Empress Wu Zetian In Fiction And In History

In the dynastic history of China, Wu Zetian was the one woman who attained the status of emperor in her own right. A stone tablet marking her mausoleum was left blank, reportedly at her request because she wanted the future world to assess her. And her rise in the patriarchal system supported by Confucianism did later inspire many novelists and playwrights. Dien's slim study looks at the rise and achievements of the historical empress, her influence in the form of defiant woman who appear in legend and fiction, and (very briefly) the state of urban gender equality today. Annotation : 2004 Book News, Inc., Portland, OR (booknews.com).

In the great dynasties of China there are many tales of corruption, espionage, and intrigue, but perhaps no tale is more intriguing than the rise of China’s first and only female Emperor, Wu Zetian (624-705) . In the hierarchies of Imperial China, there are many who call themselves empress, and there are many who held sway over their weak-minded emperor husbands, but only Wu Zetian reached the pinnacle when at the age of 65 she usurped her son and became the undisputed Empress of Tang Dynasty China. Empress Wu Zetian was the only female emperor in Chinese history, honored as the Holy and Divine Emperor of Wu Zhou ( 武周圣神皇帝) . Her original name was Wu Mei Niang, and she changed her name to Wu Zhao( 武瞾) after ascending the throne. She entered the palace as a concubine of Emperor Taizong of Tang, but she had a close relationship with the future Emperor Gaozong, Li Chih. After Emperor Taizong's death, she entered the Gan Ye Temple and became a nun. The power struggle in the harem brought her back to the palace, where she successfully eliminated her rivals and was made Empress in 655. She participated in politics and was known as the "Two Saints" along with Emperor Gaozong. After Emperor Gaozong's death, she controlled the government. In 690, she ascended to the throne and proclaimed herself the Holy Emperor, changing Luoyang to the Divine Capital and the country's name to Zhou. This period is known as the Southern Zhou or Wu Zhou in history. This book starts its plot from the time when Wu Zetian was constrained in Gan Ye Temple after the former Emperor (Taizong) was deceased and how the new Emperor (Gaozong) brought her to the court again. Later, she gradually realized her dream of becoming the most powerful woman in the palace through bloody struggles and bold strategies. She had outstanding abilities in governing the country, but in the power struggle within the palace, she showed an extremely cruelty, being ruthless and killing innocent people. In order to clear obstacles and eliminate political enemies in the struggle for imperial power, she carried out bloody killings time and time again, not even sparing her own descendants.

The most hated woman in Chinese history! Born in 624 CE in Wenshui County in Shanxi province, very little was expected of the beautiful and bright Wu Zhao (reign title Wu Zetian) -- except that she would be trouble to any man unlucky enough to marry her. The very opposite of a virtuous maiden by most interpretations of the Analects of Confucius, Wu Zhao was not only bright, but highly educated and equally ambitious. Harshly judged by both contemporaries and generations of Chinese scholars since, the one thing everyone can agree upon about Empress Wu: the world is a vastly different place because she dared what no other woman of her time dreamed was possible. This is her true story, a truly legendary woman of world history. Student - Teacher Edition features challenging study questions after every chapter, plus a detailed timeline, and an extensive suggested reading list.

An instant #1 New York Times bestseller! Pacific Rim meets The Handmaid's Tale in this blend of Chinese history and mecha science fiction for YA readers. The boys of Huaxia dream of pairing up with girls to pilot Chrysalises, giant transforming robots that can battle the mecha aliens that lurk beyond the Great Wall. It doesn't matter that the girls often die from the mental strain. When 18-year-old Zetian offers herself up as a concubine-pilot, it's to assassinate the ace male pilot responsible for her sister's death. But she gets her vengeance in a way nobody expected—she kills him through the psychic link between pilots and emerges from the cockpit unscathed. She is labeled an Iron Widow, a much-feared and much-silenced kind of female pilot who can sacrifice boys to power up Chrysalises instead.​ To tame her unnerving yet invaluable mental strength, she is paired up with Li Shimin, the strongest and most controversial male pilot in Huaxia​. But now that Zetian has had a taste of power, she will not cower so easily. She will miss no opportunity to leverage their combined might and infamy to survive attempt after attempt on her life, until she can figure out exactly why the pilot system works in its misogynist way—and stop more girls from being sacrificed.

