Empire Unbound

Empire Unbound argues that European empires were not the bounded, stable entities that imperialists imagined. Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late 19th century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways.

A political scion and her magically bound fire warlock must face their greatest fears to save the Empire from a ruthless enemy in the explosive conclusion of a spellbinding fantasy trilogy from David Gemmell Award-nominated author Melissa Caruso. While winter snows keep the Witch Lord Ruven's invading armies at bay, Lady Amalia Cornaro and the fire warlock Zaira attempt to change the fate of mages in the Raverran Empire forever, earning the enmity of those in power who will do anything to keep all magic under tight imperial control. But in the season of the Serene City's great masquerade, Ruven executes a devastating surprise strike at the heart of the Empire -- and at everything Amalia holds most dear. To stand a chance of defeating Ruven, Amalia and Zaira must face their worst nightmares, expose their deepest secrets, and unleash Zaira's most devastating fire. Praise for Swords and Fire: "Charming, intelligent, fast-moving, beautifully atmospheric, with a heroine and other characters whom I really liked as people. I couldn't put it down."―Genevieve Cogman, author of The Invisible Library "Breathtaking... Worth every moment and every page, and should make anyone paying attention excited about what Caruso will write next."―BookPage "A riveting read, with delicious intrigue, captivating characters, and a brilliant magic system. I loved it from start to finish!"―Sarah Beth Durst, author of The Queen of Blood Swords and Fire The Tethered Mage The Defiant Heir The Unbound Empire For more from Melissa Caruso, check out: Rooks and Ruin The Obsidian Tower

European empires were commonly depicted in bright color-coded maps printed during the nineteenth and twentieth centuries that conveyed the expanse of European power across the globe. Despite this familiar image of a world divided up into neat imperial enclaves, the reality of empire-building often told a different story. Empire Unbound argues that European empires were never the bounded, stable entities that imperialists imagined. In examining Mediterranean empire-building in a comparative context, Gavin Murray-Miller demonstrates that the era of 'new imperialism' which arose in the late nineteenth century fostered connections and synergies between regional powers that influenced the trajectories of imperial states in fundamental ways. Breaking with conventional national approaches, Murray-Miller traces the development of France's North African empire, noting how empire-building relied upon transnational networks and cooperation with Muslims elites across borders just as much as military conquest. By looking at the inter-connected relationships linking the French, British, Italian, and Ottoman empires from the 1880s through the First World War, Empire Unbound proposes a novel spatial framework for imperial studies, showing how migrations, extraterritorial legal regimes, and cross-border interactions both abetted and frustrated imperial designs at the turn of the century.

Founded in 1632, the library of the Kiev Mohyla Academy went up in flames in 1780. Encompassing predominantly humanist, scholastic and homiletic titles in Latin yet placed in a heartland of Eastern Orthodox territories, the library was something of an anomaly for its time, offering East Slavic intellectuals a comprehensive introduction to Western printed matter. Those books brought along with them not only a new pattern of knowledge, but also an awareness of the diversity and multiplicity of views which the educated could hold.

Within the history of African American struggle against racist oppression that often verges on dystopia, a hidden tradition has depicted a transfigured world. Daring to speculate on a future beyond white supremacy, black utopian artists and thinkers offer powerful visions of ways of being that are built on radical concepts of justice and freedom. They imagine a new black citizen who would inhabit a world that soars above all existing notions of the possible. In Black Utopia, Alex Zamalin offers a groundbreaking examination of African American visions of social transformation and their counterutopian counterparts. Considering figures associated with racial separatism, postracialism, anticolonialism, Pan-Africanism, and Afrofuturism, he argues that the black utopian tradition continues to challenge American political thought and culture. Black Utopia spans black nationalist visions of an ideal Africa, the fiction of W. E. B. Du Bois, and Sun Ra’s cosmic mythology of alien abduction. Zamalin casts Samuel R. Delany and Octavia E. Butler as political theorists and reflects on the antiutopian challenges of George S. Schuyler and Richard Wright. Their thought proves that utopianism, rather than being politically immature or dangerous, can invigorate political imagination. Both an inspiring intellectual history and a critique of present power relations, this book suggests that, with democracy under siege across the globe, the black utopian tradition may be our best hope for combating injustice.