Essays In History And Historiography

"Originally published 1977 by Basil Blackwell Oxford in Great Britain and by Wesleyan University Press in the United States."

Arnaldo Momigliano was one of the foremost classical historiographers of the twentieth century. This collection of twenty-one carefully selected essays is remarkable both in the depth of its scholarship and the breadth of its subjects. Moving with ease across the centuries, Momigliano supplements powerful readings of writers in the Greek, Jewish, and Roman traditions, such as Tacitus and Polybius, with writings that focus on later historians, such as Vico and Croce. Charmingly written and concise, these pieces range from review essays reprinted from the New York Review of Books to treatises on the nature of historical scholarship. Essays in Ancient and Modern Historiography is a brilliant reminder of Momigliano’s profound knowledge of classical civilization and his gift for deftly handling prose. With a new Foreword by Anthony Grafton, this volume is essential reading for any student of classics or historiography.

This book presents a selection of ten significant contributions of essays to French historiography.

"Representing the Past is required reading for any serious scholar of theatre and performance historiography: original in its conception, global in its reach, thought-provoking and transformative in its effects."---Gay Gibson Cima, author, Early American Women Crities: Performance, Religion, Race --

For this updated edition of her acclaimed work on historians and historiography, Himmelfarb adds four new essays. In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Fukuyama's "end of history," Himmelfarb enriches her exploration of the ways historians make sense of the past.

Originally published in 1948. In the first essay of this collection, Lovejoy reflects on the nature, methods, and difficulties of the historiography of ideas. He maps out recurring phenomena in the history of ideas, which the essays illustrate. One phenomenon is the presence and influence of the same presuppositions or other operative "ideas" in very diverse provinces of thought and in different periods. Another is the role of semantic transitions and confusions, of shifts and of ambiguities in the meanings of terms, in the history of thought and taste. A third phenomenon is the internal tensions or waverings in the mind of almost every individual writer—sometimes discernible even in a single writing or on a single page—arising from conflicting ideas or incongruous propensities of feeling or taste to which the writer is susceptible. These essays do not contribute to metaphysical and epistemological questions; they are primarily historical.

This collection of essays concentrates on the structures and connections which have made it possible, over the last two centuries, for an integrated regime of historical representation to emerge. It also touches upon the debate about the contemporary uses of history - whether it is a matter of new versus traditional approaches to the school curriculum, or of the need to historicize museums, houses and gardens and so avoid the blandness of an uninformed display.

Lectures delivered as a series at Johns Hopkins University during 1982-83.