Empathy S Role In Understanding Persons Literature And Art

This volume critically discusses the role empathy plays in different processes of understanding. More precisely, it clarifies empathy’s role in interpersonal understanding and appreciating works of literature and art. The volume also includes a section on historical theories of empathy’s role in understanding. When it comes to understanding other persons, empathy is typically seen as a process that enables the empathizer to recognize a target person’s mental states, a process which is in turn seen as “understanding” this person. This volume, however, explores empathy’s role in understanding beyond mere mental state recognition. With contributions on processes of interpersonal understanding and understanding of literature and art, it provides readers with an overview over both differences and similarities regarding empathy’s epistemic role in two rather different areas. Since important roots of the debate about empathic understanding lie at the end of the nineteenth and the beginning of the twentieth century, the historical section of the volume focusses specifically on this period. Empathy’s Role in Understanding Persons, Literature, and Art will appeal to scholars and advanced students working in the philosophy of mind, epistemology, aesthetics and the history of philosophy, as well as in literary studies and art history.

"This volume critically discusses the role empathy plays in different processes of understanding. More precisely, it clarifies empathy's role in interpersonal understanding and appreciating works of literature and art. The volume also includes a section on historical theories of empathy's role in understanding. When it comes to understanding other persons, empathy is typically seen as a process that enables the empathizer to recognize a target person's mental states, a process which is in turn seen as "understanding" this person. This volume, however, explores empathy's role in understanding beyond mere mental state recognition. With contributions on processes of interpersonal understanding and understanding of literature and art, it provides readers with an overview over both differences and similarities regarding empathy's epistemic role in two rather different areas. Since important roots of the debate about empathic understanding lie at the end of the 19th and the beginning of the 20th century, the historical section of the volume focusses specifically on this period. Empathy's Role in Understanding Persons, Literature, and Art will appeal to scholars and advanced students working in the philosophy of mind, epistemology, aesthetics and the history of philosophy, as well as in literary studies and art history"--

In recent years, a growing field of empathy studies has started to emerge from several academic disciplines, including neuroscience, social psychology, and philosophy. Because literature plays a central role in discussions of empathy across disciplines, reconsidering how literature relates to "feeling with" others is key to rethinking empathy conceptually. This collection challenges common understandings of empathy, asking readers to question what it is, how it works, and who is capable of performing it. The authors reveal the exciting research on empathy that is currently emerging from literary studies while also making productive connections to other areas of study such as psychology and neurobiology. While literature has been central to discussions of empathy in divergent disciplines, the ways in which literature is often thought to relate to empathy can be simplistic and/or problematic. The basic yet popular postulation that reading literature necessarily produces empathy and pro-social moral behavior greatly underestimates the complexity of reading, literature, empathy, morality, and society. Even if empathy were a simple neurological process, we would still have to differentiate the many possible kinds of empathy in relation to different forms of art. All the complexities of literary and cultural studies have still to be brought to bear to truly understand the dynamics of literature and empathy.

Can machines simulate, express or even have emotions? Is it a good to build such machines? How do humans react emotionally to them and how should such devices be treated from a moral point of view? This volume addresses these and related questions by bringing together perspectives from affective computing and emotional human-machine interaction, combining technological approaches with those from the humanities and social sciences. It thus relates disciplines such as philosophy, computer science, technology, psychology, sociology, design, and art. The volume offers readers interested in the phenomenon of emotional machines new perspectives from a variety of disciplines and addresses fundamental questions that will become pressing in the foreseeable future as emotional machines increasingly populate our everyday lives.

New York Post Best Book of 2016 We often think of our capacity to experience the suffering of others as the ultimate source of goodness. Many of our wisest policy-makers, activists, scientists, and philosophers agree that the only problem with empathy is that we don’t have enough of it. Nothing could be farther from the truth, argues Yale researcher Paul Bloom. In AGAINST EMPATHY, Bloom reveals empathy to be one of the leading motivators of inequality and immorality in society. Far from helping us to improve the lives of others, empathy is a capricious and irrational emotion that appeals to our narrow prejudices. It muddles our judgment and, ironically, often leads to cruelty. We are at our best when we are smart enough not to rely on it, but to draw instead upon a more distanced compassion. Basing his argument on groundbreaking scientific findings, Bloom makes the case that some of the worst decisions made by individuals and nations—who to give money to, when to go to war, how to respond to climate change, and who to imprison—are too often motivated by honest, yet misplaced, emotions. With precision and wit, he demonstrates how empathy distorts our judgment in every aspect of our lives, from philanthropy and charity to the justice system; from medical care and education to parenting and marriage. Without empathy, Bloom insists, our decisions would be clearer, fairer, and—yes—ultimately more moral. Brilliantly argued, urgent and humane, AGAINST EMPATHY shows us that, when it comes to both major policy decisions and the choices we make in our everyday lives, limiting our impulse toward empathy is often the most compassionate choice we can make.

This book is concerned with the appropriate form of explanations in historiography and the social sciences. It combines action theory and philosophy of historiography and develops a theory of teleological explanations of human actions based on late-Wittgensteinian and Ordinary Language Philosophy insights. In philosophy of action, many philosophers favor causal theories of human action. Additionally, in current philosophy of historiography the majority view is that historians should explain historical phenomena by their causes. This book pushes back against these mainstream views by reviving an anti-causal view of explanation of current and past human actions. The author argues that disciplines that deal with human actions require a certain form of explanation, namely a teleological or intentional explanation. This means that past human actions and their results will have to be explained by reasons of agents, not by causes. Therefore, historiography employs a method of explanation which is in stark contrast to the sciences. The author thus proposes a Verstehen (understanding) approach in historiography and the social sciences. Historical Explanation will be of interest to scholars and advanced students working in philosophy of action, philosophy of history, and philosophy of the social sciences.

This volume explores urgent questions surrounding the bidirectional relationship between feminist philosophy and emerging technologies. It underlines the exigency of feminist philosophical reflections on the design, use, and understanding of emerging technologies and at the same time accentuates how emerging technologies can uniquely impact the shape of future feminist critique and intervention. While feminist philosophers have attended to problems posed by a few specific technologies that emerged in the previous century—especially reproductive technologies—broader philosophical questions concerning the challenges various new technologies present to feminism have yet to receive the sustained, critical attention they deserve. Feminist Philosophy and Emerging Technologies responds to this problem. It is divided into two sections. Section 1 provides theoretical considerations about the links between feminist philosophy and philosophy of technology (broadly construed) by developing–against the background of emerging technologies–methodological approaches and guidance for bringing those two fields of philosophical research together. Section 2 is dedicated to analyses of specific emerging technologies and user trends, their relation to extant structures of oppression, and to bringing to the fore various ways in which a feminist philosophy of technology can impact the design of current and future technologies. Feminist Philosophy and Emerging Technologies is an excellent resource for scholars and advanced students working in feminist philosophy, philosophy of technology, ethics, political philosophy, feminist theory, gender and cultural studies, and science and technology studies.