Envisioning God In The Humanities

The humanities offer insights into the highest (and lowest) capabilities of our own natures and, at their best, they function as prophetic champions of human dignity and as inspired celebrants of beauty. Envisioning God in the Humanities pays tribute to the career of Melissa Harl Sellew, a scholar and teacher who embodies the ideals of these academic disciplines. The collaboration of these essays attests to the potentialities for transcendence that emerge from rigorous and collective reflection on the texts, images, and ideas produced in ancient societies. Taking its cue from Professor Sellew's own distinguished scholarship, this collection of studies begins with analyses of the New Testament Gospels, then moves more broadly toward the religious life of the ancient world as attested both in literature and materiality, among Jews and Christians, Greeks and Romans. Just as Sellew has done throughout her career, so this volume invites us into to the joy of exploring distant societies and, in so doing, into the fuller discovery of one's own self.

The humanities offer insights into the highest (and lowest) capabilities of our own natures and, at their best, they function as prophetic champions of human dignity and as inspired celebrants of beauty. Envisioning God in the Humanities pays tribute to the career of Melissa Harl Sellew, a scholar and teacher who embodies the ideals of these academic disciplines. The collaboration of these essays attests to the potentialities for transcendence that emerge from rigorous and collective reflection on the texts, images, and ideas produced in ancient societies. Taking its cue from Professor Sellew’s own distinguished scholarship, this collection of studies begins with analyses of the New Testament Gospels, then moves more broadly toward the religious life of the ancient world as attested both in literature and materiality, among Jews and Christians, Greeks and Romans. Just as Sellew has done throughout her career, so this volume invites us into to the joy of exploring distant societies and, in so doing, into the fuller discovery of one’s own self.

Who is God? What is God's relation to the world? How is God disposed towards us? What does God ask of us? These questions are not mere intellectual puzzles. They matter for us. A disinterested theology would be no theology at all, for we are fundamentally, at our very core, invested in God. God is the one who concerns us most deeply. Put differently, any theology worth the name is, as Miroslav Volf has put it, theology "for a way of life." We ask theological questions as those whose lives depend on the God whose character we try to articulate in the answers--and also in the asking. How we ask and answer these questions gives shape to our lives. In this volume, published in Volf's honor, leading Christian, Jewish, and Muslim theological scholars reflect on the shapes flourishing human life takes in light of God. Considering concrete questions--from how to talk about suffering to the value of singing in congregational worship--in light of their deep theological commitments, the contributors exemplify the kind of theological reflection our cultures so deeply need. Contributors to this volume: Matthew Croasmun Ryan McAnnally-Linz Marianne Meye Thompson David H. Kelsey Michael Welker Christoph Schwobel Alon Goshen-Gottstein Reza Shah-Kazemi Jurgen Moltmann Natalia Marandiuc Nancy Bedford Nicholas Wolterstorff Lidija Matosević Ivan Sarčević Linn Marie Tonstad

While many ancient Jewish and Christian leaders voiced opposition to Greek and Roman theater, this volume demonstrates that by the time the public performance of classical drama ceased at the end of antiquity the ideals of Jews and Christians had already been shaped by it in profound and lasting ways. Readers are invited to explore how gods and heroes famous from Greek drama animated the imaginations of ancient individuals and communities as they articulated and reinvented their religious visions for a new era. In this study, Friesen demonstrates that Greek theater’s influence is evident within Jewish and Christian intellectual formulations, narrative constructions, and practices of ritual and liturgy. Through a series of interrelated case studies, the book examines how particular plays, through texts and performances, scenes, images, and heroic personae, retained appeal for Jewish and Christian communities across antiquity. The volume takes an interdisciplinary approach involving classical, Jewish, and Christian studies, and brings together these separate avenues of scholarship to produce fresh insights and a reevaluation of theatrical drama in relation to ancient Judaism and Christianity. Acting Gods, Playing Heroes, and the Interaction between Judaism, Christianity, and Greek Drama in the Early Common Era allows students and scholars of the diverse and evolving religious landscapes of antiquity to gain fresh perspectives on the interplay between the gods and heroes—both human and divine—of Greeks and Romans, Jews and Christians as they were staged in drama and depicted in literature.

This collection of essays from a diverse group of internationally recognized scholars builds on the work of Steven J. Friesen to analyze the material and ideological dimensions of John’s Apocalypse and the religious landscape of the Roman East. Readers will gain new perspectives on the interpretation of John’s Apocalypse, the religion of Hellenistic cities in the Roman Empire, and the political and economic forces that shaped life in the Eastern Mediterranean. The chapters in this volume examine texts and material culture through carefully localized analysis that attends to ideological and socioeconomic contexts, expanding upon aspects of Friesen’s research and methodology while also forging new directions. The book brings together a diverse and international set of experts including emerging voices in the fields of biblical studies, Roman social history, and classical archeology, and each essay presents fresh, critically informed analysis of key sites and texts from the periods of Christian origins and Roman imperial rule. Revelation and Material Religion in the Roman East is of interest to students and scholars working on Christian origins, ancient Judaism, Roman religion, classical archeology, and the social history of the Roman Empire, as well as material religion in the ancient Mediterranean more broadly. It is also suitable for religious practitioners within Christian contexts.

Through a systematic analysis of the conflicts emerging when the public church encounters the public world, The Scandal of Pentecost argues that the public advent of the church stands in continuity with the public scandal of the incarnate and crucified Christ. The book traces the contours of this scandal in the confrontation of the dominant ruling hermeneutic of authority with a Christian hermeneutic of resistance. This highlights the brokenness of the human condition manifested by the church in the drunkenness of the disciples, the speaking in other tongues, the baptism with the Spirit, the empowerment of the flesh, and its public witness to a scandalized world. The effects of the scandal transform both the disciples' individual and communal witness and their public recognition as the church. Through the lens of a symbolic hermeneutic, the public witness of the church at Pentecost reveals a Christian scandal of anthropological proportions: with the outpouring of the Spirit on all flesh the church emerges as the symbol of humanity.

A new translation and commentary on the extracanonical Coptic text that describes Judas’ special status among Jesus’ disciples Since its publication in 2006, The Gospel of Judas has generated remarkable interest and debate among scholars and general readers alike. In this Coptic text from the second century C.E., Jesus engages in a series of conversations with his disciples and with Judas, explaining the origin of the cosmos and its rulers, the existence of another holy race, and the coming end of the current world order. In this new translation and commentary, David Brakke addresses the major interpretive questions that have emerged since the text’s discovery, exploring the ways that The Gospel of Judas sheds light on the origins and development of gnostic mythology, debates over the Eucharist and communal authority, and Christian appropriation of Jewish apocalyptic eschatology. The translation reflects new analyses of the work’s genre and structure, and the commentary and notes provide thorough discussions of the text’s grammar and numerous lacunae and ambiguities.