Enduring Images

Enduring Images describes the personal cost of war paid by combat veterans and their loved ones over the course of a lifetime. Dr. Paul Fazekas was drafted into the U.S. Army in 1969 at the age of nineteen and participated in the most unpopular and controversial war in American history. He reluctantly, and sometimes defiantly, served as a rifleman with the First Air Cavalry Division (Airmobile) and the 11th Light Infantry Brigade for a one-year tour in Vietnam. Despite his best efforts to forget combat trauma, he was forced to confront the ghosts of Vietnam in 2002, when he met the family of his squad leader who was mortally wounded in an ambush and died in his arms. This providential meeting opened the way to a more meaningful healing from posttraumatic stress, a disorder that many combat veterans and their families can identify with along their own journeys. He was awarded the Combat Infantryman Badge along with other military medals and decorations.

An integrated look at the political films of the 1960s and ’70s and how the New Left transformed cinema A timely reassessment of political film culture in the 1960s and ’70s, Enduring Images examines international cinematic movements of the New Left in light of sweeping cultural and economic changes of that era. Looking at new forms of cinematic resistance—including detailed readings of particular films, collectives, and movements—Morgan Adamson makes a case for cinema’s centrality to the global New Left. Enduring Images details how student, labor, anti-imperialist, Black Power, and second-wave feminist movements broke with auteur cinema and sought to forge local and international solidarities by producing political essay films, generating new ways of being and thinking in common. Adamson produces a comparative and theoretical account of New Left cinema that engages with discussions of work, debt, information, and resistance. Enduring Images argues that the cinemas of the New Left are sites to examine, through the lens of struggle, the reshaping of global capitalism during the pivotal moment in which they were made, while at the same time exploring how these movements endure in contemporary culture and politics. Including in-depth discussions of Third Cinema in Argentina, feminist cinema in Italy, Newsreel movements in the United States, and cybernetics in early video, Enduring Images is an essential examination of the political films of the 1960s and ’70s.

Traces the history of American painting through incisive accounts of significant American painters from the unknown limners of colonial days to the pop and op artists of the 1960's.

This book discusses the significance of cultural symbols/‘images’ in the nation-building of Eurasian states that emerged out of the former Soviet Union. It particularly focuses on the cases of Uzbekistan and Kazakhstan in the post-Soviet era and argues that the relationship between nation- and image-building has been particularly relevant for Eurasian states. In an increasingly globalized world, nation-state building is no longer an activity confined to the domestic arena. The situating of the state within the global space and its ‘image’ in the international community (nation branding) becomes in many ways as crucial as the projection of homogeneity within the state. The relationship between politics and cultural symbols/ ‘images’, therefore acquires and represents multiple possibilities. It is these possibilities that are the focus of Symbols and the Image of the State in Eurasia. It argues that the relationship between politics and cultural symbols/ ‘images’, became particularly relevant for states that emerged in the wake of the disintegration of the Soviet Union in Central Asia. It extends the argument further to contend that the image that the state projects is largely determined by its legacy and it attempts to do this by taking into account the Uzbek and Kazakh cases. In the shaping of the post-Soviet future these legacies and projections as well as the policy implications of these projections in terms of governmentality and foreign policy have been decisive.

Very Short Introductions: Brilliant, Sharp, Inspiring Throughout history plague has been the cause of many major catastrophes. It was responsible for the 'Plague of Justinian' in 542, the Black Death of 1348, and the Great Plague of London in 1665, as well as for devastating epidemics in China and India between the 1890s and 1920s. In the 21st century Coronavirus pandemics have served as a powerful reminder that we have not escaped the global impact of epidemic diseases. In this Very Short Introduction, Paul Slack takes a global approach to explore the historical and social impact of plague over the centuries, looking at the ways in which it has been interpreted, and the powerful images it has left behind in art and literature. Examining what plague meant for those who suffered from it, and how governments began to fight against it, he demonstrates the impact plague has had on modern notions of public health, and how it has shaped our history. This new edition also includes evidence on the nature of plague taken from recent discoveries in ancient DNA as well as new research on plague in the Middle East. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

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