English Ironwork Of The Xviith And Xviiith Centuries An Historical And Analytical Account Of The Development Of Exterior Smithcraft

This vintage book contains a historical account of English Ironwork, being a detailed analysis of seventeenth and eighteenth century English smithery with a particular focus on influential craftsmen. This profusely illustrated volume is highly recommended for those with an interest in the history and development of ironwork, and it would make for a worthy addition to collections of allied literature. Contents include: "Mediaeval gates", "Renaissance Gates", "The Work of Jean Tijou, 1690-1710", "The School of Smiths after Tijou", "Robert Bakewell, 1707-30", "The Brothers Roberts, 1719-30", "William Edney, 1710-40", "The English School of Smiths", "The Work of Thomas Robinson, 1697-1720", et cetera. Many vintage books such as this are increasingly scarce and expensive. We are republishing this volume now in an affordable, modern edition complete with a specially commissioned new introduction on metal work. First published in 1911.

An English renaissance in the art of ironwork occurred during the 1600s and 1700s. In addition to its detailed, well-researched history and analysis, this volume features over 230 black-and-white photographs and illustrations. Outstanding examples of the craft include gates, screens, railings, balconies, brackets, and other ironwork from scores of sites.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This title comes with a new Introduction by Bethan Griffiths and Peter Milington. We are fortunate today that there is a far greater understanding and appreciation of our heritage, and how it should be cared for, than there was at the time J. Starkie Gardner's book was written. For the many people interested in and involved with the care and conservation of heritage ironwork "English Ironwork of the Seventeenth and Eighteenth Centuries" is an invaluable reference, not just for researching specific pieces but also for understanding the historic context of the ironwork of the period. It is also full of illustrations of once surviving examples in need of repair, and these photographs can give clues to their original form. Where ironwork has gone missing, the information can help to inform the design of replica work. There are few books on decorative historical ironwork and the small number there are highlight the fact that, overall, the subject of wrought ironwork has been insufficiently studied and is a rich field for cataloguing and research. Within the pages of Starkie Gardner's book are clues to the identification of further pieces of ironwork, particularly the many he did not cover, from which there is still much to learn. It is hoped that reissue of the book acts as an inspiration to those involved with the study, care and refurbishment of ironwork to continue the work he started in the recording and sharing of ironwork discoveries. However, the huge amount of surviving work of the nineteenth and twentieth centuries should not be forgotten as of this also too little is known; here again there is need for further cataloguing and research.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.