Everything Is Sampled

Everything Is Sampled examines the shifting modes of production and circulation of African artistic forms since the 1980s, focusing on digital culture as the most currently decisive setting for these changes. Drawing on works of cinema, literature, music, and visual art, Akin Adesokan. addresses two main questions. First, given the various changes that the institutions producing African arts and letters have undergone in the past four decades, how have the representational impulses in these forms fared in comparison with those at work in pervasively digital cultures? Second, how might a long view of these artistic forms across media and in different settings affect our understanding of what counts as art, as text, as authorship? Immersed in digital culture, African artists today are acutely aware of the media-saturated circumstances in which they work and actively bridge them by making ethical choices to shape those circumstances. Through an innovative development and analysis of five modes of creative practice—curation, composition, adaptation, platform, and remix—Everything Is Sampled offers an absorbingly complex yet nuanced approach to appreciating the work of several generations of African writers, directors, and artists. No longer content to just fill a spot in the relay between the conception and distribution of a work, these artists are now also quick to view and reconfigure their works through different modes of creative practice.

Publisher Description

Evaluating Research: Methodology for People Who Need to Read Research, Second Edition by Francis C. Dane offers readers a straightforward presentation of the key components of research and the skills they need to read and evaluate it. The book covers a range of research that students are most likely to encounter, from experimental to field research, and archival to evaluation research. The Second Edition features updated examples of research across disciplines, new and updated content on qualitative research and conceptual statistics, and a streamlined organization that better aligns with the order of information in a research article.

This work digs deep into sampling practices across audio-visual media, from found footage filmmaking to Internet 'memes' that repurpose music videos, trailers and news broadcasts. The book extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring its politics, and examining its historical and global scope.

In this long-awaited follow-up to his critically acclaimed 1967 classic, Six Seconds in Dallas, Josiah Thompson reveals major new forensic discoveries since the year 2000 that overturn previously accepted “facts” about the Kennedy assassination. Together they provide what no previous book on the assassination has done—incontrovertible proof that JFK was killed in a crossfire. Last Second in Dallas is not a conspiracy book. No theory of who did it is offered or discussed. Among the discoveries: The test showing that all recovered bullet fragments came from Oswald’s rifle was mistaken. Several fragments could have come from bullets of any manufacturer and any caliber. The sudden two-inch forward movement of the president’s head in the Zapruder film just before his head explodes is revealed to be an optical illusion caused by the movement of Zapruder’s camera. This leaves without further challenge clear evidence that this shot came from a specific location to the right front of the limousine. Detailed analysis of film frames matched by the newly validated acoustic evidence show a second shot struck the president’s head from behind less than a second later. Result: two killing shots to the head from opposite directions in the final second of the shooting—hence the book’s title. At once a historical detective story and a deeply personal narrative by a major figure in the field, Last Second in Dallas captures the drama and sweep of events, detailing government missteps and political bias as well as the junk science, hubris, and controversy that have dogged the investigation from the beginning. Into this account Thompson weaves his own eventful journey, that of a Yale-educated scholar who in 1976 resigned his tenured professorship in philosophy to become a private investigator in San Francisco, developing a national reputation. Profusely illustrated, Last Second in Dallas features dozens of archive photographs, including Zapruder film frames reproduced at the highest clarity ever published.