Enchanted Objects

We are now standing at the precipice of the next transformative development: the Internet of Things. Soon, connected technology will be embedded in hundreds of everyday objects we already use: our cars, wallets, watches, umbrellas, even our trash cans. These objects will respond to our needs, come to know us, and learn to think on our behalf. David Rose calls these devices--which are just beginning to creep into the marketplace--Enchanted Objects. Some believe the future will look like more of the same--more smartphones, tablets, screens embedded in every conceivable surface. Rose has a different vision: technology that atomizes, combining itself with the objects that make up the very fabric of daily living. Such technology will be woven into the background of our environment, enhancing human relationships and channeling desires for omniscience, long life, and creative expression. The enchanted objects of fairy tales and science fiction will enter real life. Groundbreaking, timely, and provocative, Enchanted Objects is a blueprint for a better future, where efficient solutions come hand in hand with technology that delights our senses.

Enchanted Objects investigates the relationship between visual art and contemporary fiction, addressing the problems that arise when paintings, deluxe books, porcelains, or statues are represented in contemporary novels. The distinction between objects and art objects depends on aesthetics. While some objects are authenticated through museum exhibits, others are hidden, broken, neglected, coveted, hoarded, or salvaged. Allan Hepburn asks four broad questions about aesthetics and value: What is a detail in visual art? Is all art ornamental? Does the value of an object increase because it is fragile? What defines ugliness? Contemporary novels, such as Tracy Chevalier's Girl with a Pearl Earring, Barry Unsworth's Stone Virgin, and Bruce Chatwin's Utz offer implicit answers to these questions while critiquing museums and the determination to invest objects with value through display. Addressing current debates in museum studies, cultural studies, art history, and literary criticism, Enchanted Objects develops an extensive theory of how contemporary literature engages with and relates to aesthetic objects.

Enchanted Objects investigates the relationship between visual art and contemporary fiction, addressing the problems that arise when paintings, deluxe books, porcelains, or statues are represented in contemporary novels. The distinction between objects and art objects depends on aesthetics. While some objects are authenticated through museum exhibits, others are hidden, broken, neglected, coveted, hoarded, or salvaged. Allan Hepburn asks four broad questions about aesthetics and value: What is a detail in visual art? Is all art ornamental? Does the value of an object increase because it is fragile? What defines ugliness? Contemporary novels, such as Tracy Chevalier's Girl with a Pearl Earring, Barry Unsworth's Stone Virgin, and Bruce Chatwin's Utz offer implicit answers to these questions while critiquing museums and the determination to invest objects with value through display. Addressing current debates in museum studies, cultural studies, art history, and literary criticism, Enchanted Objects develops an extensive theory of how contemporary literature engages with and relates to aesthetic objects.

Essential reading for designers, business leaders, technologists and entrepreneurs, an MIT Media Lab scientist and founder of Ambient Devices presents a blueprint for a better future where efficient solutions come hand in hand with technology that delights our senses.

The second installment (following Enchanted Secrets - FREE on Google Play!) The clock ticks once again... Kendra goes in search of a legendary wand in Salem. Meanwhile, her long,lost cousin, Willow, tries to stop another family curse, by enlisting the help of a dark witch. A woman on her own agenda.

This insightful and beautifully illustrated book offers the first feminist analysis of the phenomenon of women art collectors in America. Dianne Sachko Macleod brings a surprising paradox to light, showing that collecting, which provided wealthy women with a private sense of solace, also liberated them to venture into the public sphere and make a lasting contribution to the emerging American culture. Beginning in the antebellum period, continuing through the Gilded Age, and reaching well into the twentieth century, Macleod shows how elite women enlisted the objets d'art and avant-garde paintings in their collections in causes ranging from the founding of modern museums to the campaign for women's suffrage.

Lochlann Jain’s debut non-fiction graphic novel, Things That Art, playfully interrogates the order of things. Toying with the relationship between words and images, Jain’s whimsical compositions may seem straightforward. Upon closer inspection, however, the drawings reveal profound and startling paradoxes at the heart of how we make sense of the world. Commentaries by architect and theorist Maria McVarish, poet and naturalist Elizabeth Bradfield, musician and English Professor Drew Daniel, and the author offer further insight into the drawings in this collection. A captivating look at the fundamental absurdities of everyday communication, Things That Art jolts us toward new forms of collation and collaboration.

"The world is on the move; seas rise, villages are emptied, coastlines are redrawn, deserts spread to the suburbs, snowfall increases and lost battlefields re-emerge. Only soap operas give any impression of permanence. Traditional fortresses like home, dwelling and nation are increasingly exposed as porous, fabricated and expensive things. The ways are opening for a pervasive and benevolent nomadism, a new art of living, on both grand and individuated scales." In this lovely photo-essay, Phil Smith - playwright, walk-performance artist (Wrights & Sites and Crabman) and author (Mis-Guides, Mythogeography, On Walking and Counter-Tourism) draws our attention to a "chorus of surprises" "yelling from the sides of the road like particularly unruly spectators at a parade". Focusing on signs, simulacra, objects and places that prove to be more, less or other than what they seem (all illustrated throughout the book) the author encourages us to look afresh at our quotidian urban and rural surroundings to see what lies just beneath the surface. Once identified, these absurd, empty, recalcitrant enchantments can transform the way we live and think and occupy our inner and outer landscapes. Urging us to "hypersensitize ourselves to the full blast of contemporary landscape's intensity", Phil Smith explains how to "let our tentacles unfurl" in order to explore and see the world around us in all its glory.