English Children S Costume Since 1775

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Ruffled dresses, full skirts, pantaloons, and loose gowns of the "Empire" cut for girls; and for boys — long trousers buttoned to a shirt, sailor suits, and velvet knee-breeches. 32 black-and-white illustrations.

Late in the 18th century, English children's apparel began to look different from that worn by their elders. The reason, says writer James Laver in his introduction, is that someone finally realized children were different! This engaging book records those changes, with illustrations depicting styles at five- or ten-year intervals, from 1775 to 1920. 32 black-and-white illustrations.

This authoritative resource presents a comprehensive history of clothing and accessories. "A mine of information" (Choice), the book covers every world culture with 650-plus entries, more than 2,100 black-and-white drawings, and eight pages of color illustrations. A detailed index makes it easy to locate garments from any era.

The status of American children at the beginning of the eighteenth century was so insignificant that writers apologized for wasting their talents on the subject and physicians seldom condescended to prescribe for them. the Changing attitude toward the child since then, however, can be classed as one of the great revolutions of history. In this volume Monica Kiefer traces the development of various phases of child life, including religion, manners and morals, education, health and recreation, through an analysis of children's books from 1700 to 1835, which year marked the beginning of a trend fostering a view of life more benign and worldly than the previous era of extreme pietism.

The clothes we wear tell stories about us—and are often imbued with cultural meanings specific to our ethnic heritage. This concise A-to-Z encyclopedia explores 150 different and distinct items of ethnic dress, their history, and their cultural significance within the United States. The clothing artifacts documented here have been or are now regularly worn by Americans as everyday clothing, fashion, ethnic or religious identifiers, or style statements. They embody the cultural history of the United States and its peoples, from Native Americans, white Anglo colonists, and forcibly relocated black slaves to the influx of immigrants from around the world. Entries consider how dress items may serve as symbolic linkages to home country and family or worn as visible forms of opposition to dominant cultural norms. Taken together, they offer insight into the ethnic-based core ideologies, myths, and cultural codes that have played a role in the formation and continued story of the United States.

Miss Brooke is a well known as an authority on historical costume. In this single volume she covers a history of dress in England from earliest times. The book contains an ample text, four coloured plates, and nearly three hundred drawings in line. This book will prove to be a fascinating read for anyone with an interest in the subject, providing a vast amount of information and detail that will be of use to theatrical designers, both professional and amateur. Contents Include: William The Conqueror to Edward III 1066-1327; Edward III to Henry VII 1327-1485; Early Tudors, Henry VII to Elizabeth 1485-1558; Elizabeth to James I 1558-1625; Charles I to James II 1625-84; James II to George III 1685-1760; George III to George IV 1760-1820; George IV, William IV and Victoria 1820-50; Victoria 1850-80; Victoria 1880-1900.