Eternal Beirut

This book investigates a shared experience of time and space in the post-civil-war city of Beirut: “the suspended now”. Based on the close analysis of a large corpus of cultural objects; including visual art, literature, architecture and cinema; the book argues that last decades have witnessed a gradual shift in understanding this temporality from being a transitional phase to a more durable experience of precariousness. The theoretically rich analyses take us on a journey through Beirut’s real and imagined geographies, from garbage dumps to real estate advertisements, and from subterranean spaces to martyr’s posters. For scholars of cultural analysis, urban studies, cultural geography and critical theory, the case of post-1990 Beirut offers a fascinating case of neoliberal urban renewal, which challenges existing theories. For scholars of Lebanon and Beirut, this study complements existing work on post-civil-war Lebanese cultural production rooted in trauma studies by its focus on the city’s continual exposure to violence.

This is a true and harrowing story of survival in the face of mindless, almost casual brutality, betrayal, cultural and religious hypocrisy. This story is told by two people from different cultures-one from the East and one from the West. Looking beyond the pain of their lives; these two people transcend cultural nuances that mask the common denominators of humanity. Denny is English, Christian, an ex-entertainer and singer. He was blinded by a mugger in London in 1991. Ali is originally from Lebanon, Muslim, and a successful industrial chemist with a pharmaceutical company in Geneva. They have discovered, since they met, some of the most remarkable parallels in their lives, including many dark secrets. Coming to terms with their pasts has provided the opportunity to explore apparent differences. In addition, these so-called unbridgeable chasms turn out to be little more than surface noise disguising deep common themes, and this is one of the major revelations of this book.

The Druzes are one of the smallest, least studied, and most esoteric religious communities in the Middle East. This is because the Druze teachings remain inaccessible not only to outsiders but also to uninitiated members within the Druze community itself. Furthermore, proselytizing_inducing someone to convert to one's own religious faith_has been prohibited since the establishment of the sect in the 11th century. In order to resist assimilation by the various empires and colonial powers that sought to dominate them_the Byzantines, various Arab dynasties, the Mamluks and Ottomans, the British and French, in addition to the nations that govern them_the Druzes disguise and conceal their beliefs. Therefore, not much is known by outsiders about the Druzes. This dictionary provides nearly 1,000 concise and informative cross-referenced A to Z entries on religious, political, and cultural themes, as well as entries on a number of major families and individuals (artists, writers, diplomats, and leaders) who have contributed to the Druze communities. This volume is also complemented with a chronology, an introductory essay, and a bibliography.

For fans of Alice Munro and Lorrie Moore. A young girl, renamed Amerika in honour of the US role in the liberation of Kuwait, finds her name has become a barometer of her country's growing hostility towards the West. A middle-aged man dying from cancer looks back on his extramarital affairs and the abiding forgiveness of his wife. The headlines tell of war, unrest and religious clashes. But if you look beyond them you will see life in the Middle East as it is really lived – adolescent love, the fragility of marriage, pain of the most quotidian kind. Mai Al-Nakib's luminous stories unveil the lives of ordinary people – and the power of objects to hold extraordinary memories.

Pity the Nation ranks among the classic accounts of war in our time, both as historical document and as an eyewitness testament to human savagery. Written by one of Britain's foremost journalists, this remarkable book combines political analysis and war reporting in an unprecedented way: it is an epic account of the Lebanon conflict by an author who has personally witnessed the carnage of Beirut for over a decade. Fisk's book recounts the details of a terrible war but it also tells a story of betrayal and illusion, of Western blindness that had led inevitably to political and military catastrophe. Updated and revised, Fisk's book gives us a further insight into this troubled part of the world. 'Robert Fisk is one of the outstanding reporters of this generation. As a war correpondent he is unrivalled.' Edward Mortimer, Financial Times

Eternity is a unique kind of existence that is supposed to belong to the most real being or beings. It is an existence that is not shaken by the common wear and tear of time. Over the two and half millennia history of Western philosophy we find various conceptions of eternity, yet one sharp distinction between two notions of eternity seems to run throughout this long history: eternity as timeless existence, as opposed to eternity as existence in all times. Both kinds of existence stand in sharp contrast to the coming in and out of existence of ordinary beings, like hippos, humans, and toothbrushes: were these eternally-timeless, for example, a hippo could not eat, a human could not think or laugh, and a toothbrush would be of no use. Were a hippo an eternal-everlasting creature, it would not have to bother itself with nutrition in order to extend its existence. Everlasting human beings might appear similar to us, but their mental life and patterns of behavior would most likely be very different from ours. The distinction between eternity as timelessness and eternity as everlastingness goes back to ancient philosophy, to the works of Plato and Aristotle, and even to the fragments of Parmenides' philosophical poem. In the twentieth century, it seemed to go out of favor, though one could consider as eternalists those proponents of realism in philosophy of mathematics, and those of timeless propositions in philosophy of language (i.e., propositions that are said to exist independently of the uttered sentences that convey their thought-content). However, recent developments in contemporary physics and its philosophy have provided an impetus to revive notions of eternity due to the view that time and duration might have no place in the most fundamental ontology. The importance of eternity is not limited to strictly philosophical discussions. It is a notion that also has an important role in traditional Biblical interpretation. The Tetragrammaton, the Hebrew name of God considered to be most sacred, is derived from the Hebrew verb for being, and as a result has been traditionally interpreted as denoting eternal existence (in either one of the two senses of eternity). Hence, Calvin translates the Tetragrammaton as 'l'Eternel', and Mendelssohn as 'das ewige Wesen' or 'der Ewige'. Eternity also plays a central role in contemporary South American fiction, especially in the works of J.L. Borges. The representation of eternity poses a major challenge to both literature and arts (just think about the difficulty of representing eternity in music, a thoroughly temporal art). The current volume aims at providing a history of the philosophy of eternity surrounded by a series of short essays, or reflections, on the role of eternity and its representation in literature, religion, language, liturgy, science, and music. Thus, our aim is to provide a history of philosophy as a discipline that is in constant commerce with various other domains of human inquisition and exploration.

This book is providing a non-preceded simplified knowledge and answers to the big questions for either a normal reader or a scientist. It is trying to draw a united scientific picture for the universe shape and movement in whole and part depending on a unified harmony in-between the science and the holy books, far away from twisting any of them to be coherent with the other. The author’s innovative capabilities are employed to create, design, and draw tens of models to shape parts of a picture for a working dynamic universe like a natural machine with threaded parts. The book is revealing the mysterious natural shape and expanded logarithmic spiral movement of the universe (heavens boundaries) since the big fission up to the big rip, which affects physically and mechanically on its inner constituents (matter and forces) formation and movement, such as dark matter, galaxies, stars, planets, moons, electrons, gravity, electromagnetic waves, dark energy…etc., to be shaped and moved in such a manner which we are discovering and going to discover, as a natural fingerprint of the universe moving boundaries, or in another way as natural products by the giant universal machine. The seven heavens effects on our inner lower universe are discussed thoroughly via the subjects of parallel worlds, multiple universes, overlapping wavy orbits, and higher dimensions.