English Medieval Literature And Its Social Foundations Unrevised Reproduction

Excerpt from Medieval Story: And the Beginnings of the Social, Ideals of English-Speaking People In accordance with the terms of the Hewitt Foundation, the following lectures, delivered during the months of February and March, 1911, at Cooper Union in New York City, are herewith issued in book form. It seems desirable to remind the reader who is unfamiliar with the conditions under which the Hewitt Lectures are given that they are designed, in part at least, for a less academic audience than that usually in attendance upon lectures given under the auspices of Columbia University. In the present instance, no acquaintance with medieval literature, nor, indeed, any interest in it on the part of the audience could be taken for granted. The course was therefore designed primarily to reveal the charm of this literature, and its significance for modem times. With this end in view, such narrative poetry was selected for analysis as would best illustrate a single theme, - the development of social ideals in the history of the English people. The successive lectures were, however, mainly devoted to discussing this early poetry as literature, in the belief that an understanding of its subject-matter, its origins, and its spirit would best lead to a comprehension of its significance as an index of social progress. It should perhaps be stated that while the general outline of each lecture was strictly adhered to in actual delivery before the audience, the manuscript was not closely followed, much of the speaking being extemporaneous. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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Excerpt from An Introduction to English Medieval Literature The recent abundance of reprints and translations marks a second approach toward the recovery of the middle age. While the previous generation of historians was dispelling the legendary darkness of this dark age, the critics turned the connotation of Gothic from pity to praise. Pity for the middle age became so antiquated that enthusiasts ven tured even to demand worship instead. What remained for our time was more exact appreciation through an increasing availability of medieval literature. To the widely interesting body of literature now at hand in English I have tried here to furnish a students' guide. This book is not for scholars. They are provided already. What seemed to be lacking was such a brief manual as Should Open the main literary signifi cances to students not specially trained. Therefore, though the discussion necessarily includes works written in Latin and Old French, and relies, of course, on foreign as well as Eng lish scholarship, the citations and the suggestions for further study are generally limited to works accessible in English. What I have thus tried to provide is, not a substitute for close study, but an introduction. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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