Ents Elves And Eriador

Many readers drawn into the heroic tales of J. R. R. Tolkien's imaginary world of Middle-earth have given little conscious thought to the importance of the land itself in his stories or to the vital roles played by the flora and fauna of that land. As a result, The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Tolkien's works do not express an activist agenda; instead, his environmentalism is expressed in the form of literary fiction. Nonetheless, Tolkien's vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien's view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. The philosophical foundations that define Tolkien's environmentalism, as well as the practical outworking of these philosophies, are found throughout his work. Agrarianism is evident in the pastoral lifestyle and sustainable agriculture of the Hobbits, as they harmoniously cultivate the land for food and goods. The Elves practice aesthetic, sustainable horticulture as they shape their forest environs into an elaborate garden. To complete Tolkien's vision, the Ents of Fangorn Forest represent what Dickerson and Evans label feraculture, which seeks to preserve wilderness in its natural form. Unlike the Entwives, who are described as cultivating food in tame gardens, the Ents risk eventual extinction for their beliefs. These ecological philosophies reflect an aspect of Christian stewardship rooted in Tolkien's Catholic faith. Dickerson and Evans define it as "stewardship of the kind modeled by Gandalf," a stewardship that nurtures the land rather than exploiting its life-sustaining capacities to the point of exhaustion. Gandalfian stewardship is at odds with the forces of greed exemplified by Sauron and Saruman, who, with their lust for power, ruin the land they inhabit, serving as a dire warning of what comes to pass when stewardly care is corrupted or ignored. Dickerson and Evans examine Tolkien's major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world.

“A fascinating ecocritical evaluation” of The Hobbit, The Lord of the Rings, The Silmarillion and other works of the master fantasist (Northeastern Naturalist). The Hobbit, The Lord of the Rings, and The Silmarillion are rarely considered to be works of environmental literature or mentioned together with such authors as John Muir, Rachel Carson, or Aldo Leopold. Nonetheless, Tolkien’s vision of nature is as passionate and has had as profound an influence on his readers as that of many contemporary environmental writers. The burgeoning field of agrarianism provides new insights into Tolkien’s view of the natural world and environmental responsibility. In Ents, Elves, and Eriador, Matthew Dickerson and Jonathan Evans show how Tolkien anticipated some of the tenets of modern environmentalism in the imagined world of Middle-earth and the races with which it is peopled. Dickerson and Evans examine Tolkien’s major works as well as his lesser-known stories and essays, comparing his writing to that of the most important naturalists of the past century. A vital contribution to environmental literature and an essential addition to Tolkien scholarship, Ents, Elves, and Eriador offers both Tolkien fans and environmentalists an understanding of Middle-earth that has profound implications for environmental stewardship in the present and the future of our own world. “This book is for everyone who loves the work of J. R. R. Tolkien, and who loves the world around them.” —Armchair Interviews “Anyone who ever thrilled to Tolkien’s fighting trees, or to the earthy Tom Bombadil, or to the novel charm of the Shire will want to read this important and lovely book.” —Bill McKibben, Scholar in Residence in Environmental Studies, Middlebury College

An exploration of the Chronicles of Narnia and the Space Trilogy that “enriches our understanding of how to care for our world” (Alan Jacobs, author of Breaking Bread with the Dead). In Narnia and the Fields of Arbol: The Environmental Vision of C. S. Lewis, authors Matthew Dickerson and David O’Hara illuminate an important yet overlooked aspect of the author’s visionary work. They go beyond traditional theological discussions of Lewis’s writing to investigate themes of sustainability, stewardship of natural resources, and humanity’s relationship to wilderness. The authors examine the environmental and ecological underpinnings of Lewis’s work by exploring his best-known works of fantasy, including the seven books of the Chronicles of Narnia and the three novels collectively referred to as the Space Trilogy. Taken together, these works reveal Lewis’s enduring environmental concerns, and Dickerson and O’Hara offer a new understanding of his pioneering style of fiction. Narnia and the Fields of Arbol, the first book-length work on the subject, finds the author’s legacy to have as much in common with the agrarian environmentalism of Wendell Berry as it does with the fantasy of J. R. R. Tolkien. In an era of increasing concern about deforestation, climate change, and other environmental issues, Lewis’s work remains as pertinent as ever. The widespread adaption of his work in film lends credence to the author’s staying power as an influential voice in both fantastical fiction and environmental literature. With Narnia and the Fields of Arbol, Dickerson and O'Hara have written a timely work of scholarship that offers a fresh perspective on one of the most celebrated authors in literary history. “Both revelatory and a pleasure to read.” —Robert Siegel, award-winning author of The Whalesong Trilogy

