Every Room Tells A Story

Offers the most interesting and provocative interiors published to date in the first 12 issues of the widely accliamed interior design magazine, nest. Called, among other things, 'Homes and Gardens for the decadent and deranged' (Wallpaper), the special chemistry of Nest brings it all under one roof. Editor in Chief and Art Director Holtzman takes readers behind the scenes and shares the way his unique features are hatched and achieve maturity. This is a must for fans of the magazine, and will introduce its one of a kind sensibility to the uninitiated.

Following on from the hugely successful A Living Space, Kit Kemp is back with another stunning interiors book that presents her signature style and ever-changing approach to design. As always, Kit brings life and interest to the rooms she styles and avoids taking design too seriously, playing with scale, color and pattern to create personal, handcrafted spaces. Featuring the inspiration behind her effortlessly stylish rooms and buildings, this book provides real insight into the way Kit approaches a room and the success she achieves with each space. Also exploring her collaborations with artists, this is an intriguing look at Kit's way of styling - an intoxicating mix of contemporary and antique elements, a playful approach to fabrics and color, and an individual eye for art. Every room that Kit breathes life into has a story to tell.

In this deeply moving and life-affirming tale, a mother must nurture her five-year-old son through an unfathomable situation with only the power of their imagination and their boundless capacity to love. Written for the stage by Academy Award® nominee Emma Donoghue, this unique theatrical adaptation featuring songs and music by Kathryn Joseph and director Cora Bissett takes audiences on a richly emotional journey told through ingenious stagecraft, powerhouse performances, and heart-stopping storytelling. Room reaffirms our belief in humanity and the astounding resilience of the human spirit. This updated and revised edition was published to coincide with the Broadway premiere in Spring 2023.

Liz Kalinowska and Daška Hatton invite you into the therapy room to experience a therapeutic encounter through the lens of Craniosacral Therapy, discussing ways that therapists and clients can work together to optimise the success of treatment. Describing a unique journey through ten bodywork sessions from the standpoints of a fictional client 'Anna', and her therapist, 'Sarah', the authors take you behind the scenes to witness the client's voyage of discovery, and how the encounter appears to her therapist during the course of treatment. The book shows how the perspectives of both participants develop and widen through their shared experiences and examines the ups and downs of the therapeutic relationship. Boundary, transference and trust issues are explored as Liz and Daška share their own experiences of more than 40 years in practice and examples from myth and legend help to place the work in a wider context.

A riveting exploration of the most difficult and important part of what doctors do, by Yale School of Medicine physician Dr. Lisa Sanders, author of the monthly New York Times Magazine column "Diagnosis," the inspiration for the hit Fox TV series House, M.D. "The experience of being ill can be like waking up in a foreign country. Life, as you formerly knew it, is on hold while you travel through this other world as unknown as it is unexpected. When I see patients in the hospital or in my office who are suddenly, surprisingly ill, what they really want to know is, ‘What is wrong with me?’ They want a road map that will help them manage their new surroundings. The ability to give this unnerving and unfamiliar place a name, to know it—on some level—restores a measure of control, independent of whether or not that diagnosis comes attached to a cure. Because, even today, a diagnosis is frequently all a good doctor has to offer." A healthy young man suddenly loses his memory—making him unable to remember the events of each passing hour. Two patients diagnosed with Lyme disease improve after antibiotic treatment—only to have their symptoms mysteriously return. A young woman lies dying in the ICU—bleeding, jaundiced, incoherent—and none of her doctors know what is killing her. In Every Patient Tells a Story, Dr. Lisa Sanders takes us bedside to witness the process of solving these and other diagnostic dilemmas, providing a firsthand account of the expertise and intuition that lead a doctor to make the right diagnosis. Never in human history have doctors had the knowledge, the tools, and the skills that they have today to diagnose illness and disease. And yet mistakes are made, diagnoses missed, symptoms or tests misunderstood. In this high-tech world of modern medicine, Sanders shows us that knowledge, while essential, is not sufficient to unravel the complexities of illness. She presents an unflinching look inside the detective story that marks nearly every illness—the diagnosis—revealing the combination of uncertainty and intrigue that doctors face when confronting patients who are sick or dying. Through dramatic stories of patients with baffling symptoms, Sanders portrays the absolute necessity and surprising difficulties of getting the patient’s story, the challenges of the physical exam, the pitfalls of doctor-to-doctor communication, the vagaries of tests, and the near calamity of diagnostic errors. In Every Patient Tells a Story, Dr. Sanders chronicles the real-life drama of doctors solving these difficult medical mysteries that not only illustrate the art and science of diagnosis, but often save the patients’ lives.

Modern maximalist designer Philip Mitchell reveals his talent for blending collections, family heirlooms, contemporary art, and accessories in visually creative environments that are brimming with personality, color, authenticity, and warmth. The elegant, clean classicism of Philip Mitchell’s style is on full display in these homes, where he masterfully incorporates a wide-ranging mix of antiques, vintage collectibles, and contemporary pieces—everything from inherited furniture collections to modern art—in rooms that are filled with memories and warmth. As a master of what he calls modern maximalism, Mitchell embraces the challenge of taking wonderful things that a homeowner already has and making more of them. Once Mitchell has established a connecting thread among a variety of disparate pieces—whether through finish, material, scale, color, texture, or line—he starts the process of building the relationships that bring a space to life. Brilliant photographs take readers on in-depth tours of nine homes, ranging from an elegant Upper East Side pied-à-terre to a classic cottage on the water in Nova Scotia. Mitchell’s personal narrative in elegant text enlightens, while his takeaways accompanying each home help readers understand how to blend new and old, mix colors and patterns, and fill a home with an eclectic mix that is truly their own.

My name is Amber Reynolds. There are three things you should know about me: 1. I’m in a coma. 2. My husband doesn’t love me anymore. 3. Sometimes I lie. Amber wakes up in a hospital. She can’t move. She can’t speak. She can’t open her eyes. She can hear everyone around her, but they have no idea. Amber doesn’t remember what happened, but she has a suspicion her husband had something to do with it. Alternating between her paralyzed present, the week before her accident, and a series of childhood diaries from twenty years ago, this brilliant psychological thriller asks: Is something really a lie if you believe it's the truth?

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M