Examine The Representation Of The Relationship Between Language And Power Insouth African Literature

Essay from the year 2001 in the subject English Language and Literature Studies - Literature, grade: B, University of London (Faculty of English Literature), course: Literature in History: Race and Subjectivity in South African Writing, language: English, abstract: ‘The choice of language and the use to which language is put is central to a people’s definition of themselves in relation to their natural and social environment, indeed in relation to the entire universe.’1 This quote by the Kenyan writer Ngugi expresses the exceedingly important relationship between language and the individual in general. This relationship is gaining even more importance for a continent such as Africa, in which large parts of the native population were oppressed by European colonial powers for centuries. One important instrument of oppression was definitely language and the feeling of European superiority resulting out of cultural traditions, such as literature. In South Africa, where two major colonial powers were fighting for supremacy and many different native ethnic groups were combined in one state, the question of language would almost naturally provoke conflicts and crisis. In this essay, I should like to have a closer look at this delicate relationship between language and power in South African literature with the example of a Black and a White African writer, Sol T. Plaatje and Nadine Gordimer. In his historical overview, Leonard Thompson already describes the South Africa of the 18th century as a ‘linguistic Babel’2. Afrikaans, a simplified form of Dutch and at first only used in oral communication, would gradually develop into the lingua franca of South Africa. Today, its greatest competitor among European languages is English and both languages, together with nine African languages, belong to the eleven official languages of the postapartheid South African State. The right of every South African to use the language of his or her choice is now embedded in the constitution. However, the situation of having eleven official languages is truly unique world-wide. One of the most pressing question is whether there is a necessity to agree on a single language as the official one, with the other ten languages receiving an equally high status, in order to support the current process of nation-building? If so, should it be English, Afrikaans or one of the African languages? [...] 1 Ngugi wa Thiong’o. Decolonising the Mind, page 4

A detailed and compelling volume that contributes significantly to current trends in post-apartheid scholarship.

Roads to Decolonisation: An Introduction to Thought from the Global South is an accessible new textbook that provides undergraduate students with a vital introduction to theory from the Global South and key issues of social justice, arming them with the tools to theorise and explain the social world away from dominant Global North perspectives. Arranged in four parts, it examines key thinkers, activists and theory-work from the Global South; theoretical concepts and socio-historical conditions associated with 'race' and racism, gender and sexuality, identity and (un)belonging in a globalised world and decolonisation and education; challenges to dominant Euro-American perspectives on key social justice issues, linking decolonial discourses to contemporary case studies. Each chapter offers an overview of key thinkers and activists whose work engages with social justice issues, many of whom are under-represented or left out of undergraduate humanities and social sciences textbooks in the North. This is essential reading for students of the humanities and social sciences worldwide, as well as scholars keen to embed Southern thought in their curricula and pedagogical practice.

Michael Andindilile in The Anglophone LiteraryLinguistic Continuum: English and Indigenous Languages in African Literary Discourse interrogates Obi Walis (1963) prophecy that continued use of former colonial languages in the production of African literature could only lead to sterility, as African literatures can only be written in indigenous African languages. In doing so, Andindilile critically examines selected of novels of Achebe of Nigeria, Ngugi of Kenya, Gordimer of South Africa and Farah of Somalia and shows that, when we pay close attention to what these authors represent about their African societies, and the way they integrate African languages, values, beliefs and cultures, we can discover what constitutes the Anglophone African literarylinguistic continuum. This continuum can be defined as variations in the literary usage of English in African literary discourse, with the language serving as the base to which writers add variations inspired by indigenous languages, beliefs, cultures and, sometimes, nation-specific experiences.

This collection of essays includes a variety of approaches to different interpretations of 'space'. Some deal with aspects of (post)colonialism, mapping, and identity formation, while others grapple with the positionality of 'in between' as well as with issues of multiculturalism and intertextuality. The spaces of art, beliefs and institutions are examined, as are the intellectual and artistic activities involved in articulating and defining space. It is a book of tendencies, which gives some indication of the new work being done in South Africa as well as in the broader global context, and reflects different moments of conflict and negotiation within the social relations of different societies from pre-apartheid South Africa to the present. The essays chosen for this volume broach the fantastic and sexual dimensions of cultural spaces and cultural production, issues of marginality and power, hybridity, gender identity, ideology and technology.

With the eyes of the world watching South Africa, this book provides a unique window on the transition to democracy through an analysis of the practice of power in language.

Although gender and non-gender scholars have studied men, such an academic exercise requires a critical and focused study of masculine subjects in particular social contexts, which is what this book attempts to do. This empirically rich collection of essays, the seventh of the CODESRIA Gender Series, deals with critical examinations of various shades and ramifications of Africa's masculinities and what these portend for the peoples of Africa and for gender relations in the continent. So much has changed in terms of notions and expressions of masculinities in Africa since ancient times, but many aspects of contemporary masculinities were fashioned during and since the colonial period. The papers in this volume were initially discussed at the 2005 month-long CODESRIA Gender Institute in Dakar. The contributors are gender scholars drawn from various disciplines in the wide fields of the humanities and the social sciences with research interests in the critical study of men and masculinities in Africa. The CODESRIA Gender Series aims at keeping alive and nourishing the African social science knowledge base with insightful research and debates that challenge conventional wisdom, structures and ideologies that are narrowly informed by caricatures of gender realities. The series strives to showcase the best in African gender research and provide a platform for emerging new talents to flower.

This book contributes to a growing corpus of writing on the body, bringing new perspectives to this fascinating and topical subject. Feminist, psychoanalytic and queer readings, among others, have demonstrated the extent of the functions and roles fulfilled by the body, as well as the number of critical perspectives it can serve. However, by and large, African representations of the body have been overlooked. This coherent volume brings together essays on the portrayal of the body in African art, film, literature, photography and theatre. The book includes thematically linked contributions which explore issues of power and representation, and reflects current trends in the study of the body and more broadly within the field of African Studies.