Essential New Age Piano Exercises Every Piano Player Should Know

100 Different Ways to play the same song. Piano students learn 100 fun left hand patterns to take any music and change it up 100 different ways. Also included in the book is the FUN FAKEBOOK which includes 100 piano pieces in facebook format where the melody (Right Hand - treble clef) and the given chords for each measure are shown. The students can then fake or make up a left hand pattern to go along with the melody.

Essential Jazz Piano Exercises Every Piano Player Should Know is a book everyone can use to improve their understanding of jazz basics, blues scales, the ii-V-I chord progressions, modal jazz improv, other fun jazz chord progressions, and more. Essential Jazz Piano Exercises Every Piano Player Should Know was created as one of the resources for the members of the Essential Piano Exercises Course (essentialpianoexercises.com/). This book is dedicated to the many piano students, young and old, who have asked Jerald Simon over the years to release a book with all of the jazz piano exercises he feels are essential to help pianists learn how to improvise, arrange, and even compose in a jazz style. In this book, Jerald teaches the following: Key Signatures - page 6, Basic Music Intro/Review - page 12, Most Common Chords - page 22, Blues Pentascales - page 38, 12 Bar Blues - page 48, The Major Blues Scale - page 76, 2 - 5 - 1 (ii7 - V7 - I7) - page 88, Jazz Modes - page 98, Whole - Half - Half - page 105, Using the Chromatics Scale - page 110, Using Jazz Chords - page 116, The Boogie-Woogie - page 138, Using 7th Chords - page 170, Improv Lessons - page 198, Modal Jazz Improvisation - page 222, 9th Chords - page 237, Modulating from one Key to Another - page 244, Over 100 Measures of RH Riffs and Improv Patterns Created from the Minor Blues Scale - page 248, and Over 100 Measures of RH Riffs and Improv Patterns Created from the Major Blues Scale - page 252.Jerald also includes 33 original jazz pieces to help piano students learn jazz the fun way - by actually playing jazz music and seeing the practical application of the jazz theory they have learned.The entire book follows a pattern of: 1. Teaching the jazz music theory concept, 2. Presenting exercises that focus on implementing and applying the jazz music theory concepts, and 3. Demonstrating how the theory and and jazz exercises can be combined together to create actual jazz music by having the piano student play jazz music that was composed using the exact jazz theory concepts the student has just learned. Essential Jazz Piano Exercises Every Piano Player Should Know is part of the Essential Piano Exercises Series. The first book in this series is titled Essential Piano Exercises Every Piano Player Should Know. It was followed by 100 Left Hand Patterns Every Piano Player Should Know. This is the third book in the series. Other books in this series will soon be available as well (i.e. Essential New Age Piano Exercises Every Piano Player Should Know, Essential Pop Piano Exercises Every Piano Player Should Know, Essential Rock Piano Exercises Every Piano Player Should Know, 100 Chord Progressions Every Piano Player Should Know, 100 Improvised Licks Every Piano Player Should Know, etc.).

Essential New Age Piano Exercises Every Piano Player Should Know is a book everyone can use to improve their understanding of new age basics, including left hand new age patterns, chord progressions, how to arrange, improvise, and compose in a New Age style, and learn original new age compositions for intermediate level piano students. Essential New Age Piano Exercises Every Piano Player Should Know was created as one of the resources for the members of the Essential Piano Exercises Course (https: //www.essentialpianoexercises.com/). This book is dedicated to the many piano students, young and old, who have asked Jerald Simon over the years to release a book about learning how to play, arrange, and compose in a new age style on the piano. The entire book follows a pattern of: 1. Teaching the new age music theory concept, 2. Presenting exercises that focus on implementing and applying the new age music theory concepts, and 3. Demonstrating how the theory and new age exercises can be combined together to create actual new age music by having the piano student play original new age music that was composed by Jerald Simon using the exact new age theory concepts the student has just learned. Essential New Age Piano Exercises Every Piano Player Should Know is part of the Essential Piano Exercises Series. The first book in this series is titled Essential Piano Exercises Every Piano Player Should Know. It was followed by 100 Left Hand Patterns Every Piano Player Should Know. The third book in the series is titled, Essential Jazz Piano Exercises Every Piano Player Should Know, and this is the fourth book in the Essential Piano Exercises Series. Other books in this series will soon be available as well (e.g. Essential Pop Piano Exercises Every Piano Player Should Know, Essential Rock Piano Exercises Every Piano Player Should Know, 100 Chord Progressions Every Piano Player Should Know, 100 Improvised Licks Every Piano Player Should Know, etc.). You can learn more about the Essential Piano Exercises Course at this link: https: //www.essentialpianoexercises.com/ - This course is often used with The COOL SONGS Series also created by Jerald Simon - https: //musicmotivation.com/coolson

