England The Biography

'An astonishing work of research, detail and revelation. Bulging with information, packed with nuggets.' John Etheridge, Sun 'Superbly researched... His eye for detail never wavers. It’s a pleasure to read.' Vic Marks, Observer 'The Cricket Book of the Year: Dauntingly comprehensive and surprisingly light-footed.' Simon Briggs, Daily Telegraph England: The Biography is the most comprehensive account of the England cricket team that has ever been published, taking the reader into the heart of the action and the team dynamics that have helped shape their success, or otherwise. It is now 140 years since England first played Test match cricket and, for much of that time, it has struggled to perform to the best of its capabilities. In the early years, amateurs would pick and choose which matches and tours they would play; subsequently, the demands of the county game - and the petty jealousies that created - would prevent many from achieving their best. It was only in the 1990s that central contracts were brought in, and Team England began to receive the best possible support from an ever-increasing backroom team. But cricket isn't just about structures, it depends like no other sport on questions of how successful the captain is in motivating and leading his team, and how well different personalities and egos are integrated and managed in the changing room. From Joe Root and Alastair Cook back to Mike Atherton, Mike Brearley and Ray Illingworth, England captains have had a heavy influence on proceedings. Recent debates over Kevin Pietersen were nothing new, as contemporaries of W.G.Grace would doubtless recognise. As England play their 1000th Test, this is a brilliant and unmissable insight into the ups and downs of that story.

LONGLISTED FOR THE WILLIAM HILL SPORTS BOOK OF THE YEAR PRIZE ‘The greatest story in English sport told beautifully by one of its greatest writers’ Gary Lineker 'A spellbinding piece of work' Oliver Holt; 'Absolute tour de force' Henry Winter Award-winning writer Paul Hayward delivers a compelling and unmissable account of the story of the England men's football team, published as they prepare for the World Cup in Qatar. On 30 November 1872, England took on Scotland at Hamilton Crescent in Glasgow, a match that is regarded as the first international fixture. More than 5,000 fans watched the two sides play out a 0-0 draw. It was the first of more than a thousand games played by the side, and the beginning of a national love affair that unites the country in a way that few other events can match. In Hayward's brilliant new biography of the team, based on interviews with dozens of past and present players and coaches, including Viv Anderson, Gary Lineker, Alan Shearer and current coach Gareth Southgate, we get a vivid portrait of all aspects of the team's story, reliving highlights such as the World Cup victory in 1966 and the time when football came home in Euro 96, as well as the low points when the players were obliged to give the Nazi salute in 1938 and the era when England's hooligan fans brought shame on the nation. From Stanley Matthews and Bobby Moore through to more modern heroes such as Paul Gascoigne, David Beckham, Wayne Rooney and Harry Kane, Hayward brings a large cast of characters to life. For anyone who wants to understand England football, and why it means so much to so many, England Football: The Biography is an essential and vital read.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

In the well-entrenched critical view of the Jacobean period, James I is credited with the flowering of culture in the early years of the seventeenth century. His queen, Anna of Denmark, is seen as a shadowy figure at best, a capricious and shallow one at worst. But Leeds Barroll makes a well-documented case that it was Anna who, for her own purposes, developed an alternative court and sponsored many of the other artistic ventures in one of the most productive and innovative periods of English cultural history. Married at seventeen, Anna soon became a shrewd and powerful player in the court politics of Scotland and, later, England. Her influence can be seen in James's choices for advisors and beneficiaries of royal attention. In fact, James's and Anna's longstanding dispute over the raising of the heir, Henry, caused a major scandal of the time and was suspected as a plot against the king's safety. In order to assert her own power, Anna actually forced a miscarriage upon herself, an extraordinary event that is referred to in much unnoticed contemporary diplomatic correspondence. An important feature of court entertainment and literary production at this time was the development of the extravagant drama known as the masque, which reached its literary peak in the works of Ben Jonson and Inigo Jones. Barroll argues that it was in fact Anna and not James who encouraged and staged the masques, as a way of defining both a social and political identity for the royal consort, a role that had been nonexistent under Elizabeth. Barroll's work on Anna's patronage also sets Shakespeare's company in a broader context. By writing the cultural biography of Anna of Denmark, queen of England, Leeds Barroll reestablishes the influential and distinctive role of the queen consort in early modern Europe.

Queen Elizabeth - we have heard her name, and we have heard that she was the virgin Queen. However, what else made her famous enough to go down in history? Elizabeth is the Queen that made a huge impact on her subjects in England. She was a queen who did not take no for an answer, and she did what she thought was best for her people. Her subjects were her entire world, and Elizabeth did not do anything to compromise the trust that they had in her. To learn more about Elizabeth's life, pick up this book, and hopefully, you find out something new about the Last Queen of the Tudor dynasty. Scroll to the top of the page and click Add To Cart to read more about this extraordinary chapter of history

Utopia is a work of fiction and socio-political satire by Thomas More published in 1516 in Latin. The book is a frame narrative primarily depicting a fictional island society and its religious, social and political customs. Many aspects of More's description of Utopia are reminiscent of life in monasteries.