Essays On Lone Trips Mountain Craft And Other Hill Topics

This book begins with a thought-provoking article now reprinted, criticising the increasing influence of politically-correct organisations and politicians who desire to control freewill and mountaineering. Then comes a chapter with a critique of several writers on the Cairngorms in comparison with the original Seton Gordon. After the author published a review in 1977 on 'The wildlife potential of the Cairngorms region', he came under unwarranted attack by two influential private landowners who misrepresented what he wrote and even included a threat. A wider public should be aware of this. There follows an essay on biologist Professor Vero C. Wynne-Edwards, and another on the history of the research station near Banchory, established for studying at first red grouse and then ecological problems of mountain, moorland, woodland and fresh-water. The last chapter - the most important one and occupying a third of the book - gives the author's lifetime view of the value of lone trips in climbing, ski-mountaineering and mountain-craft.

This book begins with a thought-provoking article now reprinted, criticising the increasing influence of politically-correct organisations and politicians who desire to control freewill and mountaineering. Then comes a chapter with a critique of several writers on the Cairngorms in comparison with the original Seton Gordon. After the author published a review in 1977 on ‘The wildlife potential of the Cairngorms region’, he came under unwarranted attack by two influential private landowners who misrepresented what he wrote and even included a threat. A wider public should be aware of this. There follows an essay on biologist Professor Vero C. Wynne-Edwards, and another on the history of the research station near Banchory, established for studying at first red grouse and then ecological problems of mountain, moorland, woodland and fresh-water. The last chapter – the most important one and occupying a third of the book – gives the author’s lifetime view of the value of lone trips in climbing, ski-mountaineering and mountain-craft.

A Smithsonian Top Ten Best Book About Travel of 2021 2022 Banff Mountain Book Competition Finalist An Apple Books Pick of the Month and a Powell's and The Story Exchange Best Book of Fall “Unfailingly interesting and even revelatory. . . . Reading about the unfettered freedom to roam enjoyed by these trailblazing women induced considerable vicarious pleasure—and envy.”—The Wall Street Journal Annabel Abbs-Streets’s Windswept: Walking the Paths of Trailblazing Women is a beautifully written meditation on connecting with the outdoors through the simple act of walking. In captivating and elegant prose, Abbs-Streets’s follows in the footsteps of women who boldly reclaimed wild landscapes for themselves, including Georgia O’Keeffe in the empty plains of Texas and New Mexico, Nan Shepherd in the mountains of Scotland, Gwen John following the French River Garonne, Daphne du Maurier along the River Rhône, and Simone de Beauvoir?who walked as much as twenty-five miles a day in a dress and espadrilles?through the mountains and forests of France. Part historical inquiry and part memoir, the stories of these writers and artists are laced together by moments in her own life, beginning with her poet father who raised her in the Welsh countryside as an “experiment,” according to the principles of Rousseau. Abbs-Streets’s explores a forgotten legacy of moving on foot and discovers how it has helped women throughout history to find their voices, to reimagine their lives, and to break free from convention. As Abbs-Streets traces the paths of exceptional women, she realizes that she, too, is walking away from her past and into a radically different future. Windswept crosses continents and centuries in a provocative and poignant account of the power of walking in nature.

"Re-centers and gives voice to a diversity of women naturalists and writers across time." —Cultivating Place In Writing Wild, Kathryn Aalto celebrates 25 women whose influential writing helps deepen our connection to and understanding of the natural world. These inspiring wordsmiths are scholars, spiritual seekers, conservationists, scientists, novelists, and explorers. They defy easy categorization, yet they all share a bold authenticity that makes their work both distinct and universal. Part travel essay, literary biography, and cultural history, Writing Wild ventures into the landscapes and lives of extraordinary writers and encourages a new generation of women to pick up their pens, head outdoors, and start writing wild.

Shortlisted for the Boardman Tasker Award for Mountain Literature Elemental, fierce and full of wonder, the Cairngorm mountains are the high and rocky heart of Scotland. To know them would take forever, to love them demands a kind of courageous surrender. In The Hidden Fires, Merryn Glover undertakes that challenge with Nan Shepherd as companion and guiding light. Following in the footsteps and contours of The Living Mountain, she explores the same landscapes and themes as Shepherd's seminal work. This is a journey separated by time but unified by space and purpose, a conversation between two women across nearly a century that explores how entering the life of a mountain can illuminate our own. An Australian who grew up in the Himalayas, her early experiences of the Scottish hills and weather left her cold. But gradually acclimatising and with an approach like Shepherd's, that is more mountain wandering than mountaineering, she discovers the spark that sets the hills and herself on fire. Through Glover's deepening encounter, the wild majesty and iridescence of the Cairngorms is revealed in this beautiful evocation of landscape, place and identity. 'Merryn Glover's The Hidden Fires is not just brave, it is remarkable' – Sir John Lister-Kaye

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Dashrath Manjhi used a hammer and chisel, grit, determination, and twenty years to carve a path through the mountain separating his poor village from the nearby village with schools, markets, and a hospital. Manjhi Moves a Mountain shows how everyone can make a difference if their heart is big enough.

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.