Europe S Last Summer

When war broke out in Europe in 1914, it surprised a European population enjoying the most beautiful summer in memory. For nearly a century since, historians have debated the causes of the war. Some have cited the assassination of Archduke Franz Ferdinand; others have concluded it was unavoidable. In Europe’s Last Summer, David Fromkin provides a different answer: hostilities were commenced deliberately. In a riveting re-creation of the run-up to war, Fromkin shows how German generals, seeing war as inevitable, manipulated events to precipitate a conflict waged on their own terms. Moving deftly between diplomats, generals, and rulers across Europe, he makes the complex diplomatic negotiations accessible and immediate. Examining the actions of individuals amid larger historical forces, this is a gripping historical narrative and a dramatic reassessment of a key moment in the twentieth-century.

The outbreak of the First World War was ‘a drama never surpassed’. One hundred years later, the characters still seem larger than life: Archduke Franz Ferdinand, brooding heir to the Habsburg throne; the fanatical Bosnian Serb assassins who plot to murder him; Conrad and Berchtold, the Austrians who exploit the outrage; Kaiser Wilhelm and Bethmann Hollweg, backing up the Austrians; Sazonov, Russian Foreign Minister, trying to live down a reputation for cowardice; Poincaré and Paléologue, two French statesmen who urge on the Russians; and not least Winston Churchill, who, alone among Cabinet officials in London, perceives the seriousness of the situation in time to take action. July 1914 tells the story of Europe’s countdown to war through the eyes of these men, between the bloody opening act on 28 June 1914 and Britain’s final plunge on 4 August, which turned a European conflict into a world war. The outbreak of war was no accident of fate. Individual statesmen, pursuing real objectives, conjured up the conflict – in some cases by conscious intention. While some sought honourably to defuse tensions, others all but oozed with malice as they rigged the decks for war. Dramatic, inevitably tense and almost forensically observed, Sean McMeekin’s unique book retells the story of that cataclysmic month, making clear as never before who was responsible for the catastrophe. You will never think the same way again about the origins of the First World War.

One of The New York Times Book Review’s 10 Best Books of the Year Winner of the Los Angeles Times Book Prize (History) The Sleepwalkers: How Europe Went to War in 1914 is historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, Christopher Clark’s The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.

Coming of age during World War I and attaining their finest hour in World War II and the Cold War, these men -- FDR, Truman, Eisenhower, Marshall, MacArthur -- transformed America from an isolated frontier nation into a global superpower. As he tells their stories, Fromkin, author of A Peace to End All Peace, shows how this generation not only made America great but largely succeeded in making it a force for good.

At the end of WWI, Germany was demonised. The Treaty of Versailles contained a 'war guilt' clause pinning the blame on the aggression of Germany and accusing her of 'supreme offence against international morality'. Thirteen Days rejects this verdict. Clive Ponting has made a thorough study of the incredibly complex diplomatic documents. His interpretation also rejects the thesis that Europe in 1914 had reached such a boiling point that war was bound to erupt and the theory that the origins of the War lay in a mighty arms race. He argues that the War occurred primarily because of the situation in the Balkans, while he gives full weight to Austria-Hungary's desire to cripple Serbia instead of negotiating, and to Russia's militaristic programme of expansion. Clive Ponting begins with a dramatic recreation of the assassination in Sarajevo on 28 June. He then examines how things spiralled out of control during the weeks that led to war. The tension builds as his story criss-crosses the capital cities of Europe and describes developments day by day, and, latterly, hour by hour. The First World War destroyed the old Europe. During four years of fighting nearly nine million soldiers were killed and twenty-one million wounded; over ten million civilians died. By the end of the War, three great European empires - Germany, Austria-Hungary and Russia - had disintegrated. Why did the War happen? In 1914, the states of Europe had been at peace for forty years, and every diplomatic dispute had been resolved peacefully. Thirteen Days describes failures of communication, fateful decisions and escalating military moves; it is an extraordinary narrative of personalities and diplomacy in the dying weeks of an era in which telephone networks were in their infancy and governments relied on telegrams in code and face-to-face meetings of ambassadors.

On her thirtieth birthday, Gwendolyn Reese receives an unexpected present from her widowed Aunt Bea: a grand tour of Europe in the company of Bea's Sudoku and Mahjongg Club. The prospect isn't entirely appealing. But when the gift she is expecting--an engagement ring from her boyfriend--doesn't materialize, Gwen decides to go. At first, Gwen approaches the trip as if it's the math homework she assigns her students, diligently checking monuments off her must-see list. But amid the bougainvillea and stunning vistas of southern Italy, something changes. Gwen begins to live in the moment--skipping down stone staircases in Capri, running her fingers over a glacier in view of the Matterhorn, racing through the Louvre, and taste-testing pastries at a Marseilles cafe. Reveling in every new experience--especially her attraction to a charismatic British physics professor--Gwen discovers that the ancient wonders around her are nothing compared to the renaissance unfolding within. . . "A thinking woman's love story, it swept me away to breathtaking places with a cast of endearing characters I won't soon forget. Bravissima!" –Susan McBride, author of Little Black Dress Praise for Marilyn Brant's According to Jane "A warm, witty and charmingly original story." --Susan Wiggs, New York Times bestselling author "Brant infuses her sweetly romantic and delightfully clever tale with just the right dash of Austen-esque wit." –Chicago Tribune "An engaging read for all who have been through the long, dark, dating wars, and still believe there's sunshine, and a Mr. Darcy, at the end of the tunnel." --Cathy Lamb, author of Such a Pretty Face

Presents an original, thorough, and eloquent analysis of the events immediately preceding World War I.

“Reads like a novel. A fast-paced page-turner, it has everything: sex, wit, humor, and adventures. But it is an impressively researched and important story.” —David Fromkin, author of Europe’s Last Summer Vienna, 1814 is an evocative and brilliantly researched account of the most audacious and extravagant peace conference in modern European history. With the feared Napoleon Bonaparte presumably defeated and exiled to the small island of Elba, heads of some 216 states gathered in Vienna to begin piecing together the ruins of his toppled empire. Major questions loomed: What would be done with France? How were the newly liberated territories to be divided? What type of restitution would be offered to families of the deceased? But this unprecedented gathering of kings, dignitaries, and diplomatic leaders unfurled a seemingly endless stream of personal vendettas, long-simmering feuds, and romantic entanglements that threatened to undermine the crucial work at hand, even as their hard-fought policy decisions shaped the destiny of Europe and led to the longest sustained peace the continent would ever see. Beyond the diplomatic wrangling, however, the Congress of Vienna served as a backdrop for the most spectacular Vanity Fair of its time. Highlighted by such celebrated figures as the elegant but incredibly vain Prince Metternich of Austria, the unflappable and devious Prince Talleyrand of France, and the volatile Tsar Alexander of Russia, as well as appearances by Ludwig van Beethoven and Emilia Bigottini, the sheer star power of the Vienna congress outshone nearly everything else in the public eye. An early incarnation of the cult of celebrity, the congress devolved into a series of debauched parties that continually delayed the progress of peace, until word arrived that Napoleon had escaped, abruptly halting the revelry and shrouding the continent in panic once again. Vienna, 1814 beautifully illuminates the intricate social and political intrigue of this history-defining congress–a glorified party that seemingly valued frivolity over substance but nonetheless managed to drastically reconfigure Europe’s balance of power and usher in the modern age.