Encyclopedia Of Irish And American Fiddle Tunes

This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American style called fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. the easiest arrangements here are early intermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generally in order of difficulty. the bulk of the tunes presented are fiddle tunes, with a couple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a small number composed for the guitar. for the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature.

This volume is intended as a folio of arrangements from the repertoire of a working musician. As such, there is only a minimum of discussion about the technical aspects of playing. Students who have already dealt with the American stylecalled fingerpicking or fingerstyle guitar, which is quite distinct from other kinds of guitar playing, will be at an advantage. The easiest arrangements here are earlyintermediate level, while the other end of the scale includes pieces that may challenge even a professional. Tunes within each section are presented generallyin order of difficulty. The bulk of the tunes presented are fiddle tunes, with acouple of banjo tunes and several songs as well as tunes originally played on other instruments such as harp, pipes, or accordion. There are even a smallnumber composed for the guitar. For the most part, differences in approach among the tunes here are unrelated to the instrumental sources. All the tunes are presented in notation and tablature. Includes access to online audio.

The Bloomsbury Encyclopedia of Popular Music Volume 1 provides an overview of media, industry, and technology and its relationship to popular music. In 500 entries by 130 contributors from around the world, the volume explores the topic in two parts: Part I: Social and Cultural Dimensions, covers the social phenomena of relevance to the practice of popular music and Part II: The Industry, covers all aspects of the popular music industry, such as copyright, instrumental manufacture, management and marketing, record corporations, studios, companies, and labels. Entries include bibliographies, discographies and filmographies, and an extensive index is provided.

The name of this book is no exaggeration. It includes some of the most gorgeous music that the authors El McMeen and Sandy Shalk know. To make things even more interesting, none of the music was originally written for guitar! In addition to Celtic favorites, El includes his arrangements of two of the most beautiful arias in all of opera: "Che Gelida Manina" from Puccini's "La Boheme" and "My Heart at Thy Sweet Voice" (“Mon Coeur S'ouvre à ta Voix”) from "Samson and Delilah" by Camille Saint-Saëns. Sandy's contributions range from Celtic to French love songs to Stephen Foster, manifesting Sandy's gift for chordal subtleties and innovation. Each piece is in either standard tuning (EADGBE) or Drop D tuning (DADGBE). Written in standard notation and tablature with computer generated audio files of each arrangement.

Whispering Stones won the award for “Best Recording” from the Washington Area Music Association and has continued to be a favorite with fans of fingerstyle guitar music throughout the world. The book features Celtic-inspired original and traditional tunes performed on solo acoustic guitar with the occasional addition of flute, mandolin, cello, piano, or bells. The tunes appear in the same order as in the recording. Al Petteway is an award-winning fingerstyle guitarist and composer. His many “Wammie” awards from the Washington Area Music Association include “Artist of the Year” and “Musician of the Year”. Al’s playing fuses Celtic/British ideas and tunings with American themes and drive. Acoustic Guitar Magazine praised his ‘concise, clean arrangements similar to John Renbourn’s better work’. In notation and tablature.

Christmas Carols in the British Isles presents 20 songs from the Renaissance through early 20th century. It includes familiar compositions such as the “Coventry Carol”, “Away in a Manger”, and the “Wexford Carol”, and incorporates some lovely pieces that may be new to the listener. The melodies for these lyrical pieces appear in their most easily recognized form before any variation is presented. Raymond Gonzalez has a gift for combining traditional harmonies with occasional harmonic and rhythmic twists, providing freshness, color, and new life to familiar tunes. All arrangements are in standard or dropped-D tuning, suitable for both steel and nylon-string guitar performance and should be comfortably accessible to the intermediate guitarist. The reader is referred to the tablature for string, fret, and harmonic locations. The book includes access to online audio of every tune recorded by the author.

A master solo collection by classic guitarist James Bellizzi containing 16 English airs and country dances; 21 Irish tunes by O' Carolan and others; and 14 lively Scottish tunes and country dances. the arrangements capture the unique tone and spirit of these wonderful folk melodies and compositions. In notation and tablature.

This volume makes available the full range of the American/Canadian musical experience, covering-for the first time in print-all major regions, ethnic groups, and traditional and popular contexts. From musical comedy to world beat, from the songs of the Arctic to rap and house music, from Hispanic Texas to the Chinese communities of Vancouver, the coverage captures the rich diversity and continuities of the vibrant music we hear around us. Special attention is paid to recent immigrant groups, to Native American traditions, and to such socio-musical topics as class, race, gender, religion, government policy, media, and technology.