Empire On The Pacific

Japan wins World War II in this alternate-history novel, chronicling the political intrigues of an aristocratic family. The protagonists include a naval officer who is the secret son of a Japanese baron and a Jewish woman rescued by the baron from the Nazis.

This book explains why the idea of the Indo-Pacific is so strategically important and concludes with a strategy designed to help the West engage with Chinese power in the region in such a way as to avoid conflict.

This book charts the previously untold story of the mobility of Indigenous peoples across vast distances, vividly reshaping what is known about decolonisation.

In this stimulating volume, which was originally published in 1955, Professor Norman A. Graebner argues that historians have exaggerated the role played by the spirit of manifest destiny in the expansionism of the 1840s. In his view, neither the overland migrations nor eastern public opinion had any direct bearing on the diplomacy that won Oregon and California for the United States. Instead, the principal objective of every statesman from Jackson on was maritime: the acquisition of the harbors at San Diego, San Francisco, and the Strait of Juan de Fuca as gateways to the trade of the Orient. “Land was necessary to them merely as a right of way to ocean ports—a barrier to be spanned by improved avenues of commerce.” This diplomacy reached a climax under Polk and triumphed with the Trist mission and the treaty of Guadalupe Hidalgo, giving America “its empire on the Pacific.” It is upon this premise that Professor Graebner has built a reinterpretation of the diplomacy of the 1840s. An invaluable addition to any American History library.

In a comprehensive study of four decades of military policy, Brian McAllister Linn offers the first detailed history of the U.S. Army in Hawaii and the Philippines between 1902 and 1940. Most accounts focus on the months preceding the Japanese attack on Pearl Harbor. By examining the years prior to the outbreak of war, Linn provides a new perspective on the complex evolution of events in the Pacific. Exhaustively researched, Guardians of Empire traces the development of U.S. defense policy in the region, concentrating on strategy, tactics, internal security, relations with local communities, and military technology. Linn challenges earlier studies which argue that army officers either ignored or denigrated the Japanese threat and remained unprepared for war. He demonstrates instead that from 1907 onward military commanders in both Washington and the Pacific were vividly aware of the danger, that they developed a series of plans to avert it, and that they in fact identified--even if they could not solve--many of the problems that would become tragically apparent on 7 December 1941.

The world’s fair of 1915 celebrated both the completion of the Panama Canal and the rebuilding of San Francisco following the devastating 1906 earthquake and fire. The exposition spotlighted the canal and the city as gateways to the Pacific, where the American empire could now expand after its victory in the Spanish-American War. Empire on Display is the first book to examine the Panama-Pacific International Exposition through the lenses of art history and cultural studies, focusing on the event’s expansionist and masculinist symbolism. The exposition displayed evidence—visual, spatial, geographic, cartographic, and ideological—of America’s imperial ambitions and accomplishments. Representations of the Panama Canal play a central role in Moore’s argument, much as they did at the fair itself. Embodying a manly empire of global dimensions, the canal was depicted in statues and a gigantic working replica, as well as on commemorative stamps, maps, murals, postcards, medals, and advertisements. Just as San Francisco’s rebuilding symbolized America’s will to overcome the forces of nature, the Panama Canal represented the triumph of U.S. technology and sheer determination to realize the centuries-old dream of opening a passage between the seas. Extensively illustrated, Moore’s book vividly recalls many other features of the fair, including a seventy-five-foot-tall Uncle Sam. American railroads, in their heyday in 1915, contributed a five-acre scale model of Yellowstone, complete with miniature geysers that erupted at regular intervals. A mini–Grand Canyon featured a village where some twenty Pueblo Indians lived throughout the fair. Moore interprets these visual and cultural artifacts as layered narratives of progress, civilization, social Darwinism, and manliness. Much as the globe had ostensibly shrunk with the completion of the Panama Canal, the Panama-Pacific International Exposition compressed the world and represented it in miniature to celebrate a reinvigorated, imperial, masculine, and technologically advanced nation. As San Francisco bids to host another world’s fair, in 2020, Moore’s rich analytic approach gives readers much to ponder about symbolism, American identity, and contemporary parallels to the past.