Learn Intervals, Pentascales, Tetrachords, Scales (major and minor), Chords (triads, sus, aug., dim., 6th, 7th), Chord Progressions, Modes, and FUN, COOL Piano Exercises in all Key Signatures and in all inversions.

This is the first book that teaches piano practice methods systematically, based on mylifetime of research, and containing the teachings of Combe, material from over 50 pianobooks, hundreds of articles, and decades of internet research and discussions with teachersand pianists. Genius skills are identified and shown to be teachable; learning piano can raiseor lower your IQ. Past widely taught methods based on false assumptions are exposed;substituting them with efficient practice methods allows students to learn piano and obtainthe necessary education to navigate in today's world and even have a second career. See http://www.pianopractice.org/

Want to go beyond "Chopsticks?" This visual guide to tickling the ivories will show you the way. By Chapter 2, you'll be playing simple pieces and practicing scales. You'll progress from getting familiar with notes, symbols, and keys to playing basic chords and reading music like a pro. Without getting bogged down in boring theory, you'll learn what you need to know and enjoy playing as you go! Whether you like Bach or rock, jazz or country, golden oldies or new age, you'll love learning to play the fun, visual way. Concise two-page lessons show you all the crucial skills and are ideal for quick review Each skill, chord, or technique is clearly described Concise and understandable instructions accompany each photo Detailed color photos demonstrate proper fingering technique Helpful tips provide additional guidance

A uniquely illuminating memoir of the making of a musician, in which renowned pianist Jeremy Denk explores what he learned from his teachers about classical music: its forms, its power, its meaning - and what it can teach us about ourselves. In this searching and funny memoir, based on his popular New Yorker article, renowned pianist Jeremy Denk traces an implausible journey. Life is difficult enough as a precocious, temperamental, and insufferable six-year-old piano prodigy in New Jersey. But then a family meltdown forces a move to New Mexico, far from classical music’s nerve centers, and he has to please a new taskmaster while navigating cacti, and the perils of junior high school. Escaping from New Mexico at last, he meets a bewildering cast of college music teachers, ranging from boring to profound, and experiences a series of humiliations and triumphs, to find his way as one of the world’s greatest living pianists, a MacArthur 'Genius,' and a frequent performer at Carnegie Hall. There are few writers working today who are willing to eloquently explore both the joys and miseries of artistic practice. Hours of daily repetition, mystifying early advice, pressure from parents and teachers who drove him on – an ongoing battle of talent against two enemies: boredom and insecurity. As we meet various teachers, with cruel and kind streaks, Denk composes a fraught love letter to the act of teaching. He brings you behind the scenes, to look at what motivates both student and teacher, locked in a complicated and psychologically perilous relationship. In Every Good Boy Does Fine, Denk explores how classical music is relevant to 'real life,' despite its distance in time. He dives into pieces and composers that have shaped him – Bach, Mozart, Schubert, and Brahms, among others – and gives unusual lessons on melody, harmony, and rhythm. Why and how do these fundamental elements have such a visceral effect on us? He tries to sum up many of the lessons he has received, to repay the debt of all his amazing teachers; to remind us that music is our creation, and that we need to keep asking questions about its purpose.