Epdic 2

The EPDIC-5 Proceedings present the latest papers in this successful series of European Conferences on Powder Diffraction. They demonstrate the evergrowing interest from materials scientists, physicists, chemists, geologists - both industrial and academic- all having a direct interest in the practical application of this powerful and non-destructive method of analysis.

This is a full-scale edition with commentary of the archaic epic poems Oichalias Halosis by Kreophylos of Samos and Herakleia by Peisandros of Kamiros. The Greek text (divided between testimonies and fragments) is accompanied by detailed critical apparatus and English translation. There are also extensive introductions to the biography of each poet, the title of the poem, its content and style, as well as a careful examination of the relative chronology of each epic. The detailed commentary of every fragment offers an up-to-date examination of all the extant material that has come down to us through a rich indirect tradition. This is the second installment of the project Early Greek Epic Poets (vol. I: Genealogical and Antiquarian Epic, De Gruyter 2017), which aims to enhance the study of Greek epic poetry of the archaic and classical period by means of providing readers with authoritative editions and commentaries of a significant part of fragmentary early Greek epic.

The power of powder diffraction - the diffraction analysis of polycrystalline specimens - is shown again convincingly in these Proceedings of the Second European Powder Diffraction Conference EPDIC 2.

No danger is too great, no cheese too gooey for the Cosmic Pizza crew! Delivering fast, cheap, and (maybe) tasty pizza to a planet near you! From Epic Originals, Cosmic Pizza Party is a hilarious, three-book graphic novel series about friendship, pizza, and outer space! When the biggest pizza tycoon in the universe tells them the secret location of a cheese that's literally to die for, the crew jumps at the chance to take their pizza to the next level. But as they venture among the curds, they find more adventure than they bargained for. Space slugs, sandstorms, and culinary critics are just some of the dangers that the crew will have to overcome together if they want to throw the most amazing, most intergalactically awesome pizza party!

In this study Professor Dorfman applies the methods of modern linguistics to literary analysis. Literature may be described as the structured use of language: the modern linguistic analyzes language in a search for the minimal units of sound and form, phoneme and morpheme, and determines the combinations by which they can communicate meaning. The author here searches for a minimal structural unit in the literary narrative analogous to the phoneme and the morpheme in language structure. Based on a detailed analysis of the Roland and the Cid and twelve additional Romance narratives, Professor Dorfman's argument is that the structure of the medieval Romance epics may be analyzed into functional units which he calls "narremes." He divides a narrative into two types of structure: the superstructure and the substructure. A narrative, by definition, is a series of incidents. All the incidents in the narrative, taken as written, form the superstructure. Analysis, however, shows that many of the incidents may be abstracted from the narrative without deflecting the story-line. On the other hand, other incidents reveal themselves as organically linked with each other, so they cannot be omitted, without destroying the story-line. These selected incidents are the narremes, which make up the substructure of the narrative. This method of analysis produces so interesting and surprising results, results which make an important advance in research in linguistics and Romance literature. Eugene Dorfman, as an orthodox structuralist, has focused strictly on the formal descriptions of the narratives; but his analysis leads into the great traditional problems of literary history, and in particular poses anew the problem of the origins of the epic.

The force of example was a distinctive determiner of Roman identity. In this study of the representation of certain central characters in Silius Italicus' Punica, Ben Tipping considers the virtues and vices they embody, their status as exemplars, and the process by which Silius as epic poet heroizes, demonizes, and establishes models.