Engaging With C H Dodd On The Gospel Of John

Reflects upon and looks beyond the pioneering scholarship of C. H. Dodd, charting a course for future research on John.

The Gospel of John in Modern Interpretation provides a unique look at the lives and work of eight interpreters who have significantly influenced Johannine studies over the last two centuries. The chapters contain short biographical sketches of the scholars that illuminate their personal and academic lives, followed by summaries and evaluations of their major works, and concluding with an analysis of the ongoing relevance of their work in contemporary Johannine scholarship. Key thinkers surveyed include C. H. Dodd, Rudolph Bultmann, Raymond Brown, Leon Morris, and R. Alan Culpepper. An introduction and conclusion by general editors Stanley Porter and Ron Fay trace the development of Johannine scholarship from F. C. Baur to the present, and examine how these eight scholars' contributions to Johannine studies have shaped the field. Anyone interested in the recent history of the study of John will find this volume indispensable.

Every aspect of the study of John is represented in this book, including the historical origins of the Johannine community, the religious traditions in the gospel within and beyond early Christianity, the Fourth Gospel's literary dimensions and theological concerns, and the distinctive challenges presented by the Gospel's interpretation.

The essays in this volume, which span four decades, represent sustained reflection on the historical setting, narrative devices, and theology of the Gospel of John. Methodologically, the essays develop a narrative-critical approach to the Gospel, producing insights that have implications for historical and theological issues. Thematically, many of the essays explore the Gospel's ecclesiology, especilly its vision for the church and its mission. As a collection, this volume provides an introduction to the Fourth Gospel, analyses of major issues (including John's anti-Judaism, relationship to 1 John, irony, imagery, creation ethics, evil, and eschatology), and in-depth exploration of key texts, especially John 1:1-18, 2:20; 4:35-38; 5:1-18; 5:21-30; 10:1-18; 12:12-15; 13:1-20; 19:16-30; 20:19-23; and chapter 21.

In this book, Wendy E. S. North investigates whether or not the author of John could have crafted his Gospel with knowledge of the Synoptics. Unlike previous approaches, which have usually treated the Gospel according to John purely as a piece of literature, this book undertakes a fresh approach by examining how John’s author reworks material that can be identified within his own text and also in the Jewish Scriptures. An assessment of these techniques allows North then to compare the Gospel of John with its Synoptic equivalents, and to conclude at last that John indeed worked with the knowledge of the Synoptic texts at certain points.

Sosa Siliezar investigates the presence and significance of creation imagery in the Gospel of John. He argues that John has intentionally included only a limited (albeit significant) number of instances of creation imagery and that he has positioned them carefully to highlight their significance. Sosa Siliezar contends that the instances of creation imagery used in varying contexts function collectively in a threefold way that is consonant with John's overall argument. First, John uses them to portray Jesus in close relationship with his Father, existing apart from and prior to the created order. Second, John uses creation imagery to assert the primal and universal significance of Jesus and the message about him, and to privilege him over other important figures in the story of Israel. Third, John uses creation imagery to link past reality with present and future reality, portraying Jesus as the agent of creation whom the reader should regard as the primal agent of revelation and salvation. The book concludes by underscoring how these findings inform our understanding of John's Christology and Johannine dualism.