Such is the voice of Shan Sa's unforgettable heroine in her latest literary masterpiece, Empress. Empress Wu, one of China's most controversial figures, was its first and only female emperor, who emerged in the seventh century during the great Tang Dynasty and ushered in a golden age. Throughout history, her name has been defamed and her story distorted by those taking vengeance on a woman who dared to become emperor. But now, for the first time in thirteen centuries, Empress Wu (or Heavenlight, as we come to know her) flings open the gates of the Forbidden City and tells her own astonishing tale—revealing a fascinating, complex figure who in many ways remains modern to this day. Writing with epic assurance, poetry, and vivid historic detail, Shan Sa plumbs the psychological and philosophical depths of what it means to be a striving mortal in a tumultuous, power-hungry world. Empress is a great literary feat and a revelation for the ages.

Wu Zhao (624–705), better known as Wu Zetian or Empress Wu, is the only woman to have ruled China as emperor over the course of its 5,000-year history. How did she—in a predominantly patriarchal and androcentric society—ascend the dragon throne? Exploring a mystery that has confounded scholars for centuries, this multifaceted history suggests that China's rich pantheon of female divinities and eminent women played an integral part in the construction of Wu Zhao's sovereignty. Wu Zhao deftly deployed language, symbol, and ideology to harness the cultural resonance, maternal force, divine energy, and historical weight of Buddhist devis, Confucian exemplars, Daoist immortals, and mythic goddesses, establishing legitimacy within and beyond the confines of Confucian ideology. Tapping into powerful subterranean reservoirs of female power, Wu Zhao built a pantheon of female divinities carefully calibrated to meet her needs at court. Her pageant was promoted in scripted rhetoric, reinforced through poetry, celebrated in theatrical productions, and inscribed on steles. Rendered with deft political acumen and aesthetic flair, these affiliations significantly enhanced Wu Zhao's authority and cast her as the human vessel through which the pantheon's divine energy flowed. Her strategy is a model of political brilliance and proof that medieval Chinese women enjoyed a more complex social status than previously known.

"Randel's gorgeous debut novel seductively pulls back the curtain to reveal the heartbreaking world of...China."—Stephanie Dray, NYT bestselling Author of America's First Daughter A thrilling work of historical fiction, bringing romance, intrigue, and the unexpected rise of an Empress to intoxicating life under the inscrutable moon. In Tang Dynasty China, a concubine at the palace learns quickly that there are many ways to capture the Emperor's attention. Many hope to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. Young Mei knows nothing of these womanly arts, yet she will give the Emperor a gift he can never forget. Mei's intelligence and curiosity, the same traits that make her an outcast among the other concubines, impress the Emperor. But just as she is in a position to seduce the most powerful man in China, divided loyalties split the palace in two, culminating in a perilous battle that Mei can only hope to survive. In the breakthrough first volume in the Empress of Bright Moon duology, Weina Dai Randel paints a vibrant portrait of the Emperor's Palace—where love, ambition, and loyalty can spell life or death—and the woman who came to rule all of ancient China. "I absolutely loved The Moon in the Palace... A rare and beautiful treasure."—Elizabeth Chadwick, NYT bestselling author Winner of RWA RITA® Award 2017 Recommended by Texas Library Association's 2017 Lariat Reading List One of the Biggest Historical Fiction books of 2016 by Bookbub One of Washington Independent Reviews of Book's 25 Favorite Books of 2016 A San Francisco Book Festival Honorable Mention