Essence Of Literature

Essential of Literature Thought, Feeling, Imagination and beauty are the essential ingredients of literature. Literature is one among the foremost powerful instruments for forming character. Writers teach us to understand man and know attribute. “Literature may be a record of the simplest thoughts.” - Emerson. Literature is that the artistic expression of thought which is replete with feeling and imagination. “Literature consists of all the books where moral truth and human passion are touched with a selected largeness, sanity and attraction of form.” - Lord Morley. Literature heightens our awareness of human life. Literature enables us to seem at nature with new eyes. Literature interprets with charm of language the experiences and spiritual intuitions of man. Writers teach us to understand man and know attribute. “Great literature is straightforward language charged with going to the utmost possible degree.” - Emerson. Literature could also be a record of man’s dreams and ideals, his hopes and aspirations, his failures and disappointments, his motives and passions, his experiences and observations. It appeals to the widest human interests and thus the only human emotions. It knows no nationality, nor any bounds save those of humanity. In a nutshell, thought, feeling, imagination and beauty of style and form are all equally essential to literature. Here we quote, Lowes Dickinson, “To feel, and in order to express, or at least to understand the expression of all that is lovely in Nature, of all that is poignant and sensitive in man, is to us in itself a sufficient end. A rose in a moonlight garden, the shadow of trees on the turf, almond blossom, scent of pine, the wine cup and guitar, these are the pathos of life and death- to all or any this stuff we are trained to reply , and therefore the response is what we call literature.

A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to “cultural theory” or “social theory” as well, or even just to “theory.” It’s as familiar as the word “postmodern” and as tricky as “deconstruction.” What is it about? What is at stake? Theory is about rationality. This book’s title invites two different interpretations of what it might mean to say so. For many, the essence of literary theory is the unmasking and redescription of rationality in other terms. Put ironically, rationality is male; rationality is white; rationality is repression.... The book’s title, however, can also be read in a second way. On this reading, rationality itself is the essence of literary theory and central to literature, art, and society. Certain conceptions of what it entails can be problematic; the critique in the first way of reading the title remains relevant. Yet one can affirm rationality as integral to human flourishing, including the processes of producing, analyzing, and enjoying literature, art, and culture. This book provides readers with a clear overview of theory’s development and the abiding presence of its concern with the status of rationality across its forms.

From the magic realm of a glass wharf to the sorrows of a community of wastelanders. From the visceral immediacy of filial bonds to memories that haunt, Naiyer Masud s fictional world is an experience. The Essence of Camphor, the first ever English translation of Masud s work, is evidently an example of Masud s unique and original style that is unparalleled.

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

This is the story of the fictional warriors, heroes, villains, survivors and victims whose exploits thrill and appall us, capturing the existential appeal to men of war -- Ranges through 3,000 years of history, through epic poems, the modern novel and film scripts -- Case studies include Apocalypse Now, All Quiet on the Western Front, Thin Red Line, Master and Commander, and Dr. Strangelove

This volume offers a selection of critical essays on texts that can be broadly categorized as popular literature. The essays are inclined to question the idea of 'the Canon' and re-consider the divide between the canonical and the popular. As such, besides engaging in a serious critical reading of typical popular literary texts like The Jungle Book and The Hound of the Baskervilles, the book also considers populist tendencies in literary classics like Jane Eyre and Frankenstein. It will be of interest to young scholars and readers of popular literature, science fiction, detective fiction, genre studies, and culture studies. The volume's contributors are: Anisha Ghosh, Arnab Dasgupta, Goutam Karmakar, Jaya Sarkar, Jaydip Sarkar, Madhuparna Mitra Guha, Mandika Sinha, Mitarik Barma, Pinaki Roy, Puja Chakraborty, Rajadipta Roy, Rupayan Mukherjee, Shirsendu Mondal, Shubham Dey.

First published in 1992. "Acts of Literature", compiled in close association with Derrida, brings together for the first time a number of Derrida's writings on literary texts on the question of literature. The essays discuss literary figures such as Rousseau, Mallarme, Joyce, Shakespeare and Kafka. Comprising pieces spanning Derrida's career, the collection includes a substantial new interview with him on questions of literature, deconstruction, politics, feminism and history. Derek Attridge provides an introductory essay on deconstruction and the question of literature, and offers suggestions for further reading. These essays examine the place and function of literature in Western culture. They highlight Derrida's interest in literature as a significant cultural institution and as a peculiarly challenging form of writing, with inescapable consequences for our thinking about philosophy, politics and ethics. This book should be of interest to undergraduates and academics in the field of literary theory and criticism and continental philosophy.