Exhausted Ecologies

Modern literature and environmentalism combined ecology, psychology, and aesthetics to restore communal well-being to the United Kingdom after world war.

How literature of the British imperial world contended with the social and environmental consequences of industrial mining The 1830s to the 1930s saw the rise of large-scale industrial mining in the British imperial world. Elizabeth Carolyn Miller examines how literature of this era reckoned with a new vision of civilization where humans are dependent on finite, nonrenewable stores of earthly resources, and traces how the threatening horizon of resource exhaustion worked its way into narrative form. Britain was the first nation to transition to industry based on fossil fuels, which put its novelists and other writers in the remarkable position of mediating the emergence of extraction-based life. Miller looks at works like Hard Times, The Mill on the Floss, and Sons and Lovers, showing how the provincial realist novel’s longstanding reliance on marriage and inheritance plots transforms against the backdrop of exhaustion to withhold the promise of reproductive futurity. She explores how adventure stories like Treasure Island and Heart of Darkness reorient fictional space toward the resource frontier. And she shows how utopian and fantasy works like “Sultana’s Dream,” The Time Machine, and The Hobbit offer imaginative ways of envisioning energy beyond extractivism. This illuminating book reveals how an era marked by violent mineral resource rushes gave rise to literary forms and genres that extend extractivism as a mode of environmental understanding.

Architect and philosopher Hélène Frichot examines how the discipline of architecture is theorized and practiced at the periphery. Eschewing a conventionally direct approach to architectural objects – to iconic buildings and big-name architects – she instead explores the background of architectural practice, to introduce the creative ecologies in which architecture exists only in relation to other objects and ideas. Consisting of a series of philosophical encounters with architectural practice that are neither neatly located in one domain nor the other, this book is concerned with 'other ways of doing architecture'. It examines architecture at the limits where it is muddied by alternative disciplinary influences – whether art practice, philosophy or literature. Frichot meets a range of creative characters who work at the peripheries, and who challenge the central assumptions of the discipline, showing that there is no 'core of architecture' – there is rather architecture as a multiplicity of diverse concerns in engagement with local environments and worlds. From an author well-known in the disciplines of architecture and philosophy for her scholarship on Deleuze, this is a radical, accessible, and highly-original approach to design research, deftly engaging with an array of current topics from the Anthropocene to affect theory, new materialism contemporary feminism.

In drawing together contributions from leading and emerging scholars from across the UK and America, Eco-Modernism offers a diverse range of environmental and ecological interpretations of modernist texts and illustrates that ecocriticism can offer fresh and provocative ways of understanding literary modernism.

The Svalbard Global Seed Vault project is an arctic archive designed to preserve the world’s agricultural biodiversity. What do it and other novel forms of storage tell us about our relationship to the future in a time of resource depletion and extinction scenarios? In this innovative book, Vincent Bruyere offers an invitation to look at the present we live in through a fresh lens: the difference between storage and burial in the age of sustainability science. Perishability Fatigue considers questions of permanence and the potentiality of retrieval, noting the tensions within our collective sense of time and finitude. Bruyere reflects on the nature and significance of perishability, asking what it means to have one’s sense of temporality engendered by seed banks and frozen embryo storage, genetically modified organisms and the “de-extinction” of species, nuclear-waste repositories, oncology, and palliative care. He draws attention to the scripts and scenarios that mediate our relations to loss and decay, preservation and conservation, emphasizing the inequalities implicit in technologies of perishability, which promise continuity in the future to some while refusing it to others. A highly interdisciplinary study, Perishability Fatigue reframes the environmental humanities and humanistic inquiry into sustainability science by developing a new language to commemorate fatigue and transience in a culture of preparedness and survival.

The Routledge Handbook of the Digital Environmental Humanities explores the digital methods and tools scholars use to observe, interpret, and manage nature in several different academic fields. Employing historical, philosophical, linguistic, literary, and cultural lenses, this handbook explores how the digital environmental humanities (DEH), as an emerging field, recognises its convergence with the environmental humanities. As such, it is empirically, critically, and ethically engaged in exploring digitally mediated, visualised, and parsed framings of past, present, and future environments, landscapes, and cultures. Currently, humanities, geographical, cartographical, informatic, and computing disciplines are finding a common space in the DEH and are bringing the use of digital applications, coding, and software into league with literary and cultural studies and the visual, film, and performing arts. In doing so, the DEH facilitates transdisciplinary encounters between fields as diverse as human cognition, gaming, bioinformatics and linguistics, social media, literature and history, music, painting, philology, philosophy, and the earth and environmental sciences. This handbook will be essential reading for those interested in the use of digital tools in the study of the environment from a wide range of disciplines and for those working in the environmental humanities more generally.

This book examines how extractivism transforms territories and affects the well-being of rural people, drawing on in-depth fieldwork conducted on tree plantations in Chile. The book argues that pine and eucalyptus monoculture plantations in southern Chile are a form of extractivism representing a mode of nature appropriation that captures large amounts of natural resources to produce wooden-based raw materials with little processing and an export-oriented focus. The book discusses the nexus of extractivism, territorial transformations, well-being, and emerging resistances using a participatory action research methodological approach in the Region of Los Ríos, southern Chile. The findings show how the configuration of an extractivist logging enclave generated a substantial and irrevocable reordering of human-nature relations, resulting in the territorial and ontological occupation of rural places that disrupted the fundamental human needs of peasants and indigenous people. The book maintains that Chile's green growth development approach does not challenge the consolidated tree plantation enclave controlled by large multinationals. Instead, green growth legitimises the extractivist logic. The book draws parallels with other countries and regions to contribute to wider debates surrounding these topics. This book will be of great interest to students and scholars of the extractive industries, development studies, political ecology, and natural resource governance.

British Modernism and the Anthropocene: Experiments with Time assesses the environmental politics of modernism in relation to the idea of the Anthropocene--a proposed geological epoch in which humans have fundamentally changed the Earth System. The early twentieth century was marked by environmental transformations that were so complex and happened on such great scales that they defied representation. Modernist novelists responded with a range of innovative narrative forms that started to make environmental crisis on a planetary scale visible. Paradoxically, however, it is their failures to represent such a crisis that achieve the greatest success. David Shackleton explores how British modernists employed types of narrative breakdown--including fragmentation and faltering passages devoid of events--to expose the limitations of human schemes of meaning, negotiate the relationship between different scales and types of time, produce knowledge of ecological risk, and register various forms of non-human agency. Situating modernism in the context of fossil fuel energy systems, plantation monocultures, climate change, and species extinctions, Shackleton traces how H.G. Wells, D.H. Lawrence, Olive Moore, Virginia Woolf, and Jean Rhys undertook experiments with time in their novels that refigure history and the historical situations into which they were thrown. Ultimately, British Modernism and the Anthropocene shows how modernist novels provide rich resources for rethinking the current environmental crisis, and cultivating new structures of environmental care and concern.