Eminent Edwardians

Eminent Edwardians is a classic biography which will now find, particularly with the renewed interest in Strachey and his work and the recent biographical esays in the same style by Andrew Roberts, a new and large audience.

What links Margaret Thatcher, Rupert Murdoch, Prince Charles and Mick Jagger? Each have illuminated our Elizabethan age in their own, inimitable, way. Margaret Thatcher - the first female Prime Minister, who dedicated herself with messianic zeal to breaking the mould of post-war British politics Rupert Murdoch - the billionaire media mogul whose empire, built on an ethical void, has polluted the channels of communication from London to Sydney, from New York to New Guinea Prince Charles - the royal dilettante whose erratic exploits shook the throne and put his own succession to it at risk Mick Jagger - lead singer of the Rolling Stones, who embodied the sixties counter-culture of sex and drugs and rock 'n' roll yet aspired to be a gentleman and accepted a knighthood at the behest of Tony Blair. The sequel to Brendon's bestselling Eminent Edwardians, Eminent Elizabethans is written in the same witty, ironic and irreverent style and reveals how each one played out a major theme in the new Elizabethan medley. Each portrait vividly and vitally captured through pungent anecdote, piquant quotation and mordant commentary. In short, these brilliant miniatures are as entertaining as they are illuminating. 'Excellent' Guardian 'Entirely refreshing' Daily Mail 'A delight' Daily Express

Edwardian Britain is the quintessential age of nostalgia, often seen as the last long summer afternoon before the cataclysmic changes of the twentieth century began to take form. The class system remained rigidly in place and thousands were employed in domestic service. The habits and sports of the aristocracy were an everyday indulgence. But it was an age of invention as well as tradition. It saw the first widespread use of the motor car, the first aeroplane and the first use of the telegraph. It was also a time of vastly improved education and the public appetite for authors such as Conan Doyle, Rudyard Kipling and E. M. Forster was increased by greater literacy. There were signs too, of the corner history was soon to turn, with the problematic Boer War hinting at a new British weakness overseas and the drive for Votes for Women and Home Rule for Ireland pushing the boundaries of the social and political landscape. In this major work of history, Roy Hattersley has been given exclusive access to many new documents to produce this magisterial new appraisal of a legendary age.

This title was first published in 1999 & examines the range of detective literature produced between 1901 and 1915 in Britain, during the reign of Edward VII and the early reign of George V. The book assesses the literature as cultural history, with a focus on issues such as legal reform, marital reform, surveillance, Germanophobia, masculinity/femininity, the "best-seller", the arms race, international diplomacy and the concept of "popular" literature. The work also addresses specific issues related to the relationship of law to literature, such as: the law in literature; the law as literature, the role of literature in surveillance and policing; the interpretation of legal issues by literature; the degree to which literature describes and interprets law; the description of legal processes in detective literature; and the connections between detective literature and cultural practices and transitions.

Edwardian Culture: Beyond the Garden Party is the first truly interdisciplinary collection of essays dealing with culture in Britain c.1895-1914. Bringing together essays on literature, art, politics, religion, architecture, marketing, and imperial history, the study highlights the extent to which the culture and politics of Edwardian period were closely intertwined. The book builds upon recent scholarship that seeks to reclaim the term ‘Edwardian’ from prevalent, restrictive usages by venturing beyond the garden party – and the political rally – to uncover some of the terrain that lies between. The essays in the volume – which deal with both famous writers such as J. M. Barrie and Arnold Bennett, as well as many lesser-known figures – draw attention to the nuanced multiplicity of experience and cultural forms that existed during the period, and highlight the ways in which a closer examination of Edwardian culture complicates our definitions of ‘Victorian’ and ‘Modern’. The book argues that the Edwardian era, rather than constituting a coda to the Victorian period or a languid pause before modernism shook things up, possessed a compelling and creative tenor of its own.

The first book-length look at childhood in Edwardian fiction, this book challenges assumptions that the Edwardian period was simply a continuation of the Victorian or the start of the Modern. Exploring both classics and popular fiction, the authors provide a a compelling picture of the Edwardian fictional cult of childhood.