Engendering Rome

Heroism has long been recognised by readers and critics of Roman epic as a central theme of the genre from Virgil and Ovid to Lucan and Statius. However the crucial role female characters play in the constitution and negotiation of the heroism on display in epic has received scant attention in the critical literature. This study represents an attempt to restore female characters to visibility in Roman epic and to examine the discursive operations that effect their marginalisation within both the genre and the critical tradition it has given rise to. The five chapters can be read either as self-contained essays or as a cumulative exploration of the gender dynamics of the Roman epic tradition. The issues addressed are of interest not just to classicists but also to students of gender studies.

From the acclaimed author of A Fatal Thing Happened on the Way to the Forum, a wildly entertaining new history of Rome that uses the lives of 21 women to upend our understanding of the ancient world The history of Rome has long been narrow and one-sided, essentially a history of “the Doing of Important Things.” And as far as Roman historians have been concerned, women don’t make that history. From Romulus through the political stab-fest of the late Republic, and then on to all the emperors, Roman historians may deign to give you a wife or a mother to show how bad things become when women get out of control, but history is more than that. Emma Southon’s A Rome of One’s Own is the best kind of correction. This is a retelling of the history of Rome with all the things Roman history writers relegate to the background, or designate as domestic, feminine, or worthless. This is a history of women who caused outrage, led armies in rebellion, wrote poetry; who lived independently or under the thumb of emperors. Told with humor and verve as well as a deep scholarly background, A Rome of One’s Own highlights women overlooked and misunderstood, and through them offers a fascinating and groundbreaking chronicle of the ancient world.

Explores single men and women in the Roman world, their ways of life and their reasons for remaining unmarried.

The papers collected in this volume provide invaluable insights into the results of different interactions between “Romans” and Others. Articles dealing with cultural changes within and outside the borders of Roman Empire highlight the idea that those very changes had different results and outcomes depending on various social, political, economic, geographical and chronological factors. Most of the contributions here focus on the issues of what it means to be Roman in different contexts, and show that the concept and idea of Roman-ness were different for the various populations that interacted with Romans through several means of communication, including political alliances, wars, trade, and diplomacy. The volume also covers a huge geographical area, from Britain, across Europe to the Near East and the Caucasus, but also provides information on the Roman Empire through eyes of foreigners, such as the ancient Chinese.

In Women and War in Roman Epic, Elina Pyy discusses the narrative and ideological functions of gender in the works of Virgil, Lucan, Statius, Silius Italicus and Valerius Flaccus. By examining the themes of violence, death, guilt, grief, and anger in their epics, she offers an account of the intertextual tradition of the genre and its socio-political background. Through a combination of classical narratology and Julia Kristeva’s subjectivity theory, Pyy scrutinises how gendered marginality is constructed in the genre and how it contributes to the fashioning of Roman imperial identity. Focusing on the ambiguous elements of epic, the study looks beyond the binary oppositions between the Self and the Other, male and female, and Roman and barbarian.

This book is a meditation on the role of psychoanalysis within Latin literary studies. Neither a sceptic nor a true believer, Oliensis adopts a pragmatic approach to her subject, emphasizing what psychoanalytic theory has to contribute to interpretation. Drawing especially on Freud's work on dreams and slips, she spotlights textual phenomena that cannot be securely anchored in any intention or psyche but that nevertheless, or for that very reason, seem fraught with meaning; the 'textual unconscious' is her name for the indefinite place from which these phenomena erupt, or which they retroactively constitute, as a kind of 'unconsciousness-effect'. The discussion is organized around three key topics in psychoanalysis - mourning, motherhood, and the origins of sexual difference - and takes the poetry of Catullus, Virgil, and Ovid as its point of reference. A brief afterword considers Freud's own witting and unwitting engagement with the idea of Rome.

This collection of essays offers a comprehensive examination of the varied dynamics and strategies of political discourse and its concealment in Latin literature in the late republic and especially the early empire at Rome.

The Edinburgh Companion, newly available in paperback, is a gateway to the fascinating worlds of ancient Greece and Rome. Wide-ranging in its approach, it demonstrates the multifaceted nature of classical civilisation and enables readers to gain guidance in drawing together the perspectives and methods of different disciplines, from philosophy to history, from poetry to archaeology, from art history to numismatics, and many more.