Envisioning Asia

divdivFilm provides a window into American culture and its attitudes toward Asia of the first half of the 20th century/DIV/DIV

In Envisioning Religion, Race, and Asian Americans, David K. Yoo and Khyati Y. Joshi assemble a wide-ranging and important collection of essays documenting the intersections of race and religion and Asian American communities—a combination so often missing both in the scholarly literature and in public discourse. Issues of religion and race/ethnicity undergird current national debates around immigration, racial profiling, and democratic freedoms, but these issues, as the contributors document, are longstanding ones in the United States. The essays feature dimensions of traditions such as Islam, Hinduism, and Sikhism, as well as how religion engages with topics that include religious affiliation (or lack thereof), the legacy of the Vietnam War, and popular culture. The contributors also address the role of survey data, pedagogy, methodology, and literature that is richly complementary and necessary for understanding the scope and range of the subject of Asian American religions. These essays attest to the vibrancy and diversity of Asian American religions, while at the same time situating these conversations in a scholarly lineage and discourse. This collection will certainly serve as an invaluable resource for scholars, students, and general readers with interests in Asian American religions, ethnic and Asian American studies, religious studies, American studies, and related fields that focus on immigration and race.

DIVTraces the growth and evolution of a Taiwan's sense of itself as a separate and distinct entity by examining the diverse ways a discourse of nation has been produced in the Taiwanese cultural imagination./div

Envisioning America is a groundbreaking and richly detailed study of how naturalized Chinese living in Southern California become highly involved civic and political actors. Like other immigrants to the United States, their individual life stories are of survival, becoming, and belonging. But unlike any other Asian immigrant group before them, they have the resources—Western-based educations, entrepreneurial strengths, and widely based social networks in Asia—to become fully accepted in their new homes. Nevertheless, Chinese Americans are finding that their social credentials can be a double-edged sword. Their complete incorporation as citizens is bounded both by mainstream discourse in the United States, which paints them racially as perpetual foreigners, and by an existing Asian-Pacific American community not always accepting of their economic achievements and transnational ties. Their attempts at inclusion are at the heart of a vigorous struggle for recognition and political empowerment. This book challenges the notion that Asian Americans are apathetic or apolitical about civic engagement, reminding us that political involvement would often have been a life-threatening act in their homeland. The voices of Chinese Americans who tell their stories in these pages uncover the ways in which these new citizens actively embrace their American citizenship and offer a unique perspective on how global identities transplanted across borders become rooted in the local.

A defrocked priest embarks on an epic odyssey through the afterlife in search of answers to life's Ultimate QuestionWhat lies Beyond, and what does it hold for humanity? The Knowledge of Good & Evil is an odyssey of one man driven to penetrate the barrier of death and return alive with its secrets... . Ian Baringer has never fully recovered from losing his parents in a horrific accident. Despite the help of Angela Weber, the brilliant psychologist who loves him, he's in the grip of an obsession. He must know for certain if the soul survives death. And incredibly, he's found a way. But trespassing the afterlife unleashes a disastrous chain of events, leaving Ian and Angela but one choice: Defy the gates of heaven and hell to steal a Knowledge hidden from the world since the dawn of creation.

In this penetrating analysis of a little-explored area of Japanese cultural history, Timon Screech reassesses the career of the chief minister Matsudaira Sadanobu, who played a key role in defining what we think of as Japanese culture today. Aware of how visual representations could support or undermine regimes, Sadanobu promoted painting to advance his own political aims and improve the shogunate's image. As an antidote to the hedonistic ukiyo-e, or floating world, tradition, which he opposed, Sadanobu supported attempts to construct a new approach to painting modern life. At the same time, he sought to revive historical and literary painting, favouring such artists as the flamboyant, innovative Maruyama Okyo. After the city of Kyoto was destroyed by fire in 1788, its reconstruction provided the stage for the renewal of Japan's iconography of power, the consummation of the 'shogun's painted culture'. “Screech’s ideas are fascinating, often brilliant, and well grounded. . . . [Shogun’s Painted Culture] presents a thorough analysis of aspects of the early modern Japanese world rarely observed in such detail and never before treated to such an eloquent handling in the English language.”—CAA Reviews “[A] stylishly written and provocative cultural history.”—Monumenta Nipponica “As in his admirable Sex and the Floating World: Erotic Images in Japan 1700-1820, Screech lavishes learning and scholarly precision, but remains colloquial in thought and eminently readable.”—Japan Times Timon Screech is Senior Lecturer in the history of Japanese art at SOAS, University of London, and Senior Research Associate at the Sainsbury Institute for the Study of Japanese Arts and Cultures. He is the author of several books on Japanese history and culture, including Sex and the Floating World: Erotic Images in Japan 1700–1820 (Reaktion, 1999).

Since 1984, Chinese cinema has been the most dramatic entry onto the international film scene. China into Film is the first book to look at contemporary Chinese cinema as a visual art and to illustrate the ways in which it has been shaped by centuries of Chinese tradition. Jerome Silbergeld looks at the significance of gender roles, the strategies of film-makers in coping with state censorship, the translation of novels into films, the continuing attachment of film-makers to melodrama, and cinematic critiques of Maoism and post-Maoist culture. Abundantly illustrated with Chinese paintings as well as scenes from such internationally acclaimed films as Yellow Earth, Red Sorghum, Raise the Red Lantern and Farewell My Concubine, China into Film reveals a cinematic form at once excitingly new and deeply imbedded in traditional Chinese visual culture.

Examining the prospects for building a regional community in Northeast Asia, this book considers the foreign policies of the individual states as well as the impact of domestic politics on the regionalist agenda. It outlines the emerging Northeast Asian community and the domestic requisites for its evolution and realization, and puts it in context by comparing the emerging community with Southeast Asia. The book investigates the attitudes of the key powers, including China, Japan, South Korea, North Korea, Russia and the US, towards the ideal of greater regional cooperation, with particular emphasis on the implications of domestic factors in each country for regional dynamics. It explores the North Korean nuclear crisis, the continuing tensions over the Taiwan Straits, the impact of Sino-Japanese rivalry, the shift in stance of South Korea towards North Korea since 2001 and its implications for its relationship with the US, and Putin’s attempts to strengthen Russian influence in the region. It concludes by identifying the foremost dangers that risk obstructing greater regional cooperation, particularly the China-Japan rivalry, nationalist sentiments, territorial disputes and energy competition.