Everybody Is A Body Second Edition

Movement connects us all. We are all moving, all of the time. The moving body is the foundation of human activity. In a world where technological advancement allows for instant global connections, we are becoming increasingly disembodied. This gives rise to "dis-ease" in our physical, emotional and intellectual selves. This book promotes increased awareness of the power and potential of human movement. It takes into account personal uniqueness, as well as the universal aspects of what it means to be human. This book is for every body. In order to experience life to its fullest, it is important to keep in touch with our moving selves. It is not a "how-to" book. We are not advocating a specific movement technique or practice. It is about re-discovering that you are a mover and that movement is not just an activity. Our movement is the expression of ourselves in the world. This second edition includes expanded chapters and appendices further explicating the Laban/Bartenieff Movement System (LBMS) for the benefit of students in movement analysis training programs. The text's additions also serve as a testimony to the ongoing development of this system.

Movement connects us all. We are all moving, all of the time. The moving body is the foundation of human activity. In a world where technological advancement allows for instant global connections, we are becoming increasingly disembodied. This gives rise to “dis-ease” in our physical, emotional and intellectual selves. This book promotes increased awareness of the power and potential of human movement. It takes into account personal uniqueness, as well as the universal aspects of what it means to be human. This book is for every body. In order to experience life to its fullest, it is important to keep in touch with our moving selves. It is not a “how-to” book. We are not advocating a specific movement technique or practice. It is about re-discovering that you are a mover and that movement is not just an activity. Our movement is the expression of ourselves in the world. This second edition includes expanded chapters and appendices further explicating the Laban/Bartenieff Movement System (LBMS) for the benefit of students in movement analysis training programs. The text’s additions also serve as a testimony to the ongoing development of this system.

Movement connects us all. We are all moving, all of the time. The moving body is the foundation of human activity. In a world where technological advancement allows for instant global connections, we are becoming increasingly disembodied. This gives rise to "dis-ease" in our physical, emotional and intellectual selves. This book promotes increased awareness of the power and potential of human movement. It takes into account personal uniqueness, as well as the universal aspects of what it means to be human. This is a book for every body. In order to experience life to it's fullest, it is important to keep in touch with our moving selves. It is not a "how-to" book. We are not advocating a specific movement technique or practice. It is about re-discovering that you are a mover and that movement is not just an activity. Our movement is the expression of ourselves in the world. Karen A. Studd is master teacher for the Laban/Bartenieff Institute of Movement Studies, teaching internationally in training programs in movement analysis. She is also a professor at George Mason University. A teacher of movement analysis, somatics and dance, her interest is in promoting awareness of human movement as a fundamental body of knowledge. She is frequently sought as a "body language expert" in observation of personal style through the non-verbal communication of political pundits. Laura L. Cox is a teacher of Laban/Bartenieff Movement Studies, dance, kinesiology and somatics. She has taught internationally and served on the faculties of several universities, including New York University and the University of Nebraska. A Certified Movement Analyst (CMA) and Registered Somatic Movement Educator and Therapist (RSME, RSMT), she has a private practice in movement education and specializes in repatterning the movement of individuals suffering from chronic pain or injury.

New York Times bestseller! "To build a world that works for everyone, we must first make the radical decision to love every facet of ourselves. . . . 'The body is not an apology' is the mantra we should all embrace." —Kimberlé Crenshaw, legal scholar and founder and Executive Director, African American Policy Forum Humans are a varied and divergent bunch with all manner of beliefs, morals, and bodies. Systems of oppression thrive off our inability to make peace with difference and injure the relationship we have with our own bodies. The Body Is Not an Apology offers radical self-love as the balm to heal the wounds inflicted by these violent systems. World-renowned activist and poet Sonya Renee Taylor invites us to reconnect with the radical origins of our minds and bodies and celebrate our collective, enduring strength. As we awaken to our own indoctrinated body shame, we feel inspired to awaken others and to interrupt the systems that perpetuate body shame and oppression against all bodies. When we act from this truth on a global scale, we usher in the transformative opportunity of radical self-love, which is the opportunity for a more just, equitable, and compassionate world—for us all. This second edition includes stories from Taylor's travels around the world combating body terrorism and shines a light on the path toward liberation guided by love. In a brand new final chapter, she offers specific tools, actions, and resources for confronting racism, sexism, ableism, homophobia, and transphobia. And she provides a case study showing how radical self-love not only dismantles shame and self-loathing in us but has the power to dismantle entire systems of injustice. Together with the accompanying workbook, Your Body Is Not an Apology, Taylor brings the practice of radical self-love to life.

Random House's completely revised best-selling guide to good English. Random House Webster's Pocket Grammar, Usage, and Punctuation is perfect for students, business, and anyone who cares about the correct use of English. Includes: • Clear and concise explanations of English grammar with plenty of examples • Common grammatical and stylistic errors and how to avoid them • Quick reference to commonly misspelled words • User-friendly guide to punctuation and capitalization • Easily confused words and how to tell them apart • Convenient pocket size that fits into backpack, purse, or briefcase From the Trade Paperback edition.

Along with Shakespeare, Jane Austen (1775-1817) can be said to be the most widely studied author in the history of English literature. But unlike Shakespeare, her language has received little scholarly attention. This is especially true for the language of her letters. Jane Austen's letters, mostly addressed to her sister Cassandra but to various other people as well, have been described as the equivalent of telephone conversations, and if you read them, you can almost hear her speak. We do not have access to actual speech from the time in which she lived, but the letters take us as close to the spoken language of the period as you might hope to get. They are therefore a veritable linguistic goldmine. This study, for the first time, offers a detailed sociolinguistic account of all aspects of the language of her letters: spelling, vocabulary and grammar. It also produces some evidence of pronunciation as well as of local dialectal usage. The analysis shows Jane Austen to be rather idiosyncratic in her language use: she was consistent in her spelling (though she had unusual spelling preferences), not very innovative in her vocabulary (though she did coin a few new words), and not quite representative of grammatical developments of the times (though her usage differed depending on who she wrote to, her sister, her publisher or her nieces and nephews). This study of Jane Austen's private language use shows the extent to which she varied in her language use, just like any of us do today, while is also provides evidence both for a date of her unfinished novel The Watsons (for the first time on linguistic grounds) and for the interplay there must have been between the editors of her novels and her own linguistic preferences, in the field of spelling and otherwise.