Erased From Existence

A lavender farm in summer. A fifteen-year-old girl who loves the colours of sunset. A handsome stranger who begs her to run away with him. It could have been a love story. Except, it is not that kind of a story. When a strange man approaches Rebecca Classion outside her farmhouse in the dead of the night and begs her to not go back inside, she does what any sensible fifteen-year-old would do. She runs straight back into the safety of home and slams the door shut behind her. Only, it turns out to be the worst decision of her life. From that day on, Rebecca Classion fades away. From the memories of all who once knew and loved her. From the perception of everyone she encounters. Not a trace of her persists for more than a fleeting instant. Not her voice. Not a footprint. All she yearns for is to exist again in the world of her loved ones. But oblivion may be the only safe place. After all, to be seen is to be exposed. And some truths are better left hidden.

DANIEL RAYNE KNOWS WHO HE IS. IT MEANS NOTHING IF THE REST OF THE WORLD DOES NOT. His memory is clear. His suddenly severed identity, a mystery. With seemingly no means of proving who he is, he fights through the maze of societal convention, struggling to resurrect his existence, hoping against all hope to get his life back. It proves a daunting task until several clues surface, leading him down a completely unsuspected road. Is Daniel Rayne insane? Unless he can find another answer, it would appear to be the only conclusion left.

Erased de Kooning Drawing ist ein Kunstwerk, das auf radikale Weise die Definition von Kunst und das Verständnis von Autorschaft herausfordert. Drei amerikanische Künstler waren 1953 an seiner Erschaffung beteiligt: Robert Rauschenberg radierte eine Zeichnung Willem de Koonings aus, der mit einem gewissen Widerwillen sein Einverständnis gegeben hatte. Jasper Johns versah es anlässlich seiner ersten Präsentation mit einem Label, das maßgeblich zu seiner Wahrnehmung als eigenständigem Werk beitrug. Das zu etwas Neuem transformierte Blatt wurde in den 1950er-Jahren als Neo-Dada aufgefasst, in den 1960ern als Beginn der Konzeptkunst und in den 1980er-Jahren als Aufbruch in die Postmoderne. Zahlreiche Künstler*innen bezogen sich auf das Werk und Rauschenberg selbst griff es immer wieder auf. Es erwies sich als Testfall für Bestimmungen von Modernismus, Literalismus und Postmodernismus. Gregor Stemmrichs kenntnisreiche kunsttheoretische Betrachtung arbeitet die anhaltende Relevanz des Werks für die Theorie des Bildes, des Index, der Spur, des Allegorischen und der Frage nach Appropriation heraus.

Based on five years of investigative reporting and research into forensic psychology and criminology, Erased presents an original profile of a widespread and previously unrecognized type of murder: not a “hot-blooded,” spur-of-the-moment crime of passion, as domestic homicide is commonly viewed, but a cold-blooded, carefully planned and methodically executed form of “erasure.” These crimes are often committed by men with no criminal record or history of violence whatsoever, men leading functional and often successful lives until the moment they kill the women, and sometimes children, they claimed to love. A surprising number go on to kill a second or even third wife or girlfriend, often in exactly the same way. In more than fifty chilling case studies, Marilee Strong examines the strange and complex psychology that drives these killers—from the murder a century ago that inspired the novel An American Tragedy to Scott Peterson, Mark Hacking, Jeffrey MacDonald, Ira Einhorn, Charles Stuart, Robert Durst, Michael White, Barton Corbin, and many others. Erased also looks at how these men manipulate the legal system and exploit loopholes in missing persons procedures and death investigation, exposing how easy it can be to get away with murder.

This edition collects the bizarre adventures of Animal Man, a second-rate super hero struggling with real-life issues and moral dilemmas. Buddy Baker is a caring husband, devoted father, animal activist and super-powered being. But as he attempts to live up to all of his roles, he soon finds that there are no black and white situations in life. With a strong focus on storytelling, these thought-provoking and innovative tales make the reader question the actions of Animal Man as well as their own behavior in similar situations. Collects issues #1-9.

Adriana Mora, a Latina photojournalist haunted by childhood memories of her parents' death, abuse and displacement, journeys south to Chiapas, Mexico, in search of images to record on film. Mora's path crosses that of Chan K'in, the aged Lacandon shaman and interpreter of his people's mysticism. In this village, Adriana meets Juana Galvan, a woman whose own heroism mirrors that of the women that Chan K'in describes. Adriana follows Juana into the mountains where she is drawn into the tumultuous events of 1994 and the stories of the insurgents who fight for freedom. This compelling novel portrays forbidden love set against the backdrop of a complicated war.

She can forgive, but can she forget? Some days, Everly still thinks she sees him. In the food court at the mall, or in a car speeding past as the light changes. It only lasts a second, but when it happens, she slips back to a time when she was ruled-and nearly ruined-by August Kincaid. And it doesn't matter that she's moved on, that she's about to marry another man. In those moments the only thing she can do to regain control is take a deep breath and remind herself that August can't hurt her-because he's in a coma. Except that he's not anymore. August is awake. With no memories, he sets out to solve the mystery of his lost life. He unearths a photograph of a beautiful redhead named Everly and knows instinctively that she's the key. But when he finds her, the August she describes is more monster than man. Tortured by the thought of having hurt her, August wants only to become the man Everly deserves. As the new August emerges, Everly glimpses the person she first fell in love with. But can she trust that this August is real? When the final secret of their shared past is revealed, one of them will make a choice that changes their future forever . . .

Far from offering another study that bemoans Arab women’s repression and veiling, Anxiety of Erasure looks at Arab women writers living in the diaspora who have translated their experiences into a productive and creative force. In this book, Al-Samman articulates the therapeutic effects of revisiting forgotten histories and of activating two cultural tropes: that of the maw’udah (buried female infant) and that of Shahrazad in the process of revolutionary change. She asks what it means to develop a national, gendered consciousness from diasporic locals while staying committed to the homeland. Al-Samman presents close readings of the fiction of six prominent authors whose works span over half a century and define the current status of Arab diaspora studies—Ghada al-Samman, Hanan al-Shaykh, Hamida al-Na‘na‘, Hoda Barakat, Samar Yazbek, and Salwa al-Neimi. Exploring the journeys in time and space undertaken by these women, Anxiety of Erasure shines a light on the ways in which writers remain participants in their homelands’ intellectual lives, asserting both the traumatic and the triumphant aspects of diaspora. The result is a nuanced Arab women’s poetic that celebrates rootlessness and rootedness, autonomy and belonging.