Empire Of Love

Anthropologist Elizabeth A. Povinelli theorizes intimate relations as sites which bring into view the interplay between liberalism's contradictory ideals of freedom and constraint.

INDIGO'S #1 BEST BOOK OF 2019 NATIONAL BESTSELLER FROM THE AUTHOR OF THE MARROW THIEVES, THE #1 NATIONAL BESTSELLER, MULTI-AWARD WINNER AND CANADA READS FINALIST "Wildly entertaining and profound and essential." --Tommy Orange, The New York Times Broken-hearted Joan has been searching for her husband, Victor, for almost a year--ever since he went missing on the night they had their first serious argument. One hung-over morning in a Walmart parking lot in a little town near Georgian Bay, she is drawn to a revival tent where the local Métis have been flocking to hear a charismatic preacher. By the time she staggers into the tent the service is over, but as she is about to leave, she hears an unmistakable voice. She turns, and there is Victor. Only he insists he is not Victor, but the Reverend Eugene Wolff, on a mission to bring his people to Jesus. And he doesn't seem to be faking: there isn't even a flicker of recognition in his eyes. With only two allies--her odd, Johnny-Cash-loving, 12-year-old nephew Zeus, and Ajean, a foul-mouthed euchre shark with deep knowledge of the old ways--Joan sets out to remind the Reverend Wolff of who he really is. If he really is Victor, his life, and the life of everyone she loves, depends upon her success. Inspired by the traditional Métis story of the Rogarou--a werewolf-like creature that haunts the roads and woods of Métis communities--Cherie Dimaline has created a propulsive, stunning and sensuous novel.

In this broad-ranging survey of Paris, Tahiti, Indochina, Japan, New Caledonia, and the South Pacific generally, Matt Matsuda illustrates the fascinating interplay that shaped the imaginations of both colonizer and colonized. Drawing on a wealth of primary sources, Matsuda describes the constitution of a "French Pacific" through the eyes of Tahitian monarchs, Kanak warriors, French politicos and prisoners, Asian revolutionaries and Central American laborers, among others. He argues that French imperialism in the Pacific, both real and imagined, was registered most forcefully in languages of desire and love--for lost islands, promised wealth and riches, carnal and spiritual pleasures--and political affinities. Exploring the conflicting engagements with love for and against the empire in the Pacific, this book is an imaginative and ground-breaking work in global imperial and colonial histories, as well as Pacific histories.

In a simple and compelling writing, the author recreates life in Ancient Egypt when the empire was at its peak. The plot interweaves the Temple´s way of life with betrayals, power struggles, true love, good humor and the wisdom of the Masters. Over the centuries humanity has missed the true spirit of the Egyptian auto-deism concepts, until the present time when our perception has grown to a new level of understanding. Now, in a fantastic journey, the author offers a view of Ancient Egypt, a melange of traditions overlaid with legend, folklore, religious ceremony and natural beauty, to meet the emerging need of the present Age of Aquarius. Through the pages of The Empire of Love the reader will be confronted with different levels of being and parallel realities, experiencing a new dimension foreign to time and space. The plot takes place during the social "revolution" of the 60´s, when Karl, (the main character) feels outcast among his own society and searching for an answer to his growing longing, he leaves New York City in search of that "truth" that he knew was out there. After long hours of a lonely driving through the inter-state highways, he reaches Arizona and overcome by exhaustion he decides to stop and rest for a while. Sitting on a high cliff close to the road, Karl falls asleep and, without any warning, he awakes on the high summit of the Amenti in ancient Egypt, 3,000 years back in time. Karl meets several characters that help to create a gradual awakening that adds more confusion to his perception of reality. A dual feeling of happiness and fear takes place with each incident that evokes subconscious memories that he could not identify. Everything becomes familiar and foreign at the same time The dialogues in the first part of the novel are filled with intense emotion and the teachings of the temple. Karl begins to forget the nostalgic feelings for his American way of life, his beloved XX century fades in his memory and he becomes immersed in the new experience imposed on him by destiny. With the help of the temple´s masters, Karl is induced into a deep hypnotic trance and he relives a previous incarnation in ancient Egypt, as Aum a young temple initiate. During this incarnation Aum (Karl) becomes a master at the temple of Heliopolis. The successive events will bring Karl to a full awakening when different aspects of the Egyptian philosophy are incorporated into the drama, to conclude with the self-awareness and realization of his mission among men.

