Ex Wife Faber Editions

'A forgotten classic: darkly funny and startlingly contemporary, full of witty one-liners and stop-you-in-your-tracks observations about romance, work, and life.' (Monica Heisey, Really Good, Actually).Lord, I have been more chased than chaste .[Bokinfo].

Meet your new best friend in this lost classic of single women losing and finding themselves in New York City - the millennial novel from a century ago, introduced by Monica Heisey ( Really Good, Actually). Lord, I have been more chased than chaste . . It feels remarkable to be a deserted wife when one is only twenty-four. New York, 1924. Patricia and Peter are a thoroughly modern married couple. Both drink. Both smoke. Both work. Both believe in 'Love-Outside-Marriage'. Until they don't. Or, really, until he doesn't. So when Peter pushes for divorce with increasing violence, Patricia has to forge a new life as a single woman: as an ex-wife. A sensational bestseller in 1929, yet utterly timeless, Ex-Wife plunges us into the 'era of the one-night stand'. It evokes not only the Manhattan bars, fashion advertising offices, female friendships and all-night parties of a dazzling city, but the hollow affairs, emotional hangovers, backstreet abortions, and struggles for sexual freedoms amidst the moral double standards of a patriarchal world.

A dark, dystopian portrait of artists struggling to resist violent suppression—“queer, English, a masterpiece.” (Hilton Als) Set amid the rolling hills and the sandy shingle beaches of coastal Sussex, this disquieting novel depicts an England in which bland conformity is the terrifying order of the day. Violent gangs roam the country destroying art and culture and brutalizing those who resist the purge. As the menacing “They” creep ever closer, a loosely connected band of dissidents attempt to evade the chilling mobs, but it’s only a matter of time until their luck runs out. Winner of the 1977 South-East Arts Literature Prize, Kay Dick’s They is an uncanny and prescient vision of a world hostile to beauty, emotion, and the individual.

** Order Andrew O'Hagan's new novel Caledonian Road now ** 'A beautiful, elegiac work . . . This should be required reading for everybody.' Ian Rankin Shortlisted for the Booker Prize, Our Fathers is a powerful reclamation of the past from one of Britain's most accomplished literary novelists. Hugh Bawn, modern Scottish hero and legendary social reformer, lies dying in one of the high-rise tower blocks he helped establish. His grandson Jamie comes home to watch over him, and it is Jamie who tells the story of their family, of three generations of pride and delusion, of nationality and strong drink, of Catholic faith and the end of the old left. It is a tale of dark hearts and modern houses - of three men in search of Utopia.

The textual foundations of works of great cultural significance are often less stable than one would wish them to be. No work of Homer, Dante or Shakespeare survives in utterly reliable witnesses, be they papyri, manuscripts or printed editions. Notions of textual authority have varied considerably across the ages under the influence of different (and differently motivated) agents, such as scribes, annotators, editors, correctors, grammarians, printers and publishers, over and above the authors themselves. The need for preserving the written legacy of peoples and nations as faithfully as possible has always been counterbalanced by a duty to ensure its accessibility to successive generations at different times and in different cultural contexts. The ten chapters collected in this volume offer critical approaches to such authors and texts as Homer, the Bible, The Thousand and One Nights, Dante, Montaigne, Shakespeare, Eliot, but also Leonardo da Vinci's manuscripts uniquely combining word and image, as well as Beethoven's 'Tempest' sonata (Op. 31, No. 2) as seen from the angle of music as text. Together the contributors argue that an awareness of what the 'life of texts' entails is essential for a critical understanding of the transmission of culture.

For the first time, the vast canon of the poetry of Ted Hughes - winner of the Whitbread and Forward Prizes and former Poet Laureate - together in a single e-book. The Collected Poems spans fifty years of work, from Hawk in the Rain to the best-selling Birthday Letters. It also includes the complete texts of such seminal publications as Crow and Tales from Ovid as well as those children's poems that Hughes felt crossed over into adult poetry. Most significantly it also includes small press publications and editions that, until now, remain uncollected and have never before been available to a general readership. 'A guardian spirit of the land and language.' Seamus Heaney

All actors and acting teachers need The Ultimate Scene and Monologue Sourcebook, the invaluable guide to finding just the right piece for every audition. This remarkable book describes the characters, action, and mood for more than 1,000 scenes in over 300 plays. This unique format is ideal for acting teachers who want their students to understand each monologue in context. Using these guidelines, the actor can quickly pinpoint the perfect monologue, then find the text in the Samuel French or Dramatist Play Service edition of the play. Newly revised and expanded, the book also includes the author’s own assessment of each monologue.

Schuchard's critical study shows how Eliot's personal voice works through the sordid, the bawdy, the blasphemous and the horrific to create a moral world and the only theory of moral criticism in English literature. The book also erodes conventional attitudes toward Eliot's intellectual and spiritual development.