety than the Thesaurus Necromantiae ascribed to Roger Bacon, the manual is one of the most interesting and important manuscripts of medieval magic that has yet come to light.

In many ways, Arbatel is unique among texts on magic. Unlike the vast majority of writings, it is clear, concise, and elegantly written. The practical instructions are straightforward and undemanding. When it first appeared in 1575, it attracted the attention of people with a surprisingly broad range of agendas, including some of the finest minds of the time. Often quoted and reprinted, both praised and condemned, its impact on western esoteric philosophy has been called "overwhelming."Arbatel's magic is full of wonder and free from the sinister elements usually associated with texts on the subject. But it is about more than magic; filled with gnomic wisdom, it urges us to help our neighbors, be positive and grateful, and use time wisely. Above all, it teaches us to pay attention, looking for the wondrous and miraculous. In fact, to the author this virtually defines the magus. * Included are illustrations, bibliography, index, and original Latin text. * First English translation published since in 1655.

All new 2023 edition. Grimorium Verum is one of the most notorious handbooks of black magic -- one of the few that deals openly with spirits of darkness. People have long sought the aid of non-physical beings; the biblical king Solomon in particular had a reputation since ancient times for commanding demons. There are many texts purporting to reveal Solomon's methods, but most are extremely complicated and difficult. Grimorium Verum is one of the easier texts, but also one of the most sinister. It includes a catalog of specific demons and how to draw on their powers. This second edition has been extensively updated, reflecting 15 years of additional research, including material from newly identified manuscript and printed sources, complete French text, and 7 appendices.

An original, beautifully produced work (see specifications, photos, and video below) that explores the “star demons” and their correspondences in magic and astrology as revealed in the medieval grimoires and classical esoteric texts. Includes: A translucent, velum dustjacket Three-piece genuine cloth case cover, with ¼ black cloth on the binding edge and red cloth material over heavy-weight binders board Three different hits of stamping, including gold and black designs on the boards with blind stamp frames and gold stamping on the spine A black endsheet is used to bind the text block to the case, with rounded back, headbands, and a ribbon marker Smythe-sewn binding Printed on quality, archival (acid-free), 55# natural colored paper, in soy ink Stellas Daemonum offers an in-depth analysis of the spirits that appear in several late medieval and early modern grimoires. The book unravels these texts’ mythical, etymological, magical, and religious dimensions and, most importantly, draws out their astrological correspondences. The author shows how the spirit entities featured in these goetic grimoires can be best understood by studying the celestial nature apparent in the ancient concept of the daimon and through an extensive study of ninety-three of the spirits featured in the medieval and Renaissance texts. The book also explores how Judeo-Christian traditions ultimately “demonized” such expressions due to their polytheistic roots and made punishable by death any attempts to reconnect with them.

First major survey of the German inquisitor Petrus Zwicker, one of the most significant figures in the repression of heresy. In the final years of the fourteenth century, waves of persecution shattered German-speaking Waldensian communities, with the scale of inquisitions matching or even greater than the better-known trials in southern France. In the middle of the persecution was the influential and enigmatic figure of the Celestine provincial and inquisitor of heresy, Petrus Zwicker (d.after 1404). His surviving texts and inquisition protocols offer a fresh, intriguing picture of the medieval repression of heresy. Zwicker was an accurate and intelligent interrogator with direct access to the Waldensians' sources and knowledge. But although he is one of the most effective inquisitors of the MiddleAges, he was even more important as the author of anti-heretical texts. His Cum dormirent homines became a standard work on Waldensianism in the fifteenth century (and this study attributes another anti-heretical treatise, the Refutatio errorum, to him). With his unique biblicist and pastoral style, Zwicker struck the right note at a moment when the Church was in crisis. His texts spread rapidly, they were preached to the people and translated into German, and helped to build the fear of heresy, anti-clericalism and disobedience in the years of the Great Western Schism. This book is the first full-length study on Zwicker and his significance to the history of heresy and its repression. It offers a meticulous analysis of the sources left by him and teases out new, ground-breaking discoveries from careful examination of previously poorly known manuscripts. Dr REIMA VALIMAKI isa postdoctoral research fellow at the Department of Cultural History, University of Turku

The famous Heptameron or Magical Elements attributed to Peter of Abano, philosopher and disciple of Heinrich Cornelius Agrippa, is a grimoire of magical evocation explaining how to conjure into visible appearance Angels, Genies, Intelligences and Spirits before the Magic Circle in order to make them execute all the tasks given by the exorcist: money, army, power, love, health, strength, divination, past, future, etc. This book contains the names of the Spirits, their seals and characters and how to trace the Circle of Ceremonies. Unlike the low-end versions found on the web, occultists will find in this edition the most practical version in print. Many error were corrected. The texts and conjurations are provided, in length, all translated in both languages, Latin and English. This edition also contains the descriptions pertaining to the appearance and forms used by the Spirits when they physically show themselves to the exorcist. Moreover, one will find the actual Oaths & Submissions of the Spirits, and what they swear to the exorcist once they appear. Finally, the book provides the Table of the Angels of the Hours according to the days, with their names and planets. Committed to quality and authenticity, all images, seals and characters have been fully traced. All texts have been fully transcribed and translated. No spelling corrections have been made to give the reader a complete antique experience.