Engels

SHORTLISTED FOR THE 2016 DESMOND ELLIOTT PRIZE SHORTLISTED FOR THE 2016 WALKER SCOTT PRIZE FOR HISTORICAL FICTION LONGLISTED FOR THE 2015 GUARDIAN FIRST BOOK AWARD Love is a bygone idea, centuries-worn. There are things we can go without, and love is among them; bread and a warm hearth are not. In September 1870 a train leaves Manchester bound for London. On board is Lizzie Burns, a poor worker from the Irish slums, who is embarking on the journey that will change her forever. Sitting in the first-class carriage beside her lover, the wealthy mill-owner Frederick Engels, the vision of a life of peace and comfort takes shape before her eyes: finally, at nearly fifty, she is to be the lady of a house and the wife to a man. Perhaps now she can put the difficulties of the past behind her, and be happy? In Gavin McCrea's stunning debut novel, we follow Lizzie as the promise of an easy existence in the capital slips from her view, and as she gains, in its place, a profound understanding of herself and of the world. While Frederick and his friend Karl Marx try to spur revolution among the working classes, Lizzie is compelled to undertake a revolution of another kind: of the heart and the soul. Haunted by her first love, a revolutionary Irishman; burdened by a sense of duty to right past mistakes; and torn between a desire for independence and the pragmatic need to be taken care of, Lizzie learns, as she says, that 'the world doesn't happen how you think it will. The secret is to soften to it, and to take its blows.' Wry, astute and often hilarious, Lizzie is as compelling and charismatic a figure as ever walked the streets of Victorian England, or its novels. In giving her renewed life, Gavin McCrea earns his place in the pantheon of great debut novelists. PRAISE FOR GAVIN MCCREA ‘[M]asterly and original, examining through the eyes of the brave, noisy and clever yet illiterate Lizzie the work and friendship of Marx and Engels and the lives of women.’ The Age ‘Extraordinarily assured … Lizzie is an ever-intriguing, rounded character.’ The Herald Sun

In the days and weeks following the tragic 2011 shooting of nineteen Arizonans, including congresswoman Gabrielle Giffords, there were a number of public discussions about the role that rhetoric might have played in this horrific event. In question was the use of violent and hateful rhetoric that has come to dominate American political discourse on television, on the radio, and at the podium. A number of more recent school shootings have given this debate a renewed sense of urgency, as have the continued use of violent metaphors in public address and the dishonorable state of America’s partisan gridlock. This conversation, unfortunately, has been complicated by a collective cultural numbness to violence. But that does not mean that fruitful conversations should not continue. In The Politics of Resentment, Jeremy Engels picks up this thread, examining the costs of violent political rhetoric for our society and the future of democracy. The Politics of Resentment traces the rise of especially violent rhetoric in American public discourse by investigating key events in American history. Engels analyzes how resentful rhetoric has long been used by public figures in order to achieve political ends. He goes on to show how a more devastating form of resentment started in the 1960s, dividing Americans on issues of structural inequalities and foreign policy. He discusses, for example, the rhetorical and political contexts that have made the mobilization of groups such as Nixon’s “silent majority” and the present Tea Party possible. Now, in an age of recession and sequestration, many Americans believe that they have been given a raw deal and experience feelings of injustice in reaction to events beyond individual control. With The Politics of Resentment, Engels wants to make these feelings of victimhood politically productive by challenging the toxic rhetoric that takes us there, by defusing it, and by enabling citizens to have the kinds of conversations we need to have in order to fight for life, liberty, and equality.

Reading different or controversial intentions into Marx and Engels’ works has been a common but somewhat unquestioned practice in the history of Marxist scholarship. Engels’ Dialectics of Nature, a torso for some and a great book for others, is a case in point. The entire Engels debate separates into two opposite views: Engels the contaminator of Marx’s “new materialism” vs. Engels the self-educated genius of dialectical materialism. What Engels, unlike Marx, has not enjoyed so far is a critical reading that considers the relationship between different layers of this standard text: authorial, textual, editorial, and interpretational. Informed by a historical hermeneutic, this book questions the elements that structure the debate on the Dialectics of Nature. It analyzes different political and philosophical functions attached to Engels’ text, and relocates the meaning of the term “dialectics” into a more precise context. Arguing that Engels’ dialectics is less complete than we usually think it is but that he achieved more than most scholars would like to admit, this book fully documents and critically analyzes Engels’ intentions and concerns in the Dialectics of Nature, the process of writing, and its reception and edition history in order to reconstruct the solved and unsolved philosophical problems in this unfinished work.

The most influential theory of the origins of women's oppression in the modern era, in a beautiful new edition In this provocative and now-classic work, Frederick Engels explores the interrelated development of the family and the state from ancient society to the Victorian era. Drawing on new anthropological theories of his time, Engels argued that matriarchal communal societies had been overthrown by class society and its emphasis on private, not communal, property and monogamous, rather than polygamous, sexual organization. This historical development, Engels argued, constituted "the world-historic defeat of the female sex." A masterclass in the application of materialist thought to history and anthropology, and touching on love, monogamy, property, and the development of the human, this landmark work is still foundational in Marxist and socialist feminist theory.

This introductory book explores the importance of Engel's thought & work. Engels was the father of dialectical & historical materialism, the first Marxist historian anthropologist, philosopher, & commentator on early Marx.

DIVDIVThe raucously sweet sequel to At the Shores/divDIV Jerry Engels is in his junior year at Penn State. He lives with his fraternity brothers, flunks his classes, lifts weights, and thinks about women—constantly. Insatiable, Jerry devours the Kinsey Report in full, and sets out to test its findings wherever possible, grilling his brothers on their homosexual experiences, getting crabs from a prostitute, posing in the nude for art classes, and romancing a good friend’s little sister. Yet Jerry is not a rake but a carnal saint, delighting in life in a careless, grateful manner. When Jerry does find love, this remarkable comic novel of lust becomes a romance./div/div

First Published in 1976. The first volume on this two-part biography traces Engels' carer from his youth in the Wupper valley, through his periods in Bremen and Berlin to the Manchester years and the beginning of his long collaboration with Marx. These early years are described against the background of the prevailing social unrest in Europe, culminating in the 1848 revolutions and portraits are included of many Marx's and Engels' friends and fellow communists.

Friedrich Engels' first major work, The Condition of the Working Class in England in 1844, has long been considered a social, political, and economic classic. The first book of its kind to study the phenomenon of urbanism and the problems of the modern city, Engels' text contains many of the ideas he was later to develop in collaboration with Karl Marx. In this book, Steven Marcus, author of the highly acclaimed The Other Victorians, applies himself to the study of Engels' book and the conditions that combined to produce it. Marcus studies the city of Manchester, centre of the first Industrial Revolution, between 1835 and 1850 when the city and its inhabitants were experiencing the first great crisis of the newly emerging industrial capitalism. He also examines Engels himself, son of a wealthy German textile manufacturer, who was sent to Manchester to complete his business education in the English cotton mills. Touching upon several disciplines, including the history of socialism, urban sociology, Marxist thought, and the history and theory of the Industrial Revolution, Engels, Manchester, and the Working Class offers a fascinating study of nineteenth-century English literature and cultural life.