In the history of the last two thousand years there is but one Person who has been, and is supremely loved. Many have been loved by individuals, by groups of persons, or by communities; some have received the pliant idolatries of nations, such as heroes and national deliverers; but in every instance the sense of love thus excited has been intimately associated with some triumph of intellect, or some resounding achievement in the world of action. In this there is nothing unusual, for man is a natural worshipper of heroes. But in Jesus Christ we discover something very different; He possessed the genius to be loved in so transcendent a degree that it appears His sole genius. Jesus is loved not for anything that He taught, nor yet wholly for anything that He did, although His actions culminate in the divine fascination of the Cross, but rather for what He was in Himself. His very name provokes in countless millions a reverent tenderness of emotion usually associated only with the most sacred and intimate of human relationships. He is loved with a certain purity and intensity of passion that transcends even the most intimate expressions of human emotion. The curious thing is that He Himself anticipated this kind of love as His eternal heritage with men. He expected that men would love Him more than father or mother, wife or child, and even made such a love a condition of what He called discipleship. The greatest marvel of all human history is that this prognostication has been strictly verified in the event. He is the Supreme Lover, for whose love, unrealizable as it is by touch, or glance, or spoken word, or momentary presence, men and women are still willing to sacrifice themselves, and surrender all things. The pregnant words of Napoleon, uttered in his last lonely reveries in St. Helena, still express the strangest thing in universal history: "Caesar, Charlemagne, I, have founded empires. They were founded on force, and have perished. Jesus Christ has founded an empire on love, and to this day there are millions ready to die for Him." Napoleon felt the wonder of it all, the baffling, inexplicable marvel. Were we able to detach ourselves enough from use and custom, to survey the movement of human thought from some lonely height above the floods of Time, as Napoleon in the high sea-silences of St. Helena, we also might feel the wonder of this most wonderful thing the world has ever known.

Jimmy is a stereotypical geek who works at the library in Oakland, California, and is trapped in his own torpidity. Sara is his best friend, but she wants to get a life (translation: an apartment in Brooklyn and a publishing internship). When Sara moves to New York City, Jimmy is rattled. Then lonely. Then desperate. He screws up his courage, writes Sara a letter about his true feelings, and asks her to meet him at the top of the Empire State Building (a nod to their ongoing debate about Sleepless in Seattle). Jimmy's cross-country bus trip to Manhattan is as hapless and funny as Jimmy himself. When he arrives in the city he's thought of as "a festering hellhole," he's surprised by how exciting he finds New York, and how heartbreaking—he discovers Sara has a boyfriend! Jason Shiga's bold visual storytelling, sly pokes at popular culture, and subtle text work together seamlessly in Empire State, creating a quirky graphic novel comedy about the vagaries of love and friendship. Praise for Empire State: "He [Shiga] displays a wicked sense of comic timing." -Publishers Weekly "Empire State: A Love Story (Or Not) is funny, sweet, geeky and affecting, and definitely worth a read." -Wired.com "Shiga's illustrations . . . are unique and endearing, and his images of NYC are instantly recognizable." -am New York "If Woody Allen grew up in Oakland rather than Manhattan, he'd most likely see the world, and especially New York City, as Jason Shiga does in Empire State." -Big Think.com

The spread of the Internet is remaking marriage markets, altering the process of courtship and the geographic trajectory of intimacy in the 21st century. For some Latin American women and U.S. men, the advent of the cybermarriage industry offers new opportunities for re-making themselves and their futures, overthrowing the common narrative of trafficking and exploitation. In this engaging, stimulating virtual ethnography, Felicity Amaya Schaeffer follows couples’ romantic interludes at “Vacation Romance Tours,” in chat rooms, and interviews married couples in the United States in order to understand the commercialization of intimacy. While attending to the interplay between the everyday and the virtual, Love and Empire contextualizes personal desires within the changing global economic and political shifts across the Americas. By examining current immigration policies and the use of Mexican and Colombian women as erotic icons of the nation in the global marketplace, she forges new relations between intimate imaginaries and state policy in the making of new markets, finding that women’s erotic self-fashioning is the form through which women become ideal citizens, of both their home countries and in the United States. Through these little-explored, highly mediated romantic exchanges, Love and Empire unveils a fresh perspective on the continually evolving relationship between the U.S. and Latin America.

DigiCat Publishing presents to you this special edition of "The Empire of Love" by W. J. Dawson. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.