Evangeline Of The Bayou

A spooky, funny middle grade adventure with a sassy, memorable heroine and a charming Southern feel, perfect for fans of Kate DiCamillo, Kate Messner, and Natalie Lloyd. Twelve-year-old haunt huntress apprentice Evangeline Clement spends her days and nights studying the ways of folk magic, honing her monster-hunting skills while pursuing local bayou banshees and Johnny revenants. With her animal familiar sure to make itself known any day now, the only thing left to do is prove to the council she has heart. Then she will finally be declared a true haunt huntress, worthy of following in the footsteps of her long line of female ancestors. But when Evangeline and her grandmother are called to New Orleans to resolve an unusual case, she uncovers a secret that will shake her to the soles of her silver-tipped alligator-skin boots. Set in the evocative Louisiana bayou and the vibrant streets of New Orleans, Evangeline’s is a tale of loyalty and determination, the powerful bonds of friendship and family, and the courage to trust your gut no matter how terrifying that might be.

Hurricane Katrina sets a teenage girl adrift. But a new life — and the promise of love — emerges in this rich, highly readable debut. Bayou Perdu, a tiny fishing town way, way down in Louisiana, is home to sixteen-year-old Evangeline Riley. She has her best friends, Kendra and Danielle; her wise, beloved Mamere; and back-to-back titles in the under-sixteen fishing rodeo. But, dearest to her heart, she has the peace that only comes when she takes her skiff out to where there is nothing but sky and air and water and wings. It’s a small life, but it is Evangeline’s. And then the storm comes, and everything changes. Amid the chaos and pain and destruction comes Tru — a fellow refugee, a budding bluesman, a balm for Evangeline’s aching heart. Told in a strong, steady voice, with a keen sense of place and a vivid cast of characters, here is a novel that asks compelling questions about class and politics, exile and belonging, and the pain of being cast out of your home. But above all, this remarkable debut tells a gently woven love story, difficult to put down, impossible to forget.

When Leigh Benoit returns home to Louisiana for the funeral of her brother and his wife, she becomes increasingly concerned about the welfare of her orphaned niece, Lyla. She is prompted by her grandmother, Clothilde, to move back to take care of her. Leigh has no desire to take on any responsibility, and being home again brings back painful memories. At the funeral, Leigh's childhood friend, Detective Lucas Castille, tells her the mysterious details of the accident that killed her brother and his wife. Lucas' young son has dreams of a Dark Man who wishes to harm Lyla. Leigh begins to have similar dreams. She struggles with her rational mind but vows to protect her niece. Soon, she finds out there is more to the story and more to her grandmother than she thought.

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For 10,000 years before any European immigrants arrived on the North American Continent, Native American Indians engaged in a communal lifestyle. From 1600 to 1791, American Colonists established a thriving home production economy, and having ownership of their tools, or means of production, they produced everything they needed to survive. They were self-reliant, and the American Colonists sold their excess goods to merchants, who resold them for a profit. By 1791, the merchants were able to start the first textile factories as a result, which brought an abrupt end to the home production economy, and the beginning of American Capitalism. Former independent colonists were now forced into the textile factory, and the first wage contract appeared in America. The wage contract also set in motion a contradiction between the capitalist owners of the means of production and the new American Working Class. The wage contract allowed the owners of working class labor, and the instruments of production, to evolve into an American Ruling Class, and the producers of all commodities and wealth became the American Working Class People wage-workers class. Because of their divergent interests, the two classes formed a class contradiction, and the latter became known as the capitalist American Ruling Class Opposite and the American Working Class Opposite (People) wage-workers. This development occurred mainly in the northern factory economy, while in the South, uncompensated African Slave Labor was dominant, which was owned by an American Slaveholding Class. By 1860, the contradiction between the capitalist American Ruling Class Opposite owner of the wage labor system came into a head-on contradiction with uncompensated African Slave Labor, and a bloody Civil War was fought to determine which type of means of production would prevail and dominate during the 20th Century? The South was defeated, and the wage contract system became nationalized. Therefore, throughout the twentieth Century, including the beginning of the new Millennium, the capitalist American Ruling Class Opposite expropriated the labor’s product of the American Working Class Opposite (People) wage-workers, which resulted in this class accumulation of multiple-billions of dollars of Surplus-Value, and simultaneously this loss translated into the American Working Class Opposite (People) wage-workers’ increasing alienation, estrangement, loss self-identity, self-expression, and freedom.

Louisiana's famous Cajun Country is a place where today's travelers can still experience the rich heritage and traditions that began in the eighteenth century. From foodways and folktales to music and festivals, Acadiana offers something you can't get anywhere else. Journey through this historic and unique part of the state with travel writer and historian Cher Coen as your guide Experience Cajun Country through its exceptional cuisine, area events, and historic attractions.