Fellow Inklings J. R. R. Tolkien and C. S. Lewis may have belonged to different branches of Christianity, but they both made use of a faith-based environmentalist ethic to counter the mid-twentieth-century's triple threats of fascism, utilitarianism, and industrial capitalism. In Fire and Snow, Marc DiPaolo explores how the apocalyptic fantasy tropes and Christian environmental ethics of the Middle-earth and Narnia sagas have been adapted by a variety of recent writers and filmmakers of "climate fiction," a growing literary and cinematic genre that grapples with the real-world concerns of climate change, endless wars, and fascism, as well as the role religion plays in easing or escalating these apocalyptic-level crises. Among the many other well-known climate fiction narratives examined in these pages are Game of Thrones, The Hunger Games, The Handmaid's Tale, Mad Max, and Doctor Who. Although the authors of these works stake out ideological territory that differs from Tolkien's and Lewis's, DiPaolo argues that they nevertheless mirror their predecessors' ecological concerns. The Christians, Jews, atheists, and agnostics who penned these works agree that we all need to put aside our cultural differences and transcend our personal, socioeconomic circumstances to work together to save the environment. Taken together, these works of climate fiction model various ways in which a deep ecological solidarity might be achieved across a broad ideological and cultural spectrum. This book is freely available in an open access edition thanks to Knowledge Unlatched—an initiative that provides libraries and institutions with a centralized platform to support OA collections and from leading publishing houses and OA initiatives. Learn more at the Knowledge Unlatched website at: https://www.knowledgeunlatched.org/, and access the book online at the SUNY Open Access Repository at http://hdl.handle.net/20.500.12648/7137 .

Tolkien's first job, on returning home from World War I, was as an assistant on the staff of the Oxford English Dictionary. He later said that he had "learned more in those two years than in any other equal part of his life." The Ring of Words reveals how his professional work on the OED influenced Tolkien's creative use of language in his fictional world. Here three senior editors of the OED offer an intriguing exploration of Tolkien's career as a lexicographer and illuminate his creativity as a word user and word creator. The centerpiece of the book is a wonderful collection of "word studies" which will delight the heart of Ring fans and word lovers everywhere. The editors look at the origin of such Tolkienesque words as "hobbit," "mithril, "Smeagol," "Ent," "halfling," and "worm" (meaning "dragon"). Readers discover that a word such as "mathom" (anything a hobbit had no immediate use for, but was unwilling to throw away) was actually common in Old English, but that "mithril," on the other hand, is a complete invention (and the first "Elven" word to have an entry in the OED). And fans of Harry Potter will be surprised to find that "Dumbledore" (the name of Hogwart's headmaster) was a word used by Tolkien and many others (it is a dialect word meaning "bumblebee"). Few novelists have found so much of their creative inspiration in the shapes and histories of words. Presenting archival material not found anywhere else, The Ring of Words offers a fresh and unexplored angle on the literary achievements of one of the world's most famous and best-loved writers.

In this new work, Dickerson offers a specifically Christian exploration of morality, choices, and free will in "The Lord of the Rings."

The timely collection of essays is thematically unified around the subject of corporeality. Its theoretical underpinnings emerge out of feminist, foucauldian, patristic and queer hermeneutics. The book is organized into categories specific to transformation, spirit versus body, discourse, and source material. More than one essay focuses on female bodies and on the monstrous or evil body. While Tolkien's The Lord of the Rings is central to most analyses, authors also cover The Hobbit, The Silmarillion, and material in The History of Middle-earth.

"Drawing from a viewpoint informed by C.S. Lewis and J.R.R. Tolkien, Matthew Dickerson and David O'Hara explore the influence and importance of ancient biblical narrative, Greek mythology, Arthurian legend, and other works of "Faerie" on our literary culture. They discuss how myth and fantasy offer profound insights into truth and provide sound assessment of modern authors such as Philip Pullman, Walter Wangerin, and J.K. Rowling."--BOOK JACKET.