England S Green

Zaffar Kunial is a proven master of taking things apart, polishing up the fugitive parts of single words, of a sound, a colour, the name of a flower, and putting them back together so that we see them in an entirely different light. In the poems of England's Greenwe are invited to look at the place and the language we think we know and made to think again. With everything so newly set, we are alert, as the poet is, to the 'dark missing/step in a stair', entering this new world with bated breath. By such close attention to the parts, the poems have a genius for invoking absence, whether that be a missing father, the death of a mother or a path not taken. Fully formed, they share a centre of gravity: migrations, memories, little transgressions and disturbances, summoned and contained in small gestures - a hand held, the smell of a newly bred rose or the scratch a limpet makes to mark its home. 'Zaffar Kunial is a poet whose work thrills me, who makes you return to the origins of things, places, language and people again and again. He's a poet who takes traditions seriously but makes of them something entirely new - a must.' Jackie Kay

A sweeping history of how ecological challenges have shaped English society over the last sixty years. England’s Green explores how environmental concerns have shaped and reflected English national identity since the 1960s. From agriculture to leisure, climate change, folklore, archaeology, and religion, David Matless shows how national environmental debates connect to the local, regional, global, and postcolonial worlds. Moving across a breadth of material including government policy, popular music, ecological polemic, and television comedy, England’s Green shows the richness and complexity of English environmental culture. Along the way, Matless tracks how today’s debates over climate and nature, land, and culture, have been molded by events over the past sixty years.

"From Gretna Green to Land's End" is an early work on England's literary tourism, giving a good insight into the famous places and their significance. Published in 1907, it is written in the form of a personal travelogue. The writer provides beautiful descriptions of the locations and entertains the readers with some unknown facts.

A diverse collection of poetry which celebrates both England and all that it means to be English – from the rolling hills, to those lost in battle over the centuries, to London’s bustling streets and a nation obsessed with the weather. Ode to England encompasses a breadth of poetry from our most renowned writers – such as William Wordsworth, D. H. Lawrence and William Blake – alongside verses from less prestigious names which equally capture many inspiring visions of our ‘sceptered isle’. The poems are presented alongside stunning illustrations which pay further tribute to the beauty of this green and pleasant land. The perfect gift for any Englishman or Anglophile, this wonderful collection captures all the beauty and eccentricities of England and Englishness.

Green in early modern England did not mean what it does today; but what did it mean? Unveiling various versions and interpretations of green, this book offers a cultural history of a color that illuminates the distinctive valences greenness possessed in early modern culture. While treating green as a panacea for anything from sore eyes to sick minds, early moderns also perceived verdure as responsive to their verse, sympathetic to their sufferings, and endowed with surprising powers of animation. Author Leah Knight explores the physical and figurative potentials of green as they were understood in Renaissance England, including some that foreshadow our paradoxical dependence on and sacrifice of the green world. Ranging across contexts from early modern optics and olfaction to horticulture and herbal health care, this study explores a host of human encounters with the green world: both the impressions we make upon it and those it leaves with us. The first two chapters consider the value placed on two ways of taking green into early modern bodies and minds-by seeing it and breathing it in-while the next two address the manipulation of greenery by Orphic poets and medicinal herbalists as well as grafters and graffiti artists. A final chapter suggests that early modern modes of treating green wounds might point toward a new kind of intertextual ecology of reading and writing. Reading Green in Early Modern England mines many pages from the period - not literally but tropically, metaphorically green - that cultivate a variety of unexpected meanings of green and the atmosphere and powers it exuded in the early modern world.

Green Unpleasant Land explores the countryside's repressed colonial past and demonstrates its importance as a source of ideas about Englishness. The book presents historical evidence to show that rural England was a place of conflict and global expansion. It also examines four centuries of literary response to explore how race, class and gender have both created and deconstructed England's pastoral mythologies. In particular, the book argues that Black and British Asian writers have challenged narrow, nostalgic views of rural England but also expressed attachment to English landscapes and the natural world.